Dominic Winter by Jamm Design Ltd

Fine Art & Antiques 16/17 JULY 2014

Dominic Winter SPECIALIST AUCTIONEERS & VALUERS

Lot 291 â&#x20AC;˘ Front Cover: Lot 329

Dominic Winter SPECIALIST AUCTIONEERS AND VALUERS All lots are offered subject to the Conditions of Sales and Business exhibited in the saleroom. A buyer’s premium of 19.5% of the hammer price is payable by the buyers of all lots, except those lots asterisked, in which case the buyer’s premium is 23.40% Lots marked with a cross (+) are subject to VAT on the hammer price as well as the premium

PAINTINGS & WATERCOLOURS OLD MASTER & MODERN PRINTS CHINESE & JAPANESE ART Wednesday 16th July 2014 Lots 1-432 commencing at 11am Followed by

ANTIQUE FURNITURE & CLOCKS IMPORTANT SILVER & JEWELLERY CERAMICS & CHINESE JADE Thursday 17th July 2014 Lots 435-817 commencing at 11am Viewing: Tuesday 15th July, 9am-7pm and morning of sales from 9am Payments: For full details please refer to the information on the reverse of the Contents Page Please ensure that all commission bids reach us by 10am on the morning of sale. Telephone bids only accepted for lots with estimated value greater than £300 and should reach us by 9am on morning of sale Results will be posted on our website immediately after the sale.

Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 www.dominicwinter.co.uk

Fax: 01285 862461 info@dominicwinter.co.uk

For directions on how to find us, please refer to map at rear of this catalogue

China. An important album of Chinese photographs, watercolours and ephemera, c. 1870 £10,000-15,000 (9 October)

FORTHCOMING SALES Wednesday 23 July

Printed Books, Maps & Documents The Roy Dunne Naval Collection Bookbinding Equipment & Accessories including the Workshop of Ivor Robinson

Wednesday 17 September

Printed Books, Maps & Documents History of Opera: Photographs, Manuscripts & Memorabilia

Wednesday 8 October

Printed Books, Maps & Documents Sporting Art & Natural History including a Private Collection of Fishing Tackle

Thursday 9 October

Fine Art & Antiques Vintage Photography

Wednesday 12 November

Printed Books, Maps & Documents Sir Winston Churchill: Important Presentation Copies

Wednesday/Thursday 13/14 November

The Collectors’ Sale Historic Aviation, Maritime & Transport Memorabilia Arms, Medals & Militaria Stamps & Coins

Wednesday 17 December

Printed Books, Maps & Documents

Thursday 18 December

Children’s & Illustrated Books & Modern First Editions

Entries are invited for the above sales: please contact one of our specialist staff for further advice

Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 www.dominicwinter.co.uk

Fax: 01285 862461 info@dominicwinter.co.uk

CONTENTS DAY ONE Watercolours & Drawings Marine Art Sporting & Wildlife Art Old Master Prints & Drawings Miniatures & Silhouettes 17th-19th Century Old Master Paintings Chinese Watercolours & Japanese Prints British & Continental Etchings, Woodcuts & Lithographs Art of the First World War Modern Posters Modern Paintings, Watercolours & Drawings Bronze Sculpture Modern & Contemporary Prints

1-57 58-64 65-71 72-94 95-104 105-169 170-232 233-284 285-295 296-299 300-395 396-413 414-432

DAY TWO Ceramics & Glass Oriental Works of Art Biscuit Tins Collectables Pharmaceutical Antiques Jewellery, Watches, Silver & Gold Boxes Clocks Furniture

435-463 464-523 524-548 549-614 615-624 625-713 714-726 727-733 734-817

IMPORTANT NOTICES All lots are offered subject to the Conditions of Sales and Business exhibited in the saleroom and printed at the back of this catalogue. For full terms and conditions of sale please see our website or contact the auction office. A buyerâ&#x20AC;&#x2122;s premium of 23.4% of the hammer price is payable by the buyers of all asterisked lots, except those lots not marked with asterisk, in which case the buyerâ&#x20AC;&#x2122;s premium in 19.5%. Artist's Resale Right Law ("Droit de Suite") Lots marked with a (AR) may be subject to Droit de suite. Droit de suite is payable on the hammer price of any artwork sold in the lifetime of the artist, or within 70 years of the artist's death. The buyer agrees to pay Dominic Winter Auctioneers Ltd. an amount equal to the resale royalty and we will pay such amount to the artist's collecting agent. Resale royalty applies where the Hammer price is 1,000 Euros or more and the amount cannot be more than 12,500 Euros per lot. The amount is calculated as follows: Royalty For the Portion of the Hammer Price (in Euros) 4.00% up to 50,000 3.00% between 50,000.01 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro rate of exchange will be the European Central Bank reference rate on the day of the sale. Please refer to the DACS website www.dacs.org.uk for further details.

For enquiries concerning any lot in this sale, please contact a member of our specialist staff

Paintings, Watercolours & Prints Nathan Winter MA (History of Art) Susanna Winters MA (History of Art) Colin Meays BA Hons (Conservation)

Oriental Art & Jade, Furniture, Silver, Ceramics & Collectables Henry Meadows BA Hons, MRICS Matthew Farren BA Hons, FRAS Paul Rasti

19th CENTURY BRITISH & CONTINENTAL WATERCOLOURS & DRAWINGS To commence at 11am

1* Arden (Edward, 1847-1910). ‘Ploughing on the shores of Windermere’, watercolour on paper, signed to lower left-hand corner, 21 x 36cm (8.5 x 14ins), framed and glazed (1)

£200-300

Lot 3

2* Australia. Panoramic landscape with prospectors panning for gold, mid 19th century watercolour, together with another similar size mid 19th century landscape watercolour with fisherman on a bank, approximately 75 x 52cm (29.5 x 20.5ins) (2)

£300-500

3* Ball (Wilfrid Williams, 1853-1917). Welsh landscape with sheep coming down the valley, watercolour on paper, signed lower right, 38 x 27cm (15 x 10.5ins) mount aperture, framed and glazed (1)

£150-200

4* Brewer (Henry Charles, R.I., 1866-1950). View of an English village from the hay fields, watercolour on card, signed to lower left, 26 x 45cm (10.25 x 17.75ins) sheet size, framed (1)

£100-150

5 Carter (Noel, fl. 1823-1833). A seated gentleman in green velvet jacket and his wife, 1845, a pair of watercolour and pencil portraits on wove paper, signed and dated lower right, 28 x 18.5cm (11 x 7.25ins) mount aperture, period gilt moulded decorative frames (damaged) (2)

£150-200

Lot 5

6* Cattermole (Charles, 1832-1900). “Storming the Castle”, watercolour, showing soldiers on foot and on horseback attacking a large stone fortress, signed lower left, 18 x 24cm (7 x 9.5ins), titled on gilt mount, moulded gilt frame, glazed, with old framer’s label ‘Thos. Agnew & Sons’ on verso (1)

£150-200

7* Clarke (Warren, late 19th/early 20th c.). Near Guildford & Near Dorking, 1893, a pair of watercolours on paper, each heightened with gouache, one showing a wooded landscape with two children approaching a brook, the other with children fishing from a bridge, each signed and dated lower left, 375 x 260mm (14.75 x 10.25ins) mount aperture, matching period gilt frames (some wear), glazed (2)

£300-500

8* Clifford (Edward C., 20th century). High Street scene, probably Rye, East Sussex, watercolour on paper, signed lower right, 21.5 x 28.5cm (8.5 x 11.25ins) mount aperture, framed and glazed Lot 6

(1)

£100-150

9* Compton (Edward Theodore, 1849-1921). The Matterhorn, 1880, watercolour on card, heightened with bodycolour, signed and dated lower right, 178 x 254mm (7 x 10ins), mounted (1)

£1000-1500

10* Cook (Ebenezer Wake, 1843-1926). Gate of the Logetta, Venice, 1893, watercolour, signed lower left, 47.5 x 35.5cm (18.75 x 14ins), gilt frame, glazed The watercolour painter Ebenezer Cook studied under Nicholas Chevalier and worked in London. He exhibited at the Royal Academy 1875-1901, titles including ‘Mussel Sorters, Conway’, 1875, ‘The Thames near Great Marlow’, 1876, ‘Sunset on the Lake of Geneva’, 1892, ‘The Loggia dei Lanzi, Florence’, 1900, and ‘The Earthly Paradise’, 1902. (1) £700-1000

11* Attributed to Samuel Daniell (1775-1811). Harbour at St. Helena, fine pencil and pale brown wash on thick wove paper, inscribed in a small early hand to verso ‘by S. Daniel’, and additionally inscribed in a different hand to verso ‘St. Helena Daniel’, 139 x 199mm (5.5 x 7.8ins)

Lot 7

(1)

£200-400

Lot 9

Lot 10 7

Lot 12 12* Dobbin (Kate 1868 - 1955). High Tide at Douglas, Isle of Man, watercolour on board, signed lower right, 29 x 44 cms (11.5 x 17.25 inches), framed and glazed Lady Kate Dobbin exhibited over one hundred watercolours at the Royal Hibernian Academy, Dublin, between 1894 and 1947. Kate Dobbin and her husband Sir Alfred Dobbin - one time High Sheriff of Cork, and owner of the town's Imperial Hotel - are both represented in the collection of the Crawford Art Gallery, Cork. Born in Bristol, England, the daughter of a solicitor, Kate moved to Cork in 1887 where she studied drawing and painting at the Crawford Municipal School of Art. She specialised in watercolour landscapes of Cork and Connemara, as well as flowerpieces and the occasional portrait. In 1899, she exhibited at the Water Colour Society of Ireland becoming a regular contributor for almost fifty years. In addition, she exhibited at the Munster Fine Art Club and at the Fine Art Society in London. (1) ÂŁ300-500

13* Dutch School Harbour scene, 20th century watercolour on paper, indistinctlysigned lower left, 25 x 34cm (10 x 13.5ins), framed and glazed (1)

ÂŁ100-150

14* India. Shalimar Gardens, Kashmir, with Kolahoi peak beyond, late 19th or early 20th century, watercolour heightened with bodycolour on paper, signed (indistinctly) lower right 'W. G. Elphinstone', early 20th century Indian framer's label of Amir Singh & Sons, Kohat Cantt, to verso, additionally inscribed in a later hand with title of the work and "painted by Willie Elphinstone", 43 x 33cm (17 x 13ins), gilt frame, glazed (1)

£200-300

16* English school. Two allegorical watercolours, after John Edwards (1768-1795), c.1790, together a pair of oval watercolours after J.Edwards, showing an aristocratic and a rural couple in a bucolic setting, slight toning, each inscribed in ink to lower edge 'publish'd as the Act directs Dec. 25th 1783. J.Edwards inv. et fecit', each 32 x 26 cms (12.5 x 10 inches), contemporary gilt gesso frames (slightly chipped), glazed

15* Elphinstone (H., 19th century). View of an Alpine ridge with fir trees, 1869, watercolour on paper heightened with boydcolour, signed and dated to lower right, 31 x 49cm (12 x 19ins), framed and glazed (1)

£200-300

(2)

£200-300

17* English School. Interior of an old bookshop, late 19th or early 20th-century watercolour, heightened with bodycolour, apparently unsigned, 54.5 x 43cm (21 x 17ins), framed and glazed, with faded old handwritten label to verso (1)

19* English school. A lady and a young boy in a landscape, early 19th century, pencil and watercolour sketch, showing a lady wearing a white gown with high neck ruffle and black lace shawl, seated on a bench, with a young boy standing beside, wearing a yellow tunic with neck ruff and holding a whipping top stick, 35 x 23.5cm (13.75 x 9.25ins), together with an early 19th century oval watercolour of a shepherd carrying a lamb, 23.5 x 18cm (9.25 x 7ins), framed and glazed, and an oval head and shoulders watercolour portrait of a small girl, by James Mudd (1821-1906), signed lower right, sheet size 22.5 x 17.5cm (9 x 7ins), mounted, framed and glazed

£200-300

(3)

£100-150

18* English School Hospital in parkland, late 19th century, watercolour on paper, unsigned, 23 x 38cm (9 x 15ins) mount aperture, framed and glazed (1)

£150-200

20* Fraser (Arthur Anderson, 1861-1904). Fishing on the River Ouse, Cambridge, watercolour, heightened with bodycolour, showing two young figures fishing on the bank of a wide river, with trees and a thatched cottage with smoking chimney, signed with monogram lower left, 33.5 x 63.5cm (13.25 x 25ins), mounted, framed and glazed (1)

£150-200

23* Gianni (Maria, late 19th/early 20th c.). Steep paths along the Amalfi coast, gouache and watercolour on paper, signed lower left, 50 x 32.8cm (19.75 x 12.75ins), mounted on card (1)

£100-150

21* French School. A pair of late 18th or early 19th century oval portraits, together two matching oval watercolours on paper, heightened with bodycolour, one depicting a young gentleman in a blue cape, holding a set square (possibly an architect), the other depicting the head of a saint by a tree, with divine rays of light, each 78 x 65mm (3 x 2.5ins), matching verre eglomisé frames (2)

£100-150

22 No lot

24* Glass paintings. Elizabeth, Duchess of Hamilton & Maria, Countess of Coventry, mid-late 18th century, a pair of oval reverse paintings on glass, half-length portraits, each of a young woman in a lace and silk gown, with curled hair adorned with pearls, probably after mezzotints by Richard Houston and Charles Spooner respectively (after original portraits by Francis Cotes), second item with crack affecting lower edge of image, overall size 35.5 x 25cm (14 x 10ins), matching frames, both titled on backboard in contemporary manuscript, and with engraved label ‘William Herbert, Map & Printseller, At the Golden Globe, under ye Piazzas, on London Bridge’ Elizabeth Gunning, Duchess of Hamilton, Duchess of Argyll & 1st Baroness Hamilton of Hameldon (1733-1790) was a celebrated Irish belle and society hostess. Maria, Countess of Coventry (1733-1760) was a famous London beauty and socialite who died of blood poisoning as a result - and against her husband’s wishes - of wearing lead-based make-up. (2) £300-400

Lot 23

27* Glass picture. The Happy Sportsman, mezzotint-under-glass, interior scene of a cleric taking tea with a young woman in morning dress sitting on a sofa, with a maid standing beside, lettered to lower margin ‘This early Visit to the Beauteous Fair,/Shews the Good-Man’s intent, and Pious care;/Whose looks confirm it - that he’d rather kiss/The Lady’s balmy Lips, than the Tea dish’, image size 23 x 35cm (9 x 13.75ins), framed

25* Glass picture. A Regency glass picture depicting personifications of England and Ireland, J. Hinton, Sept 13th 1807, hand-coloured mezzotint-under-glass, showing England as a standing female figure with shield and olive branch, with a lion and obelisk to Lord Nelson behind, and Ireland represented as a standing female figure with a harp, with two sailing ships in the background, printed caption below image ‘England’ and ‘Ireland’, image size 16 x 22.5cm (6.5 x 8.75ins), framed (1)

(1)

£200-300

28* Glass picture. A glass picture depicting personifications of Europe and Asia, early 19th century, hand-coloured mezzotintunder-glass, depicting Europe as a standing female figure holding a globe and sceptre, and Asia as a standing female figure holding a book, with an elephant and boy servant beside, with buildings and a sailing ship in the background, printed caption below image ‘Europe’ and ‘Asia’, image size 23 x 35cm (9 x 13.75ins), framed

26* Glass picture. Morning, by Thomas Burford after Nicolas Lancret, 1741, hand-coloured mezzotint-under-glass, interior scene of a cleric taking tea with a young woman in morning dress sitting on a sofa, with a maid standing beside, printed lettering to lower margin ‘This early Visit to the Beauteous Fair,/Shews the GoodMan’s intent, and Pious care;/Whose looks confirm it - that he’d rather kiss/The Lady’s balmy Lips, than the Tea dish’, image size 23 x 35cm (9 x 13.75ins), framed (1)

£100-150

(1)

£200-300

29* Glass picture. The Noble Admiral Nelson, falling in the Arms of Victory..., P. Patriarcha, March 11, 1806, hand-coloured mezzotint-under-glass, showing Nelson expiring on board the Victory, supported by a winged female figure crowning him with laurel, flanked by a boy sailor wringing his hands and an officer pointing towards the sinking S. Trinidad, printed caption below image, image size 23 x 35cm (9 x 13.75ins), framed (1)

£200-300

31* Jacomb-Hood (George Percy, 1857-1929). Lord Milner at the Colonial Office, black chalk with traces of pencil on artist’s board (stamped Charles Roberson & Co to verso), inscribed with title in pencil to upper left, 37 x 26.6cm (14.25 x 10.5ins), together with two pen and brown ink preliminary studies of a nude female figure, sheet size 29 x 22.8cm (11.5 x 9ins), plus a pencil study of a child, heightened with coloured crayons, signed with initials, and dated March 1928, and seven various etchings and reproductions by the same artist, one or two with manuscript instructions to the printer, etc., all contained in original green cloth artist’s portfolio (11)

30* Glass picture. An exact Representation of the Depositing the Body of her late Majesty Queen Caroline in the Family Vault at Brunswick, Augt 24, 1821..., W.B. Walker, c.1821, hand-coloured mezzotint-under-glass, showing a church interior with Queen Caroline’s coffin under an elaborate canopy, female attendants, guards, and clergy, printed caption below image, sl. loss to upper right corner, image size 23.5 x 35cm (9.25 x 13.75ins), framed, together with The Happy Sportsman, W.B. Walker, c.1810, handcoloured mezzotint-under-glass, interior scene with a gentleman home from hunting swinging a small child in the air, watched by a seated lady, printed caption below image, piece missing from righthand edge, image size 22 x 35.5cm (8.75 x 14ins), framed (2)

£150-200

£200-300

34* London. The Surrey Sides, between Waterloo and Hungerford Bridges, from down by Waterloo Bridge on the opposite side, watercolour on paper, titled to lower margin and signed with indistinct monogram, 15 x 34cm (6 x 13.5ins) mount aperture, framed and glazed (1)

35* Ludby (Max, 1858-1943). Evening, near Guildford, 1915, large panoramic watercolour with cattle watering on the River Wey, buildings beyond, signed and dated lower left, 33 x 76cm (13 x 30ins), gilt frame, glazed, with portion of label for the Royal Institute of Painters in Water Colours to verso

32* Johnson (Edward Killingworth, 1825-1896). A Slight Shower, 1867, watercolour heightened with bodycolour, on artist’s board, showing a courting couple walking through a wood, with the young gentleman holding an umbrella over his companion, signed and dated in red lower left, 27 x 20cm (10.5 x 7.75ins), mounted, framed and glazed (1)

£100-150

(1)

£150-200

33* Lawson (Frederick, 1888-1968). Sand carts on the Seine, 1912, watercolour on paper, signed and dated lower right, 27 x 37cm (10.5 x 14.5ins), framed and glazed (1)

£200-300

Lot 36

36* Meyer (Beatrice, 19th century). Children in a garden, watercolour, showing a nursemaid seated on a stool feeding a small curly-haired child, with a young girl standing nearby, against a backdrop of plants and buildings, signed lower left, 25 x 16.5cm (9.75 x 6.5ins), mounted, framed and glazed (1)

38* Picturesque School. River scene with thatched cottage, from the Marquis of Anglesea Park Road, early 19th century pencil on wove paper, inscribed with location lower right, 280 x 130mm (11 x 5.1ins), together with a mid-19th century study of a forest path with pond, pencil on thick wove paper, signed lower left J. F. McCrae, sheet size 345 x 430mm (13.75 x 17ins)

£150-200

(2)

39* Pre-Raphaelite School. Head of a young woman, late 19th century graphite pencil on pale cream wove paper, slight spotting, 160 x 160mm (6.3 x 6.3ins), framed

37* After Jacques Gabriel Huquier (1725-1805). Girl with book, 19th century, pastel on paper, unsigned, a typed label to the verso attributes the work to J. G. Huquier, oval 42 x 36cm (16.5 x 14ins), mount aperture, framed and glazed (1)

£100-150

Attributed to Ernest Borough Johnson by a previous owner. (1)

£300-500

40* No lot

Lot 38

£100-150

Lot 41

41* Attributed to George Richmond (1809-1896). A portfolio containing ten preparatory studies, mostly in pencil but including black and sepia chalk, being studies of angels and mythological scenes, c. 1830s-40s, pencil and chalk studies on laid and wove papers, one watermarked Whatman Turkey Mill 1834, unsigned, 49 x 29cm (19 x 11.5ins) and similar, some light soiling and creasing, with minor fraying to sheet edges, plus nine pages of pen and brown ink illustrated notes on anatomy, all loosely contained in contemporary morocco-backed portfolio, rubbed and marked, with label of Varnham & Co., Stationers, 41 Bedford Street, Strand, London, to front pastedown, 61 x 44cm (24 x 17.25ins) Although unsigned, this group of previously unrecorded drawings show traces of the influence of William Blake in both style and subject matter. Moreover, the handwritten text on anatomy compares well with examples of the artistâ&#x20AC;&#x2122;s hand that we have examined. (1) ÂŁ700-1000

45* Severn (Arthur, 1842-1931). Coniston Water, Lake District, watercolour on paper, signed lower left, light spotting throughout, 35 x 51cm (13.75 x 20ins) mount aperture, framed and glazed (1)

£100-150

42* Roberts (David, 1796-1864). The Great Hall, Crewe Hall, Cheshire, c. 1830s-40s, miniature pen, brown ink and watercolour on paper, signed lower right, 85 x 104mm (3.3 x 4.1ins), mounted The Jacobean Hall at Crewe Hall in Cheshire, was destroyed by fire in 1866. A similar wood engraving of the Hall taken from the same viewpoint was published in Harper’s New Monthly Magazine for December 1877, page 20. A colour lithograph of the room was also made by Joseph Nash. (1) £150-200

46* Slater (Charles Henry, c.1820-1890). Still life of apples, plums and holly, watercolour on paper, signed to lower left, 23 x 32cm (9 x 12.5ins), framed and glazed

43* Rowbotham (Claude H., 1864-1949). Mending the Nets, boats on the beach with pier beyond, 1895, watercolour on paper, signed and dated 1895 lower right, 23 x 48cm (9 x 19ins), framed and glazed (1)

(1)

£150-200

£200-300

44* Salari (H., late 19th/early 20th c.). “On the Italian Coast”, a pair of watercolours on board, one signed lower right, the other signed lower left, titled to mount, each 75 x 25cm (29.5 x 9.75cm) mount aperture, matching gilt frames (with small losses to corners and edges), glazed (2)

£200-300

Lot 47 18

49* Attributed to Francis William Topham (1808-1877). The lobster fisherman and his daughter, a pair of watercolours on paper, unsigned, 27 x 35cm (10.7 x 13.75ins) and inverse, both framed and glazed, with recent Christie’s stencil to verso YS847

47 [Thompson, Isa, 1850-1926]. An album of watercolours relating to Isa Thompson, 1870/80s, thirty-six watercolours, mostly mounted on album leaves, but a few loosely inserted, mostly depicting landscapes and buildings, but also one or two portraits, many titled and dated in contemporary manuscript, including: Bamborough Castle; St. Mary’s Island, Whitley; Fairy Rocks, Newbiggin; View of Sea & Fishing Boats from Beverley Terrace - Cullercoats; Unfinished sketch from I. Thompson’s window; Sea in a Storm from I. Thompson’s window, Cullercoats; Group done in I. Thompson’s Studio; Peter Nicholson, Cullercoats fisherman, various sizes (39 x 30cm/15.5 x 11.75ins and smaller), original green cloth, rubbed and some minor edge-wear, folio, together with two large photographs loosely inserted, one of a female artist in her studio sitting at an easel (possibly Isa Thompson), and the other of ‘Fisher Folk’ by Isa Thompson, inscribed on the verso in contemporary manuscript ‘Miss Isa Thompson, 15 Market St, Newcastle on Tyne, Royal Academy 1893, Catalogue No. 288, also exhibited in Salon 1892’

(2)

Isa Thompson was a highly talented and successful artist. After a period of study in Newcastle and Paris, she became, unusually for the time, an independent woman artist living on her own. In 1893 Isa married fellowartist Robert Jobling, and they both became key members of the Cullercoats Colony of artists, as well as part of the Staithes Group. Isa’s marriage marked the end of her ambitious large-scale paintings of working people, and her output from then on consisted largely of studies of flowers and the like. This album clearly belonged to someone who knew Isa before her marriage, and who presumably worked on sketches alongside the artist. (1) £150-200

£100-150

50* Manner of J.M.W. Turner (1775-1851). At Voltena, Italy, watercolour on wove paper, 12.5 x 19cm (5 x 7.5ins), mid 19thcentury beaded gilt frame, glazed (1)

£400-600

48* Thorburn (Archibald, after). Craggy landscape, 1892, watercolour on paper, signed with initials A. T. and dated 1982 lower left, 23 x 48cm (9 x 19ins) mount aperture, framed and glazed (1)

£150-200

51* Van Rossum du Chattel (Fredericus Jacobus, 1856-1917). Dutch scene with boat on a canal, watercolour, showing figures and a boat on a canal, against a backdrop of town houses, signed lower right, 34.5 x 25cm (13.5 x 10ins), mounted, framed and glazed (1)

Lot 49 19

£200-300

52* Watercolour Album. A mid 19th century album of watercolours by various artists presented by the Brighton Art Union to Sir John Cordy Burrows, circa 1850s-60s, containing twenty-eight watercolours and drawings, mostly landscapes, coastal scenes, figures, etc., 15 x 22.5cm (6 x 9ins) and similar, several with contemporary ink annotation to album leaf, all contained in original gilt-decorated plum morocco album, rubbed and marked with spine crudely restrengthened, 4to (29.5 x 23.5cm, 11.5 x 9.25ins) A collection of watercolours presented to the local patron and benefactor Sir John Cordy Burrows (1813-1876) by local artists, in recognition of his support for the Brighton Art Union, with presentation inscription to front endpaper ‘Presented to J. Cordy Burrows Esq. - by the Artists of Brighton for his zeal & interest - in the Brighton Art Union’. Additionally inscribed by the recipient John Cordy Burrows to the leaf following the title page. The artists present are: Francis Arundale (1807-1853), View of Vienna, James Cordwell, View of Brighton in 1785, Attributed to William Henry Earp (1831-1914), Cattle Watering, Richard Henry Nibbs (c. 1816-1893), Coast of Yorkshire near Scarborough, Henry Earp (1831-1914), Young Girl with Dog and Ewer, Frederick William Woledge, Coastal Landscape, Percy Barrett, Venetian Scene, Frederick Nash (1782-1856), Cows resting by a windmill, Clayton, near Brighton, M. Arundale, Girl with Basket of Flowers, M. P. Merrifield, Mother and Child (pencil), unidentified watercolour of fishing boats off the coast, William H. Stothard Scott of Brighton (1783-1850), Figures on a country road with cottages, J. H. Scott, Landscape with figures by a river, unidentified pencil study of heads, M. Penley, Chateau La Grange, Coubert, Frederick William Woledge (active c. 1840-1895), Inauguration of the Victoria Fountain, Old Steine Gardens, Brighton, 25th May 1846, M. Cobbett, Girl holding a child, two small unidentified watercolours, including a miniature landscape with windmill, E. Cooke, Two wayfarers on a country track, two unidentified miniature coastal/marine watercolours, David Cox the younger (1809-1885), Harvest landscape, and two other unidentified watercolours. John Cordy Burrows (1813-1876) was an eminent Brighton surgeon and benefactor, who helped to found the Royal Literary and Scientific Institution in that town, who was elected Mayor of Brighton three times. (1) £700-1000

55* West (William, 1801-1861). Mountain Landscape, Norway, 1847, watercolour on paper, signed and dated lower left, 51 x 33.5 cm (20 x 13.5 ins) mount aperture, framed and glazed (1)

£150-200

53* Watson (John Dawson, 1832-1892). Cottage scene with young peasant woman, gouache, showing a seated young woman peeling turnips and carrots, with a pitcher on a low stool beside her, signed lower right, 32.5 x 23cm (12.75 x 9ins), mounted, framed and glazed John Dawson Watson showed early artistic promise, and at the age of fifteen he became a student at the Manchester School of Art, subsequently studying at the Royal Academy.In 1856 he came to the notice of Ford Madox Brown, who invited him to exhibit at his house in London. Watson was elected an associate of the Society of Painters in Watercolours in 1864, and a member in 1869. He won several medals for his work, designed theatre costumes, illustrated a number of books, and designed the furniture and decorations for the house of his brother-in-law, Birket Foster. Between 1859 and 1892 he contributed 372 works to London exhibitions. (1) £300-500

56* Widgery (Frederick John, 1861-1942). Sheep in a moorland landscape, with stone bridge at dusk, watercolour, heightened with gouache, signed lower left, 28 x 46cm (11 x 18ins), framed and glazed (1)

54* Watts (Philip, 20th century). View of Windsor Castle, 1927, watercolour on paper, signed and dated 1927 lower right, 28 x 52.5cm (11 x 20.75ins) mount aperture, framed and glazed (1)

£150-200

57* Wright (John Massey, 1777-1866). Scenes from Taming of the Shrew, done at Haymarket Theatre, a pair of watercolours on paper, unsigned, 13.5 x 18cm (5.25 x 7ins) and similar, framed and glazed

£100-150

(2)

£200-300

MARINE ART

58* Clifford (Frank, late 19th/early 20th century). 'Commerce and War', & 'Off the Lizard', 1917/1918 respectively, together two watercolours on artist's board, one toned, both signed, titled and dated lower left, each 22.5 x 33 cms (9 x 13 inches) (2)

60* Hagan (Robert, 1947-). Aldeburgh Yacht Club, c. 1981, oil on board, signed to lower right, framed, 24 x 20cm (9.5 x 8ins)

£200-300

(1)

£80-120

61* Hereford (Edward W., late 19th/early 20th c.). Italian coastal view with boats, watercolour with pen & ink, 32 x 49cm (12.5 x 19.25ins), gilt frame, glazed Captain Edward N. Hereford R.N. is known for his carefully detailed watercolours of naval frigates, prison hulks, and harbour scenes. His letter books and logs are held at the National Maritime Museum, Caird Library. (1) £200-300

59* Goodwin (Leslie, 1929-). Fisherman’s Reach, Brightling Sea, 1984, gouache on paper, signed and dated in pencil to lower left, glazed and framed, exhibition label from Royal West of England Academy to verso, 25 x 20cm (10 x 8ins) (1)

£80-120

63* Attributed to Harold Percival (1868-1914). “Mermerus” of Greenock, a fine small-scale watercolour heightened with gouache, of a three-masted barque, 12.5 x 19.5cm (5 x 7.75ins), framed and glazed

62* Hyams (William, 1878-1952). Galleon in Full Sail, watercolour on paper, signed by the artis to lower left-hand corner, framed and glazed, appature size 51 x 35cm (20 x 14ins) (1)

Provenance: Sotheby’s, London, 20th January 1993, lot 102. Mermerus was built in 1872 by Barclay, Curle & Co., Glasgow, for A.J.H. Carmichael & Co. of the Golden Fleece Line at Greenock. All the ships of the Golden Fleece Line were named after characters in the Golden Fleece legend. Mermerus was said to be one of the finest iron-hulled clippers ever built. (1) £100-150

£100-150

64 Stark (Alan, 20th century). Yachts at the Harbour, watercolour on paper, framed and glazed, gallery label to verso, image 48 x 32cm (19 x 12.5ins) (1)

£100-150

SPORTING & WILDLIFE ART 67* AR Lodge (George Edward, 1860-1954). First year Greenland Falcon, watercolour, signed by artist to lower right, 230 x 335 mm, mounted, framed and glazed (with ultraviolet filter glass) (1)

£1200-1800

68* AR Lodge (George Edward, 1860-1954). Goshawk in flight, watercolour, signed by artist to lower right, 365 x 500 mm, mounted framed and glazed (with ultraviolet filter glass), Tryon Gallery label to verso of frame (1)

69* Mearns (A., fl.1855-1864). Spaniels in a landscape, oil on canvas, showing two spaniels flushing ducks from a rocky river, indistinctly signed lower left, 31.5 x 52cm (12.5 x 20.5ins), framed and glazed

65* Blinks (Thomas, 1853-1910). Terrier, pub. Arthur Rayner, 1889, drypoint etching, india proof laid on wove, plate size 41 x 54.5 cm (16 x 21.5 ins), sheet size 45.5 x 60 cm (17.75 x 23.75 ins), minor scattered spotting to margins (1)

Particularly known for his paintings of dogs, Mearns came from Kent and exhibited four paintings at the British Institution between 1855 and 1864. (1) £500-800

£100-150

66* English School Hunting Scene, with beaters and gundogs, 19th century, oil on wooden panel, unsigned, 30 x 35.5cm (12 x 14ins), framed (1)

£1000-1500

70* Shepherd (Mandy, 1960-). Gentoo & Chick, fine watercolour on paper, signed lower right, 12.5 x 11.5cm (4.8 x 4.5ins) mount aperture, framed and glazed, with Tryon & Swann Gallery label to verso, dated 28 October 1998

£200-300

(1)

£150-200

Lot 67

Lot 68

71* Southgate (Frank, 1872-1916). Pinkfoot Geese in Flight, watercolour and gouache on paper, signed lower left, 59.5 x 87.5 cms (23.5 x 34.5 inches), mounted, framed and glazed (1)

ÂŁ700-1000

OLD MASTER PRINTS & DRAWINGS

Lot 72 72* Continental School. Ornament study, 17th century design in pen and brown ink on laid paper (with indistinct watermark), showing a central column featuring two herms, acanthus leaf and other decoration, with extended arms for a vase of flowers or candelabrum, and swag, some soiling and surface marks, short marginal tears and creases, 240 x 340mm (9.5 x 13.3ins) (1)

ÂŁ150-200

73* Earlom (Richard, 1743-1822). Rembrandt's Wife, 1777, mezzotint (by Earlom after Rembrandt, published by John Boydell, May 1st 1777, plate size 45 x 30.5 cm (17.75 x 12 ins), sheet size 36.6 x 49.2 cm (14.5 x 19.5 ins), previously folded with 1 cm margin around plate and also 2 cm below image, together with two additional portrait mezzotints, various (3)

ÂŁ70-100

Lot 73

74* Flemish School. An album of ninety-eight copper engravings of mythological subjects, morality prints, landscapes, rustic figures, etc., by various Flemish and French artists, circa 1590-1650, ninetyeight mostly copper engravings on laid paper, some sheets with watermark, including eagle, Caduceus, etc., occasional early inscription in ink to versos, a few repaired tears and other marks, all with good margins (some marks and occ. soiling to edges), sheet size 168 x 250mm (6.5 x 9.8ins), plus eleven additional loose 17th century engravings, including two by Hondius after Paul Bril and Hans Bol, 1643-44, Merian, Wierix, Crispijn de Passe and others, loosely contained at rear, early 17th century full calf, rubbed and a little wear, old reback, titled ‘Recuei d’estam’ to spine, oblong 4to An attractive connoisseur’s collection of figure subjects, mythological scenes and landscapes, mostly from the early 17th century and including eight engravings from the Hortus Voluptatem by Crispijn de Passe (including title page), eleven mythological scenes after Martin de Vos, four plates from Piscium Vivae Icones by Adrian Collaert after Philips Galle, six plates of Roman Gods by Jan Collaert (1540-1628), a series of seven engravings of cupids by Robert Picou (c. 1593-1671), various prints of rustic figures and reposing travellers, including some from Otia Delectant by Cornelis Bloemaert (c. 16031692) after A. Bloemaert, four plates from a series of five entitled Mimicarum aliquot facetiarum icones ad habitum italicum expressi, by Crispijn de Passe after Jacques Bellange, c. 1600-01, two prints by Georg Pencz (c. 1500-1550) from the series of six entitled The Triumphs of Petrarch, including Triumph of Fame, 1539, a set of ten views of Strassburg by Jacob van der Heyden (15731645) c. 1610-20 (some with watermark of Serpent, Staff and Shield, six commedia dell’arte figures by Balthazar Moncornet (c. 1600-1668), on three plates, The Four Elements after Adrian Bloemaert (1564-1651) and others, including Cornelius van Dalen, Jean Picquet, Merian, etc. (1) £2000-3000

77 Haswell (Keeley). “South Kensington Museum”, mid. 19th century, pencil on paper, heighted with white, ms. to verso ‘South Kensington Museum, by Keely Haswell for Illustrated London News’, pinhole to upper centre, 17 x 25.5cm (6.75 x 10ins) (1)

£150-200

75* French School. Seraphim and Cherub, later 18th or early 19th century, red chalk on laid paper, some toning and marks, mostly to margins, ink and green wash border, mounted on card, sheet size 23.5 x 34 cm (9.25 x 13.5 ins) (1)

£200-300

78* Circle of Hieronymus Hopfer (c. 1500-1563) or Georg Hopfer (active c. 1559-1595). Studies for the Resurrection of Christ, later 16th-c. pen and brown ink studies on laid paper, depicting the head of the risen Christ, and five studies of the heads of sleeping soldiers, bears signature in ink to upper right ‘Hopfer’, and with small circular collector’s ink stamp to lower left corner (indistinct), some soiling and water stains, several small paper losses due to oxidisation, 200 x 148mm (7.85 x 5.8ins), mounted on later backing paper

76* Goes (Marinus Robyn van der, 1599-1639). Saint Ignatius of Loyola, Founder of the Great Society of Jesus, copper engraving after the 1618 oil by Rubens for the Jesuit Church in Antwerp, some overall toning, 55 x 43cm (21.75 x 17ins), framed and glazed (1)

One or two of the soldier’s heads appear to be copies after Lucas Cranach the Younger’s painting The Resurrection of Christ of 1558. (1) £200-300

£100-150

79* Italian School. Head of a young man looking up, 18th century pencil on pale blue laid paper, some scattered spotting and old mount stain, with similar study to verso, old oval collectors mark to upper right corner verso, some marginal creasing, sheet size 34.5 x 27cm (13.5 x 10.5ins) (1)

£150-200

80* Italian School. Seated Saint Peter victorious over the defeated pagans, holding a model of a church and the keys to heaven, 18th century red chalk drawing on laid paper, 11 x 8.5cm (4.25 x 3.25ins), framed and glazed (1)

£100-150

81 No Lot

Lot 79

82* Lievens (Jan, 1607-1674). Head of a Moorish Woman, 1630s [or slightly later], etching on laid paper, trimmed to plate mark, plate size 75 x 62mm (2.9 x 2.4ins) Hollstein 66. III. From the published series Diverse Tronikens. (1)

£200-300

83* Martin (John, 1789-1854). The Last Judgement, pub. Thomas McLean, January 1st 1857, mixed method engraving by Charles Mottram after John Martin, with contemporary hand colouring, slight cracking and creasing affecting image, 81 x 114 cm (32 x 45 inches), framed and glazed One of a series of three large-scale mixed method engravings published by Thomas McLean on January 1st 1857 (the other two being The Great Day of His Wrath and The Plains of Heaven) produced by Charles Mottram after Martin's three oil paintings which toured Britain and the United States in the 1850's and 1860's. Fine dark impression with bright contemporary hand colouring. See Michael J. Campbell, John Martin Visionary Printmaker (1992), page 202, for an account of Mottram's The Great Day of His Wrath from this series. (1) £700-1000

Lot 80

Lot 83 84* Millais (Sir John Everett, 1829-1896). Study of a young man, 1889, pencil sketch on wove paper, monogrammed and dated 1889 to lower right, sheet size 27 x 21cm (10.7 x 8.3ins), framed and glazed (1)

ÂŁ200-300

85* Follower of George Morland (1763-1804). Three Pigs, charcoal on paper, unsigned, 21 x 27cm (8.25 x 10.5ins) mount aperture, framed and glazed Lot 84

(1)

ÂŁ100-150

86* Muller (Johann Sebastian, 1715-1785). Antiquities of Rome (after Gionvanni Paolo Panini, 1691-1765), 1775, etching on laid paper, by J. S. Muller after Panini, published by John Boydell, 1775, numbered 2 to upper right corner, with margins, some overall toning, plate size 48 x 61cm (19 x 24ins), framed and glazed (unexamined out of frame) (1)

£100-150

88* Piranesi (Giovanni Battista, 1720-1778). Veduta di fianco in prospettiva del Vaso del Sig. Cav. Giorgio Grenville, 1778, etching on handmade paper, plate size 575 x 375mm (22 x 14.5ins), framed and glazed Ficacci 747. As published in Piranesi’s Vasi, candelabri, cippi sarcofagi, tripodi, lucerne ed ornamenti antichi, Rome, 1778. (1) £300-400

87* Piranesi (Giovanni Battista, 1720-1778). Vaso Antico di Marmo adornato di eccellenti Sculture..., 1778, etching on handmade paper, plate size 715 x 360mm (28 x 14ins), framed and glazed

89* Piranesi (Giovanni Battista, 1720-1778). Vaso antico di Marmo di gran Mole ..., 1778, etching on handmade paper, plate size 570 x 375mm (22.25 x 14.5ins), framed and glazed

As published in Piranesi’s Vasi, candelabri, cippi sarcofagi, tripodi, lucerne ed ornamenti antichi, Rome, 1778 (volume 1, plate 41). (1) £300-500

Ficacci 746. As published in Piranesi’s Vasi, candelabri, cippi sarcofagi, tripodi, lucerne ed ornamenti antichi, Rome, 1778. (1) £300-400

91* Turner (Joseph William Mallord, 1775-1851). Jason, c. 1807, together with Marine Dabblers, c. 1811, both etchings with mezzotint from the Liber Studiorum, the first print with some spotting, 18 x 25.5cm (7 x 10ins), framed and glazed, the second 18 x 26cm (7 x 10.25ins), mounted, plus a proof engraving of Windermere by James Willmore for Turner’s ‘Picturesque Views in England and Wales’ (1828), 16.5 x 24.5cm (6.5 x 9.5ins), framed and glazed

90* Rossini (Luigi, 1790-1857). Avanzi del Tempio della Concordia, & Avanzi del Palazzo de’Cesari sul Monte Palatino, Rome, 1819-20, two engravings, 46 x 36cm (18 x 14ins), mounted (2)

Jason: Finberg 6, first state; Marine Dabblers: Finberg 29, first state. (3) £200-300

£150-200

92* Visscher (Jan de, c. 1633-c. 1692). The Barn Dance, etching by Jan de Visscher after Adriaen van Ostade, published by Nicolaus Visscher, four lines of verse below image, trimmed to plate mark, and with some marginal marks, 262 x 360mm (10.25 x 14.2ins), together with a group of eighteen various etchings and engravings, mostly 17th and some 18th century, including Jacques Callot (Entrée de Monsieur de Marcy, & Vous qui prenez plaisir en leurs parolles), Everdingen (4) Perelle (2), Stefano della bella, Paul Sandby (2), etc., including five Ostade etchings reissued by Deuchar in 1803, mostly mounted on old album leaves (19)

£200-300

93* Whistler (James Abbott MacNeill, 1834-1903). Portrait of Thomas Carlyle, 1878, uncoloured mezzotint on India laid by Richard Josey, published by Henry Graves, proof before title, signed below image in pencil by Whistler and Josey, slight dust soiling and spotting, 490 x 390mm (1)

MINIATURES & SILHOUETTES

95* Italian School. Portrait of the Madonna, late 19th century, enamel on porcelain, oval head portrait of Mary wearing blue, ‘Firenze’ and fleur-de-lys stamp on verso, 6 x 4.5cm (2.25 x 1.75ins), hand-carved wooden frame gilt, together with an oval head and shoulders portrait of a young girl, enamel on porcelain, in a 9ct gold brooch setting, overall size 5 x 4cm (2 x 1.5ins)

£70-100

(2)

£100-150

96* Military Portraits. Portraits of officers in uniform, early 19th century, a pair of watercolours (one on ivory), 12 x 9cm (4.75 x 3.5ins) and slightly smaller, framed and glazed (2)

£200-300

97* Miniature. Portrait of an officer of the Grenadier Guards, c.1900, oval watercolour on ivory, head and shoulders portrait, of a young soldier, 6.5 x 5cm (2.5 x 2ins), brass frame, glazed, together with Portrait of a baby girl, early 20th century, oval watercolour on ivory, head and shoulders portrait of a curly-haired child wearing a white muslin dress and pearl necklace, 6 x 5cm (2.5 x 2ins), brass frame, plus Portrait of a woman, late 19th century, watercolour on ivory, head and shoulders portrait of a woman with grey hair in a bun, wearing a black dress, 9 x 7cm (3.5 x 2.75ins), brass frame, glazed, plus four other 19th and early 20th century portrait miniatures similar, all in brass frames

94* Wierix (Hieronymus, 1553-1619). Benevolentia, 1577, copper engraving, after Maerten de Vos, without the three columns of text in Dutch, French and Latin below image, each of six lines, published by Willem van Haecht, plate size 211 x 323mm, with narrow margins to upper, left and right sides, together with a late reversed impression of Adriane van Ostade’s The Dance in the Inn, trimmed to plate mark, 240 x 306mm

(7)

£300-500

Mauquoy-Hendrickx 1400. The pendant to Crudelitas (M-H 1399). Hollstein 1776-1777. (2) £150-200

Lot 95

Lot 96

98* Miniature. Portrait of Mary, Queen of Scots, early-mid 19th century, watercolour on ivory, half length portrait of Mary Stuart, wearing a black robe, high frilled white lace collar, and blue cape and cap, with gold cross ornaments on chains, 10 x 7cm (4 x 2.75ins), contemporary ebonised frame, glazed, backing card with printed advertisement for Dixon, Miniature and Profile Painter From Bath, contemporary manuscript notes regarding Mary Stuart on verso (1)

£200-300

Lot 97

99* Miniature. Portrait of Isabella, Lady Parry, early 19th century, watercolour on ivory, half length portrait of Isabella as a young lady, with dark tightly-curled hair adorned with roses, wearing a white robe, with lace frill and corsage, 10 x 7.5cm (4 x 3ins), gold mount and gilt moulded frame, glazed, inscribed in contemporary manuscript on the verso ‘Isabella, Lady Parry, For Hugh’ Isabella Louisa Stanley (1801-1839) married the Arctic explorer William Edward Parry in 1826. She lived a large portion of her married life in Australia, where her husband was commissioner for the Australian Agricultural Company between 1829 and 1834. Isabella was a keen amateur artist and collector. In 1833 she took her twins to have their portraits drawn by Charles Rodius: ‘a Prisoner, who had been recommended to us as the best to do it. He has succeeded very tolerably with dear Teddy, but Myttie is a failure.’ Some of her own Australian sketches, many of which she sent home to family in England, are now in the Scott Polar Research Institute, Cambridge. Lady Parry was also an enthusiastic landscape gardener as well as a collector of animals and plants. She proposed taking a collection of live native animals home when they left Australia, including some of the black swans they had on their lake. Lady Parry died in Norfolk in 1839 after giving birth to still-born twin boys. Lady Parry Island is an uninhabited island in Nunavut, Canada, which is named after her. (1) £200-300

Lot 98

Lot 101 100* Miniature. Portrait of a young lady, possibly French, c.1900, oval watercolour on ivory, half-length portrait of a young lady wearing a blue gown with white frilled collar and a wide-brimmed hat, indistinctly signed to right margin, 8 x 6cm (3.25 x 2.5ins), pierced brass oval easel frame, glazed, together with Portrait of a young lady, mid 19th century, oval watercolour on ivory, head and shoulders portrait of a dark-haired young lady wearing a black dress with lace collar, 7 x 5.5cm (2.75 x 2.25ins), ebonised frame, glazed, plus Portrait of a young girl, mid 19th century, oval watercolour on ivory, of a curly-haired young girl wearing a green dress and white headdress, 8 x 5.5cm (3 x 2ins), mounted, framed and glazed (3)

£200-300

101* Miniature. Lavinia The Milkmaid (after Thomas Gainsborough), mid 19th century, watercolour on card, showing a young peasant girl with a bowl of milk in a landscape, 11 x 8.5cm (4.25 x 3.25ins), oval ebonised frame, glazed, together with seven other 19th century miniature portraits, five of gentlemen and two of ladies, all framed (8)

£300-500

102* Silhouettes. A pair of full-length oval portraits by McGauran of Aungier Street, Dublin, late 18th century, grisaille watercolour on paper, one of a lady in an elaborate gown seated on a stone bench in a garden, winding a musical box and looking at a song bird in a cage suspended from the branch of a tree, the other of a gentleman with sword and plumed hat standing beside a stone column in a landscape, both with profiled face in silhouette, 30 x 23.5cm (11.75 x 9ins), matching oval gilt frames (male portrait glazed), female portrait with artist’s printed label on backboard ‘Mc. Gauran, No. 16, Aungier-Street, Profile Painter in Miniature Shades...’ (1)

Lot 102

£300-500

17th -19th CENTURY OLD MASTER PAINTINGS

103* Silhouettes. Andrew Bourchier in ‘Henry VIII’, His Majesty’s 1910; Miss Irene Summerby, together a pair of black paper silhouettes, both signed below image ‘Stephen’ followed by indistinct surname, both 8 x 6.5cm (3.25 x 2.5ins), matching pierced gilt and ebonised frames, glazed, together with three others, including a black paper silhouette of a dog Actor and theatre manager Arthur Bourchier (1863-1927) was particularly known for his Shakespearian roles. He enjoyed considerable success playing in Herbert Beerbohm Tree’s lavish Shakespeare productions at His Majesty’s Theatre, in 1910 playing the title role to Tree’s Cardinal Wolsey in ‘Henry VIII’. (5) £200-300

105* Ayom (Emilio Alvarez, later 19th century). Spanish Buildings and Figures, probably Andalusia, oil on wood board, a pair, each signed lower right, 32.5 x 18cm (12.75 x 7ins) (2)

£200-300

104* Silhouettes. A pair of silhouette portraits, mid 19th century, black painted silhouettes heightened with gold, on plaster of Paris, one showing a woman wearing a large bonnet, the other of a gentleman, both 7 x 5.5cm (2.75 x 2.25ins), matching ebonised frames (2)

£100-150

106* Barbizon School. A wooded rustic landscape with a cow in a lane, mid 19th century, oil on canvas, laid on wood panel, minor surface flaking to upper edge, 25 x 19.5cm (10 x 7.75ins), framed (1)

£100-150

107* Follower of Jacopo da Ponte Bassano (1510/18-1592). The Lamentation, oil on canvas, relined, 83 x 52cm (32.5 x 20.5ins), framed The present work is an early copy (with minor differences) after the original painting in the church of Santa Maria in Vanza, Padua (according to a Sothebyâ&#x20AC;&#x2122;s valuation in the possession of the owner). (1) ÂŁ2000-3000

Lot 109

109* Bonnemaison (Ferreol de, 1766-1826). Portrait of Robert Slade of Doctors Commons, and of his wife Eliza Foxcroft, 1793, a pair of oval oils on canvas, both half length, the gentleman wearing a black coat and a white lace stock, the lady wearing a white dress with a blue sash, with landscape beyond, one signed lower right, F. Bonnemaison Fecit 1793, both 73 x 61.5cm (28.75 x 24.25ins), matching period moulded gilt frames Provenance: Private collection, Bath, by descent since 1793. The French painter Fereol Bonnemaison (1766-1826) fled to England following the French Revolution where he produced a number of portraits of the English Aristocracy of the day. Bonnemaison returned to France later in the 1790s, and exhibited at the Paris Salon. He maintained however, his contacts with England, acting as Agent for the Duke of Wellington at auctions in Paris in 1817 and 1818, when he purchased several important genre paintings. Robert Slade was a prominent Surrey landowner and proctor in Doctors’ Commons, the College of Advocates and Doctors of Law in Knightrider Street, near St. Paul’s, who became Deputy Lieutenant for Surrey. He married Eliza Foxcroft of Halsteads, near Thornton-in-Lonsdale in 1779. The artist is perhaps best known for his painting entitled Young Woman Overtaken by a Storm of c. 1799, now in the Brooklyn Museum, New York. His extensive art collection was sold at auction by M. Henry over five days between 17th and 21st April 1827 in Paris. (1) £4000-6000

108* Bonington (Style of Richard Parkes, 1802-1828). Cliffs at Dover, with cottages to foreground, oval, oil on wood panel, old ms. label to verso reading ‘Dover Cliffs, R. P. Bonington, 60’, 38 x 46cm (15 x 18ins), framed (1)

£200-300

Lot 110

110* Boudewijns (Adriaen Frans, 1644-1711, & Bout, Pieter, 1658-1719). Wooded landscape with animals and travellers on a path, oil on canvas, relined, 42 x 56cm (16.5 x 22ins), 19th c. gilt moulded frame Adriaen Frans Boudewijns and Pieter Bout were both Flemish painters, draughtsmen and engravers, based in Brussels. Boudewijns is known to have collaborated frequently with Pieter Bout in landscape scenes, for which the latter would supply the staffage. (1) £4000-6000

111* Breanski (Arthur de ). ‘Near Marlow-on-Thames’, oil on canvas, signed lower right, with title inscribed by the artist to verso, some surface discoloration, 41 x 61cm (16 x 24ins) (1)

£300-500

Lot 111

114* Continental School. “Young Man with a Bugle”, c.1830s/40s, oil on canvas, half-length portrait of a young man with curly dark hair, wearing a white blouse and dark jacket, and a red cap with white feather, carrying a tasselled bugle, some slight soiling and two or three spots of abrasion and consequent damage to upper right portion, framed (partly broken with upper strut of stretcher missing), 30 x 25cm (12 x 10ins)

112* Brittan (Charles Edward, 1870-1949). Brai Tor, near Lydford, Dartmoor, and Shell Top and Pen Beacon, near Cadover Bridge, Dartmoor, 1897, a pair of oil on board, signed and dated to lower right, 23 x 39cm (9 x 15.5ins) mount aperture, framed and glazed (2)

£200-300

(1)

£150-200

113* Continental School. A learned theologian, late 18th or early 19th century oil on circular wood panel, 26cm (10.25ins) diameter, framed

115* Cordero (Francisco, late 19th century). Spanish Houses and Gardens, oil on wood panel, a pair, each signed lower right, 32.5 x 18cm (12.75 x 7ins)

(1)

(2)

£150-200

£200-300

Lot 116

Lot 116 (detail) 116* Cox (David, 1783-1859). Harborne Heath, near Birmingham, Stormy Sunset, circa 1850-55, oil on canvas, relined and extensively restored, with period handwritten label to verso giving the artist’s name and title of the work, 73.5 x 100.5cm (29 x 39.5ins) (1)

£1000-1500

117* Crawford (C., 19th century). “Hush a bye baby”, 1874, oil on canvas, signed and dated lower left, 25.5. x 22cm (10 x 8.75ins), framed (1)

Lot 117

£300-500

Lot 118

Lot 119

118* Cuzco School. “Winged Angel with Lute”, oil on canvas, of an elaborately dressed musician angel, wearing a gilt-embroidered cloak, lace collar and cuffs, and a plumed hat, in the style of the Cuzco School of the late 17th/early 18th century, relined and some restoration, 109 x 71cm (43 x 28ins), framed (1)

£700-1000

119* Decorative Panel. An early 18th century English painted decorative panel, oil on three conjoined oak planks, depicting a still life of flowers in a carved stone vase, standing on a stone plinth, with arched entablature above and floral motifs at top, overall size 132 x 56cm (52 x 22ins) (1)

£300-500

120* Du Chattel (Fredericus Jacobus van Rossum, 1856-1917). Dutch canal scene in winter, oil on wood panel, signed lower right, 20.8 x 15.6cm (8.2 x 6ins), gilt frame (1)

£1000-1500

Lot 120

123* English School. The Holy Family, 18th c., oil on canvas, showing Mary, Joseph, and the infant Jesus, with a dove and five putti above, relined, 25 x 34cm (10 x 13.25ins), old gilt frame

121* Dutch school. “Baackgammon Players in a Tavern”, 19th century, oil on canvas, interior scene with figures smoking clay pipes, drinking from pewter trankards, playing backgammon, and sitting by the fire, closed tear to lower left, and superficial scratch mark, 32 x 39cm (12.5 x 15.25ins), framed (1)

(1)

£300-500

124* English School. Portrait of a gentleman in frock coat over yellow waistcoat and white silk cravat, c. 1810-20, oil on canvas, relined, 58 x 46cm (22.8 x 18ins)

£150-200

(1)

£100-150

125* English School. Portrait of Tom Cribb the Pugilist, 1842, oil on canvas, showing Cribb in later life, wearing a dark jacket and white cravat, 54 x 45cm (21.25 x 17.75ins), period frame, glazed, with old unidentified auction label to verso, and later 20th century printed auction sticker for Philips, sale 143, lot 176 attached to the glass An important and possibly unrecorded portrait of the famous British bareknuckle boxing champion Tom Cribb (1781-1848). Cribb was born in Bristol, and became a coal porter at Wapping, after which he turned to prize fighting between 1805 and 1811, retiring after defeating the freed black American slave Tom Molineaux for the second time, in a contest which took place at Littleton Gap near Leicester and attracted a crowd of 25,000. Cribb was inducted into the International Boxing Hall of Fame in 1991. (1) £1500-2000

122* English School. Portrait of a lady in a muslin bonnet, c.1840s, oil on canvas, head and shoulders portrait of a lady in a black dress wearing a white muslin bonnet trimmed with pink ribbon and flowers, and a coral necklace and brooch, relined, 76 x 63cm (30 x 24.75ins) (1)

126* Jolley (William Worthington, 1848-1915). Canal scene at Barton aquaduct, late 19th/early 20th century, oil on canvas, unsigned, 51 x 76cm (20 x 30ins), framed A similar work by this artist hangs at the Salford Museum & Art Gallery. According to family history a series of five views of Barton aquaduct were painted by commission for Sir Humpfry de Trafford to be distributed to key staff. (1) £200-300

£150-200

Lot 125

Lot 127

127* English School. “Grace Darling’s Supplication to the Heavens”, mid 19th century, oval oil on canvas, showing a young woman kneeling in a rowing boat on a turbulent sea near rocks, praying to a vision of Christ who points to a bright star in the dark sky, with two angels behind her at the tiller, one supporting a large anchor, relined, 33 x 40cm (13 x 15.75ins), gilt frame Provenance: The Forbes Collection of Victorian Pictures and Works of Art, 19th February 2003, Christies (lot 210) Following the famous rescue of survivors from the shipwrecked ‘Forfarshire’ in 1838, Grace Darling became a national heroine. As news of her bravery reached the public, she received numerous donations, gifts, letters and marriage proposals, and so many requests for a lock of her hair that she joked she was going bald. Additionally, more than a dozen portrait painters sailed to her home at the Longstone Lighthouse on the Farne Islands to capture her likeness, and her story continued to captivate artists throughout the nineteenth century. (1) £1000-1500

128* English School. Portrait of a young girl, c.1860s, oil, painted over a photographic base, three-quarter length profile portrait of a flaxen-haired young lady wearing a brown-fringed blue silk dress, and holding a scroll of paper, 24 x 19.5cm (9.5 x 7.75ins), gilt moulded mount inset into brown velvet-lined wooden frame, glazed (1)

£200-300

Lot 128

131* English School. Warwick Castle, early-mid 19th century, oil on canvas mounted on wood panel, showing the castle from the river, with cottages and cattle, 32 x 52cm (12.5 x 20.75ins), framed (1)

£150-200

129* English school. Landscape with windmill, early 19th century, oil on wood panel, showing a hilly landscape with windmill and houses, and a horse and rider in the foreground, 17.5 x 21cm (7 x 8.25ins), framed (1)

£100-150

132* French School. Still life of a basket of grapes with apples, melon and grapes in front, late 19th c., oil on canvas, indistinctly signed lower right, 47.5 x 73.5cm (18.75 x 29ins), framed (1)

130* English school. “Loch Lomond”, early 19th century, oil on canvas, showing cattle watering in the early morning, with a sailing boat and mountains in the distance, titled in pencil on verso, 16.5 x 30cm (6.5 x 11.75ins), framed, together with Landscape with windmill, mid 19th century, oil on wood panel, showing a river landscape with trees, wooden bridge, a windmill, and a cottage, 19 x 28cm (7.5 x 11ins), framed (2)

£100-150

133* Gordon (John Sloane, 1868-1940). Autumnal scene, possibly Canada, oil on board, signed lower left, 28 x 36.5cm (11 x 14.4ins), framed

£150-200

(1)

£200-300

134* Hamburg School. Still life of grapes, peaches, gooseberries and cherries in a basket on a ledge, with curtain beyond, 18th century oil on copper, 58 x 51cm (22.75 x 20ins), framed A large-scale trompe l’oeil still life of the Hamburg School, first established in the studios of the artists Georg Hinz (1630-1688) and Cornelis Norbertus Gysbrechts (c. 1630-c. 1683). (1) £2000-3000

135 In the manner of Henri J. Harpignies (1819-1916). “Pine Trees”, oil on canvas, old auction label to lower left of recto, unsigned, 48 x 39cm (19 x 15.5ins), framed and glazed (1)

£200-300

Lot 134

136* Hartmann (M., late 19th/early 20th c.). Moonlit Arcadian landscape, 1899, oil on canvas, showing three robed female figures in a coastal landscape, with trees, rocks, and crescent moon, the central figure standing, flanked by two seated figures, one with a lyre and the other with a harp, signed and dated lower right, relined, 30.5 x 50.5cm (12 x 20ins), gilt moulded frame Provenance: The Earls Manvers, Thoresby Hall, Nottinghamshire, and thence by descent. (1) £250-350

Lot 135

137* Hayes (Claude, 1852-1922). Panoramic landscape with sheep, oil on canvas, showing a flock of sheep grazing before a farmhouse, with the sun setting behind the hills in the background, signed lower right, 36 x 54cm (14 x 21.25ins), framed (1)

£200-300

138* Italian School. Young man in red tunic with heard upturned, early 19th century, oil on canvas, recently relined, 59 x 45cm (23.25 x 17.75ins), framed (1)

£300-500

139* Italian School. Capriccio landscape, with figures boarding a ferry and buildings beyond, 18th century, oil on canvas, relined, 47.5 x 96cm (18.75 x 37.75ins), gilt frame (1)

Lot 138

£1000-1500

Lot 139

142* Leader (Benjamin Williams, 1831-1923). “A Hillside Valley, near Bett-wye-Coed, Wales, 1881, oil on Winsor and Newton prepared millboard (original label to verso), signed and dated lower left, 25 x 36cm (10 x 14.25ins), decorative gilt molded frame (1)

143* Ludovici (Alberto, 1820-1894). Going Sporting in the Olden Times, oil on canvas, showing a group of medieval cloaked, hooded figures travelling through a forest, one sitting side-saddle on a donkey led by a small boy, and one carrying a flute, with monogram and date lower left, relined, framed, with old manuscript label on verso in the artist’s hand bearing the title and the artist’s name and address

140* After Sir Godfrey Kneller (1646-1723). John Churchill, 1st Duke of Marlborough, 18th century, oil on canvas, oval head and shoulders portrait, relined and some restoration, 35 x 30.5cm (13.75 x 12ins), titled on gilt frame, and on the stretcher Provenance: Sold at Christie’s South Kensington, 25th May 2000, lot 203. A mezzotint version of the original painting by John Faber Jr was published in 1735. (1) £700-1000

Albert Ludovici senior was a painter of genre scenes who clearly influenced the work of his son (who was a confidante of Whistler and Cezanne). He lived primarily in Paris but spent much of his time in London, and exhibited his paintings widely, including at the Royal Academy from 1854 until his death in 1894. (1) £2000-3000

141* After Sir Edwin Landseer (1802-1873). “After the Shoot”, a group of dogs in interior scene, late 19th century, oil on board, unsigned, 30 x 42cm (12 x 16.5ins) board size, framed (1)

£700-1000

144* Mander (William Henry, 1850-1922). A Sunny Afternoon on the Mawddach, near Dolgellau, North Wales, with two boys and their dog fishing, oil on canvas, signed lower left, additionally signed and titled on verso, 51 x 77.5cm (20 x 30.5ins), framed

£200-300

(1)

£300-500

Lot 143

Lot 145

Lot 146

145* Marais-Milton (Victor, 1872-1948). “Cardinal and Monk at Cards”, oil on canvas, showing a sumptuous interior scene, with two figures in ecclesiatical robes seated at a table playing cards, with a carved stone fireplace and wall tapestry in the background, signed lower right, 38 x 46cm (15 x 18ins)

146* Martens (Theodor, 1822-1884). River Landscape in Northern Germany (probably near Wismar), 1872, oil on wooden panel, signed and dated lower left, old printed label to verso reading ‘Theodor Martens, Wismar’, 44 x 75.5cm (17.25 x 29.5ins), framed

A very good example of the artist’s richly coloured and detailed paintings depicting the domestic pastimes of the Roman Catholic Church in gently humorous fashion. (1) £2000-3000

(1)

£500-800

147* Marti Garces de Marcilla (Jose, 1880-1932). Studies of Spanish girls, together three oil on board paintings, including one three quarter length portrait of a seated woman in traditional costume, signed upper left, 18 x 11.5cm (7 x 4.5ins), together with a head and shoulders portrait of the same sitter, unsigned, 20.5 x 15cm (8 x 6ins), plus a study of a dancing Spanish girl in traditional costume, with seated female figure playing the guitar and two spectators, signed lower left, 18 x 12cm (7 x 4.75ins), gilt moulded and pierced frames (3)

£300-500

148* Metz (Gertrud, 1746-c.1793). Roses, Tulips, Chrysanthamum, Hydrangea, Delphinium, Narcissi, Mock Orange, Ear of Barley, and other flowers, fine oil on canvas still life of various flowers and insects, including butterfly, snail, small serpent, grasshopper, fly, etc., plus peach, grapes, sweet chestnut, maize, indistinctly signed lower left ‘Maria Gerdr... Metz F:’, 76 x 62cm (30 x 24.25ins), relined, 18th century gilt wood and gesso hand carved frame, with stylised acanthus leaf and scallop shell decoration, egg and dart border (with some restoration) Provenance: Private collection, Gloucestershire. Passed by descent since the late 18th century from the collection of Samuel Day (1757-1806) of Hinton House, Hinton Charterhouse, Somersetshire. (1) £3000-4000

Lot 147

Lot 148

Lot 149 149* Attributed to George Morland (1763-1804). “The Staging Post”, oil on canvas, showing figures, horses, and a London waggon, signed lower right, 71 x 91.5cm (28 x 26ins), framed (1)

£1500-2000

150* Mostyn (Thomas Edwin, 1864-1930). A forest stream in sunlight, oil on canvas, signed lower left, 127 x 101cm (50 x 40ins), gilt frame Tom Mostyn was born in Liverpool, studied at the Manchester Academy of Fine Arts, and under Hubert von Herkomer. After the First World War, Mostyn moved to Torquay in Devon, and the present work may depict an Exmoor river scene, such as the River Barle near Tarr Steps. (1) £700-1000

151* Naive School. Lakeside hamlet, possibly American, oil on canvas, unsigned, 27 x 36cm (10.75 x 14.25ins), framed (1)

£100-150

Lot 151

Lot 150

153* Peel (James, 1811-1906). Near Haslemere, Surrey, oil on canvas, signed to lower right, 42 x 66cm (16 x 26.5ins), framed Exhibited at the Royal Academy 1869, catalogue number 710. (1)

£300-400

154* Pocock (Henry Childe, 1854-1934). The Flautist, oil on wood panel, showing an eighteenth century bewigged gentleman seated on a stool playing a flute, with musical score propped up on a chair, against a backdrop of curtains, a round gilt mirror with candle sconces, and a console table with vase, sl. rubbed at edges in places, signed lower right, 25.5 x 17.5cm (10 x 7ins), framed (1)

152* After Caspar Netscher (1639-1684). Lady knitting, probably later 18th or early 19th c., oil on copper, showing a seated young woman knitting, with a basket containing balls of wool on a table behind, 21.5 x 17.5cm (8.5 x 7ins), framed (1)

£200-300

Lot 155

£150-200

Lot 153

Lot 154

Lot 156

155* Sand Painting. “Sheep and a Donkey by a Gate”, mid 19th century, sand on board, showing a landscape with sheep and a donkey under a tree by a gate, with a cottage in the background, 30 x 37cm (11.75 x 14.5ins), framed (1)

156* Shayer (Henry & Charles, 19th c.). A river landscape with horse-drawn cart crossing a bridge, oil on canvas, showing a pastoral scene with a horse-drawn waggon traversing a bridge over a river, with a boat, figures, and a dog in the foreground, 28 x 36cm (11 x 14ins), framed and glazed, with Richard Green label to verso

£100-150

(1)

£500-800

Lot 157

157* Shayer (William, 1788-1879). Lulworth Cove Nr Wool, oil on canvas, seascape depicting fishermen and peasant women, with ponies and boats, relined, verso of stretcher signed and titled by the artist and with old Christie’s stencil, 45.5 x 60.5cm (18 x 23.75ins), framed (1)

£700-1000

158 No Lot 159* Attributed to George Smith of Chichester (1714-1776). Still life of peaches on a silver plate, lying on a bed of a leaves and flowers, oil on canvas, relined, 30.5 x 35.5cm (12 x 14ins), antiquestyle gilt frame (1)

£700-1000

Lot 159

Lot 160

160* Spohler (Johannes Franciscus, 1853-1923). A pair of Dutch cityscapes, oil on wood panel, one showing a cobbled street scene with figures and horse and cart (titled on frame ‘Nr Amsterdam’), the other a river scene with bridge and boats, both signed to lower margin, 19 x 14.5cm (7.5 x 5.75ins), matching gilt moulded frames Johannes Franciscus Spohler was a cityscape painter of the Romantic School who continued the topographical tradition of Holland that had begun in the seventeenth century. He worked for the most part in Amsterdam, and his work is characterised by minute detail, a vivid clarity of light, and an idealisation of the scene. His father Jan Jacob Spohler and his brother Jacob Jan Coenraad were both landscape artists. (2) £2000-3000

161* Still life. Flowers, fruit, and a jug on a table, early 20th century, oil on canvas, showing vine leaves, chrysanthemums, a variety of fruit, incl. grapes, melon, pears, figs, apples, tomatoes, and a blue and white glazed jug, relined, 50 x 76cm (19.75 x 30ins), framed (1)

£150-200

Lot 162

162* Manner of Jan Van de Velde III, (c. 1620-1662). Apple, pear and grapes with half-filled roemer on a ledge, oil on wood panel, numbered 147 in white paint to verso, 24.8 x 29.7cm (9.75 x 11.75ins), framed (1)

£2000-3000

163* Veronese (Paolo, 1528-1588, after). An 18th century copy of Unfaithfulness from Four Allegories of Love, oil on canvas, an 18th century copy after Veronese of a detail of the painting in the National Gallery (London), showing a female nude with a clothed male figure, and the heads of two putti, surface craquelure, 25 x 40.5cm (10 x 16ins) Paolo Veronese’s four paintings entitled ‘Allegories of Love’ appear to deal with ‘Unfaithfulness’, ‘Scorn’, ‘Respect’ and ‘Happy Union’, although their precise meanings remain unclear and have been much debated. They were probably made to decorate a ceiling around 1575. (1) £200-300

Lot 163

164* Victorian School. Still life of flowers in a vase, oil on artist’s board (by Roberson & Miller, 51 Long Acre, London), with manufacturer’s oval blind stamp and printed paper label to verso, 35.5 x 30cm (14 x 12ins), antique-style moulded gilt frame (1)

£100-150

165* Victorian School. A pair of studies of children in a rural wooded landscape, mid 19th century, oil on board, one showing a young girl with a iron-bound wooden bucket, seated beside a waterfall, the other showing a young girl and a boy with shepherd’s crook and dog, latter with artist’s initials ‘C.F.D.’, each approx. 19.5 x 14.5cm (7.75 x 5.5ins), matching gilt frames, glazed (2)

£150-200

Lot 164

166* Walton (Izaak, c.1594-1683). Portrait of Izaak Walton by Thomas Walker Guillod, after the original by Jacob Huysmans, 1851, half length, oil on canvas, stamps of canvas supplier to verso, ‘C[harles] Dav[e]y, Artists Colourman, 83 Newman Street, Oxford St. London’, 75 x 62cm (29.5 x 24.5ins), contemp. hand-carved oval oak frame with stylised floral decoration, a few repairs, old manuscript label to frame verso with writing now partly indistinct and presumed in the artist’s hand, ‘Copy from the original of Izaak Walton in Marlborough House, June 1851, T.W. Guillod’ A fine copy of the iconic portrait from life by Jacob Huysmans of the celebrated author of ‘The Compleat Angler’ (circa 1672). This painting is now held by the National Portrait Gallery, London, having transferred from the Tate Gallery in 1957. At the time Guillod copied this, the original was held at Marlborough House, then being used as an overspill to the National Gallery following the large gift of the Robert Vernon collection in 1847. Thomas Walker Guillod (1812-1880), landscape and portrait painter, worked in London, 1839-1860, and exhibited at the Royal Academy. His portrait of Sir Nicholas Mosley (1857) is held by the Salford Museum and Art Gallery. (1) £500-800

Lot 165

Lot 168

168* Woodforde (Samuel, 1763-1817). Portrait of Samuel Day, High Sheriff of Somerset, and of his wife, Mary Day, of Hinton House, near Bath, 1780, a pair of oil on canvas, half length portraits, Samuel Day wearing a grey coat, and holding his tricorn and cane in his right hand, Mary Day seated, wearing a black dress and white turban, the former inscribed and dated, 75.5 x 63cm (29.75 x 24.75ins), matching gilt moulded frames Provenance: Private collection, Gloucestershire. By descent from the Day family of Hinton House, Hinton Charterhouse, Somersetshire. See The Beauties of England and Wales, Vol. XIII, Part I, 1813, page 456. (2) ÂŁ2000-3000

167* Witham (Isaac Joseph, 1832-1901). Follow the Leader, 1900, oil on canvas, signed and dated lower left, 61 x 41 cm (24 x 16.25 in), relined, a few small repairs, 1 cm hole to upper left, contemporary gilt gesso on wood frame with paper label of W. Rosenberg and Co., Liverpool (1)

ÂŁ200-300

Lot 169

169* Follower of Philips Wouwerman (1619-1658). Male and female rider with a horse-drawn wagon, oil on paper, laid down on panel, with wooden lattice support to verso, numbered 276 in white paint, 22 x 31cm (8.7 x 12.5ins), later varnished wood frame Also attributed to Adriaen Cornelisz. Beeldemaker (1618-1709), according to a Sothebyâ&#x20AC;&#x2122;s valuation in the possession of the owner. (1) ÂŁ1500-2000

CHINESE WATERCOLOURS & JAPANESE PRINTS 171* Chinese School. The Horserider, early 18th century Chinese watercolour painting on silk, heightened with bodycolour, with haiku by the poet Sonko-Date inscribed to upper right, and name and seal of the artist to lower left and upper right (in Japanese and Chinese script respectively), 345 x 445mm (13.6 x 17.5ins), mounted on dark blue patterned silk scroll (probably 19th century), with ivory-capped baton to lower edge, contained in 19th century scroll box with extensive handwritten text to outer and inner sides of the lid, and printed inscriptions in French and German of this item loosely contained within (1)

£400-600

170* Bunrei (Maekawa, 1837-1917). Bunrei Shugajo (Bunrei’s Instruction Book), an album of sixteen double-page watercolour paintings of various subjects, 195 x 288mm (7.7 x 11.3ins), all except one with artist’s printed seal, some minor marks to margins, original patterned silk boards, bound concertina-style The subjects are: White Camelia, Pine Branch, Pine in a Landscape, Tree Covered Hill, Plum Trees at a Stream, Village at a Lake, Men Pulling a Boat, Trout, Bridge, Planting Rice, Fisherman, Grasshopper and Flowers, Rocks, Rocky Outcrop, Cranes Flying Over Mountains, and Houses Covered with Snow. Bunrei was the son and pupil of Maekawa Gorei (1806-1876), who was himself a pupil of Keibun. He specialised in figures and kachoga (Pictures of Flowers and Birds), and was a member of the Kyoto Art Academy. See Laurence P. Roberts, A Dictionary of Japanese Artists, page 102. (1) £200-400

172* Chinese School. Birds amongst the trees, late 19th century, a pair of scrolls, pen, ink and gouache on finely woven reeded support, wooden baton to head and foot with silk borders, some deterioration to borders, image size 28 x 89cm (11 x 35ins), overall dimensions 32 x 115cm (12.5 X 45ins) Lot 171

(2)

£70-100

173* Chinese School. Rural scenes, 20th century, watercolour on silk, artist’s seal and title, image size 22 x19cm (8.5 x 7.5ins), together with five fan designs, 20th century, watercolour on silk, most with artist’s seal and title, mounted, overall dimensions 47 x 28cm (18.5 x 11ins), plus one other Chinese watercolour on silk

176* Chinese School. “Silk Making”, early 18th century, watercolour on paper, laid on card, creased and torn, 38 x 48cm (15 x 19.5ins)

(10)

177* Chinese School. Cats playing butterflies, 20th century, watercolour on silk, mounted as handscroll, signed with artist’s seal and titled, 32.5 x 168cm (12.5 x 66ins), together with a similar scroll painting of birds in blossom trees

(1)

£70-100

(2)

£200-300

£100-150

178* Chinese School. Rural scenes, studies of flowers animals, and scenes of daily life, 20th century, album of watercolours on paper, original blue paper covers and printed label, enclosed in silk chemise, together with four watercolours on board, signed and sealed, 31 x 21cm (12 x 8.5ins) (2)

174* Chinese School. Priest with incense, early 19th century, wall scroll in watercolour, heightened with gold, later mounted on silk with bone footer baton, creased with some wear to mount, image size 25 x 48cm (10 x 19ins), overall dimensions 36 x 122cm (14 x 48ins) (1)

179* Chinese School. Studies of birds in trees, 20th century, watercolour on rice paper, 16 x 27cm (6.5 x 10.5ins), framed and glazed, together with two embroidered silk panels, framed and glazed

£200-300

(4)

175* Chinese School. Rural scenes, studies of flowers, calligraphy etc, late 19th century, approx. 100pp, b & w woodcut prints on japan paper, original pale blue wrappers with printed label, slightly scuffed and chipped to extreme edges, limp cloth chemise with bone closure, worn, oblong folio 30 x 28cm (12 x 11ins) (1)

£100-150

£200-300

180* Chinese School. Duckpond with Lotus, 20th century, watercolour on paper, signed and sealed, 32 x 65cm (13 x 25.5ins), framed and glazed, together with nine various watercolours on silk, plus an embroidered silkscreen, and an monochrome watercolour on paper (12)

£200-300

182* Harunobu (Suzuki, 1724/25-1770). A Courtesan reading to her servant a letter from her suitor, [c.1768], mameban colour woodblock print on laid paper, an early 20th century impression published by Adachi (with publisher’s seal to verso), artist’s signature to lower right-hand corner, short printed inscription taken from Asatada’s One Hundred Poems and Poets, 22 x 29cm (9 x 11.5ins), together with A Bijin paying homage at a shrine on a rainy night, [c.1765], mameban colour woodblock print on laid paper, unsigned but attributed to Harunobu, an early 20th century impression published by Adachi, publisher’s seal to verso, 22 x 29cm (9 x 11.5ins), plus The Whisper, [1766], mameban colour woodblock print on laid paper, artist’s signature to lower right corner, 20th century impression published by Adachi, publisher’s seal to verso, 22 x 29cm (9 x 11.5ins)

181* Attributed to Cao Quan-Tang (1957-). The Harvest, late 20th century, gouache and ink on paper, laid on card, 63 x 51.5 cm (24.75 x 20.25 ins), framed and glazed (1)

£80-120

(3)

£100-150

183* Hasegawa (Takejiro, publisher). The Rat’s Plaint, 2nd edition, published by T. Hasegawa, 10, Siyoshicho, Tokyo, c. 1894, seventeen leaves, forming thirty-four pages, including covers, colour printed on crepe paper, bound with silk ties as issued, rubbed and some wear to edges, oblong 8vo (150 x 196mm, 6 x 7.75ins) (1)

£100-150

186* Hasui (Kawase Bunjiro, 1883-1957). Sakuradamon no harusame (Spring Rain, Sakurada Gate), Tokyo, oban colour woodblock print on woven paper, signed Hasui and sealed Kawase in bottom right corner, publisher’s seal to bottom left, printed Japanese title to left margin and handwritten English title to lower margin, 26.5 x 39cm (10.5 x 15.5ins) (1)

£100-150

184* Hasegawa (Sadanobu, 1848-1940). Honcho Nijushiko & Warrior Kajiwara Kagesue, two colour woodblock prints on wove paper, published by Uchida, artist’s signature and title, mounted, sheet size 30 x 44cm (12 x 17.5ins) (2)

£100-150

187* Hasui (Kawase Bunjiro, 1883-1957). Bell Tower in the Rain at Okayama 1947, oban colour woodblock print on laid paper, signed Hasui and sealed Kawase to lower left corner, publisher’s seal to lower right, printed Japanese title to margin, two pin holes in left margin, 39 x 26.5cm (15.5 x 10.5ins) (1)

185* Hasui (Kawase Bunjiro, 1883-1957). Water-Fall, Nikko, colour woodblock print on laid paper, artist’s seal to upper left-hand corner, pencil signed and titled in Japanese and English in margin (1)

£100-150

189* Hiroshige (Ando, 1797-1858). Chiryu shuka uma-ichi (The Summer Horse Fair at Chiryu), oban colour woodblock print on laid paper, original publisher’s name and stamp to top left corner, series and print title to upper right, censor’s seal ‘kiwame’, 20th century impression with publisher’s seal to verso, mounted, 38.5 x 28.5cm (15.5 x 10ins), together with Shono Hakuu (Driving Rain at Shono), from 53 Stations of the Tokaido, 1834, oban colour woodblock print, a 20th century impression (with publisher’s seal to verso), original publisher’s name and seal to lower left corner, series and print title to upper left, censor’s seal to margin, mounted, 38.5 x 28.5cm (15.5. x 10ins), plus Twilight Moon at Ryoguku Bridge (from Famous Views of the Eastern Capital, 1831), colour woodblock print, a 20th century impression published by Adachi (with publisher’s seal to verso) signed, titled and dated with censor’s seal to margin, 38.5 x 28.5cm (15.5 x 10ins) (1)

£100-150

188* Hiroshige (Ando, 1797-1858). Fifteen views from the series Gojusan tsugi meisho zue (Pictures of Famous Places on the Fifty Three Stations), 1855, together fifteen vertical oban colour woodblock prints, with titles printed on a red banner, signed Hiroshige ga, with publisher’s mark of Tsutaya Kaichizo, Aratame censor-seal and date seal U-shichi [1855], several sheets conjoined, most with central vertical crease (one detached along central crease), a few with some marginal damage, several prints cropped to image, sheet size 360 x 240mm (14.2 x 10.25ins)

190* Hiroshige (Ando, 1797-1858). Mountain landscape with figures, colour woodblock, with caption and artist’s seal, one or two small spots, 32.5 x 21cm (12.75 x 8.25ins) mount aperture, framed and glazed

(15)

(1)

£300-500

£150-200

191* Hokusai (Katsushika, 1760-1849). Koshu kajikazawa (Kajikazawa in Kai Province), from the series 36 Views of Mt. Fuji, oban colour woodblock print on laid paper,a 20th century impression published by Adachi (with publisher’s seal to verso) artist’s signautre to upper right corner, 39 x 26.5cm (15 x 10.5ins), together with Sanku Hakuu (Sudden Shower Beneath the Summit), from 36 Views of Mt. Fuji, oban colour woodblock print, a 20th century impression published by Adachi (with publisher’s seal to verso) artist’s signature to upper right corner, 39 x 26.5cm (15 x 10.5ins), plus Tokaido Hodogaya (Hodogaya on the Tokaido), oban colour woodblock print, an early 20th century impression with publisher’s name to margin, artist’s signature to upper right corner, 39 x 26.5cm (15 x 10.5ins) (3)

193* Ibrahim (Abu Bakar, 1925-1977). Boats near Penang, Malaysia, two watercolours on paper, each signed lower left, 26.5 x 37cm (10.5 x 14.5ins), matching frames, glazed (2)

£200-300

£150-200

194* Indian School. Portrait of Akbar Shah II, 20th c., opaque watercolour on ivory within oval border, heightened with gold, 10.5 x 8.5cm (4.25 x 3.25ins), adhesion marks to verso, together with another Indian miniature of three mounted armed figures in a rural landscape, on ivory, 20th c. (2)

192* Hokusai (Katsushika, 1760-1849). Study of Caves, [c.1840], monochrome print taken from a printed sketchbook, mounted with Tokyo retailer’s label, 16 x 23cm (6.5 x 9ins), together with Kosuisai (Shigesmasa Kitao, 1739-1820), Ox-cart with Two Men, [c.1820], monochrome woodblock printed on laid paper, mounted, with Tokyo retailer’s label, 16 x 23cm (6.5 x 9ins), plus nine others various, all 20th century (three mounted Japanese monochrome prints, four Japanese colour prints, and two Chinese silk prints, signed and sealed by the artist) (12)

£70-100

£100-150

195* Indian School. Portrait of a Gentleman, 20th century, watercolour on silk, heightened with gold, 79 x 51cm (31 x 20ins) mount aperture, framed and glazed, together with a modern Indian print of a tiger hunt (2)

197* Ito (Nisaburo (1910-1988). Bonsai Chrysanthemum, colour woodblock print, stamped lower left, 38 x 26 (15 x 10.25ins) mount aperture, framed and glazed, together with Weeping prunus tree in blossom, colour woodblock print, stamped lower left, 38 x 26cm (15 x 10.25ins) mount aperture, framed and glazed, plus one other 20th c. colour woodblock print in the style of Utamaro, 32.5 x 13cm (12.75 x 5.25ins) mount aperture, framed and glazed

£100-150

(3)

£100-150

198* Japanese School. Lady with oni playing a shamisen, 19th c., pen, ink and watercolour on paper, artist marks lower left, one or two small holes and some light creases and stains, 24 x 32.5cm (9.5 x 12.75ins) mount aperture, framed and glazed (1)

196* Ito (Nisaburo (1910-1988)). Golden Pavilion in Kyoto, colour woodblock print on laid paper heightened with gold, published by Uchida (publisher’s seal to lower right-hand corner), framed, sheet size, 31 x 46cm (12 x 18ins) (1)

£70-100

£100-150

199* Japanese School. An album of watercolour landscapes and nature studies, late 19th century, containing forty pen, ink and watercolour landscapes, flowers, etc., (including outer wrappers), each with caption in Japanese script to upper corner, some marks and light soiling to outer wrappers, 4to (280 x 200mm, 11 x 8ins)

201* Japanese School. Album of pen & ink designs for kimenos, circa 1900, containing eighteen pen & black ink kimeno designs on paper, most with artist’s seal, some minor marks, original patterned wrappers with hand written title, stitched, minor worming to wrappers, oblong folio (270 x 390mm, 10.7 x 15.4ins)

(1)

£200-300

202* Japanese school. Album of Japanese brush drawings, landscapes, circa 1910-20, containing twelve double-page monochrome brush drawings, some lightly tinted with colour, each with handwritten caption and artist’s seal, bound concertina-style in original silk boards, rubbed, large 8vo (265 x 172mm, 10.5 x 6.75ins)

200* Japanese School. Album of Japanese watercolours, late 19th century, containing forty-eight pen, ink and watercolour scenes, heightened with body colour, comprising landscapes, nature studies, animals, trees, flowers and blossom, original embossed patterned wrappers, with hand written label to upper cover, stitched, a little rubbed and light soiling, 4to (280 x 200mm, 11 x 8ins) (1)

£150-200

(1)

£150-200

£100-150

205* Katase (Kazuo (1947)). Mountain Village in Snow, 1977, colour woodblock print on wove paper, pencil signed and dated (Japanese and English) to margin amd numbered 37/45, 36.5 x 48cm (14.5 x 19ins) together with abstract textures, 1977 colour woodblock print on wove paper, pencil signed and dated, Japanese and English, in margin, numbered 23/45 35.5 x 47cm (14 x 18.5ins), plus Takagi, (Shiro, 1934-1998) Winter Scene, 1977, three-tone etching, pencil signed and dated to margin, numbered 67/100, 60 x 42cm (23.5 x 16.5ins) plus other etchings by contemporary Japanese artists

203* Kano School. Bird at water’s edge, 18th century, monochrome brush on paper, artist’s seal to lower right-hand, mounted to scroll with textile borders, heading baton lost and upper edge deteriorating, ivory capped foot, image size 50 x 33cm (19.5 x 13ins) (1)

£200-300

Katase was born in Shizuoka, but moved to Kassel, Germany in 1975. He is best known for his contemporary works in the Western traditions of sculpture and photography. (2) £150-200

204* Kasamatsu (Shiro, 1898-1991). Akirimachi Itoigawa, Niigata, 1948, oban colour woodblock print on laid paper, signed and sealed by the artist to lower left corner, printed Japanese date and title in left margin, 27 x 39cm (10.5 x 15.5ins) (1)

£100-150

Lot 206

206* Kawano (Kaoru, 1916-1965). Camellia (G), colour woodblock on paper, artist's seal lower right, additionally pencil signed and titled to margin, numbered 1/200, image size 56 x 37.5cm (22 x 14.75in), framed and glazed (1)

£80-120

209* Koitsu (Tsuchiya, 1870-1949). Spring Rain at Matsushima, 1937, oban colour woodblock print on laid paper, signed and sealed by the artist to lower right corner, title and publisher’s seal to margin, 42 x 27cm (17 x 11ins), together with Nikko Sacred Bridge, 1937,oban colour woodblock print on laid paper, signed and sealed by the artist to lower right corner, date, title and publisher’s seal to margin, 42 x 27cm (17 x 11ins), plus Nara Kofukuji Temple, 1937, oban colour woodblock print on laid paper with indistinct watermark to upper right-hand corner, signed and sealed by the artist to lower right corner, date title and publisher’s seal to margin, 27 x 42cm (11 x 17ins)

207* Kiyonaga (Torii, 1752-1815). Women at Bath, [c.1787], colour woodblock print on laid paper, a late 19th century impression with publisher’s name to margin, original publisher Iseya (seal to lower left corner), 19.5 x 15.5cm (8 x 6ins) (1)

(3)

£300-500

£150-200

208* Kobayashi (Tokusaburo, 1884-1949). Early morning mist by a lake with temple, watercolour, signed lower left, 23.5 x 33cm (9.25 x 13ins), framed and glazed (1)

£150-200

210* Kotozuka (Eiichi (1906-1979)). The O-Mizutori of the Nigatsudo, colour woodblock print on wove paper, published by Uchida, Kyoto, with artist’s signature and seal to lower right corner, titled to margin, mounted, 30 x 45cm (12 x 18ins), together with Yamataka (Nobaru, 1926-),Autumn scene, colour woodblock print on wove paper, pencil signed to margin and numbered 15/100, 54 x 38cm (17.5 x 15ins) plus ten further Japanese prints, including three colour woodcuts pencil signed Yasuko (12)

£100-150

211* Kunisada (Utagawa, 1786-1865). Bijin with Mt. Fuji beyond and Bijin at the altar, a pair of colour woodblock prints on paper, titled and with artist’s signature and seal, censor’s seal and publisher’s seal, 36 x 25cm (14.25 x 9.75ins), framed and glazed, together with a folder of further prints including six colour woodblocks and seven monochrome illustrations (damaged) (15)

£150-200

213* attributed to Kawanabe Kyosai, 1831-1889. Skeletons at play, a pair of watercolours on silk dusted with mica, mounted as wall scrolls with ivory baton footer, unsigned, 106 x 45cm (41.75 x 17.75ins) image size, 154 x 54.5cm (60.5 x 21,25ins) (2)

212* Kunisada (Utagawa, 1786-1865). Bijin playing a koto, colour woodblock on paper, artist’s name and seal, publisher’s name and censor’s seal, some insect damage, 34.5 x 22cm (13.5 x 8.5ins), framed and glazed, together with Kono Bairei (1844-1895). Geese, 1881, a pair of woodblock prints, probably book illustrations, one signed the other sealed, 21 x 14cm (8 x 5.5ins) framed together and glazed, plus two other colour woodblock prints, glazed and framed (4)

£150-200

£500-800

216* Mori (Yoshitoshi, 1898-1992). Three warriors, 1978, colour woodblock on japan paper, signed, dated, and numbered 6/50, image size 54.5 x 39cm (21.5 x 15.3ins), sheet size 69 x 51cm (27.25 x 20ins), together with another colour woodblock print by the same artist, showing sumo wrestlers, signed, dated 1968, and numbered 30/50, two other monochrome Japanese woodblocks, one depicting a woman with bow and arrow hunting ducks in the snow, the other showing two sailors with a boat on the shore, with printed initials M.U. and the date 1953, both mounted

214* Mamoru (Hiyoshi, 20th century). Showers in the Farming Land [c.1950], oban colour woodblock print on wove paper, signed and sealed by the artist to lower left corner, label for Tokyo retailer to verso, 26.5cm x 39cm (10.5 x 15.5ins), together with, Japanese School, Winter River Scene, n.d. c.early 20th century, chuban colour woodblock print, signed, sealed and impressed mark, paper mount, 25 x 18cm (9.5 x 7ins), plus six Japanese School oban woodblock prints, 20th century, all signed and sealed with date and/or titleto margin, one mounted, all 26.5cm x 39cm (10.5 x 15ins), plus twelve Japanese School woodblock prints, 20th century, all signed and sealed, some with further inscriptions, all 24 x 17cm (9.5 x 7ins) (20)

(4)

£100-150

£200-300

215* Masanobu (Kitao, 1761-1816). Two scenes of courtesans from the album Yoshiwara keisei shin-bijin awase jihitsu kagami (New Beauties of the Yoshiwara in the mirror of their own script), two horizontal double oban colour woodblocks, depicting the courtesans Hitomoto and Tagosode, 35 x 50.5cm (13.75 x 19.9ins) mount aperture, some marks and toning, and one with a little worming to upper right corner, mounted

217* Mughal School. Lakshmi and two female attendants, 19th c., opaque watercolour on thick paper, heightened with gold, a few small abrasions, 36 x 26.5cm (14.25 x 10.25ins), together with Rama and Sita seated before a kneeling Hanuman, with three attendants, 19th c., opaque watercolour on thick paper, heightened with gold, manuscript number at top margin, 24 x 33.5cm (9.5 x 13.5ins), plus Hanuman carrying Rama and Lakshmana, 19th c., opaque watercolour on thick paper, heightened with gold, a couple of short closed tears, repairs to verso, 32.5 x 23cm (12.75 x 9ins)

(2)

(3)

£300-500

220* Sakamoto (Hanjiro, 1882-1969). Grazing Horses II, 1967, colour woodblock print on wove paper, artist’s seal lower right, additionally signed and sealed to margin and numbered 127/300, dated 1967, 25.5 x 34cm (10 x 13.5ins), framed and glazed (1)

£100-150

218* Mughal School. Two court scenes, c. 1800, opaque watercolour on thick paper, heightened with gold, one depicting a princess seated upon a tiger skin, with female attendants, at night with a city landscape behind and figures in the foreground, the other with a princess seated upon a carpet, with attendants reviving a fainted female figure below, with fountains and gardens, a few chips and losses to margins and corners, some light soiling or faint water stains, 29 x 18cm (11.25 x 7ins) (2)

£300-500

219* Okamoto (Yoshimi, 1950-). Two girls planting seedlings, colour woodblock, signed, titled in Japanese, and numbered 15/500, 56 x 75.5cm (22 x 29.75ins)

221* Shin Hanga School. Lady in a room, 20th c., colour woodblock print, stamped lower left, a few light spots, 38 x 25.5cm (15 x 10ins) mount aperture, framed and glazed

(1)

£100-150

224* Tokyo School. A liber amicorum, or album of 22 watercolour paintings by various Japanese artists, circa 1900, containing twenty-two double-page pen, ink and watercolour paintings, mostly landscapes, waterfalls, flowers, and animals, each titled, and with artist’s seal, one or two creases, minor worm tracks to outer margins of two or three watercolours, bound concertinastyle, original cloth covers, small 4to (210 x 117mm, 8.25 x 6.75ins) The watercolours include: Peony, by Sakai Doichi (1845-1913), a waterfall by Ikeda Kimpo (1843-19..), a monkey by Oya Nampo (1852-19..), Autumn Leaves by Kajita Hanko (1870-1917), Mandarin Duck by Takai Oshin (18551901), Hibachi by Ikeda Shinsai (1858-19..), Fugu by Kinda Hakushin (186619..), Kintoki riding a bear by Yamamoto Koitou, Tea bowl and chamelia by Makano Kigyoku, White Rabbit by Ijima Koga (1829-1900). A printed list of transcribed names and titles by Oranda Jin Fine Art accompanies this lot. (1) £200-300

222* Shuncho (Yushido, fl. 1780-1800). Shunga prints, attributed to Shuncho, aiban colour woodblock on washi paper, each with short inscription, 34 x 25cm (13.5 x 10ins) (4)

£70-100

223* Sutopo (1952-). Landscape, 1980, acrylic on paper, signed and dated Jakarta ‘80 lower right, 50.5 x 70cm (20 x 27.5ins), framed and glazed, together with a watercolour landscape by a contemporary Indonesian artist, 38 x 55.5cm (15 x 21.75ins), framed and glazed (2)

£200-300

225* Urushibara (Yoshijiro, 1888-1953). Poppy Vase mameban colour woodblock print on paper, artist’s signature and seal, pencil signed and numbered ‘14’ to lower margin, framed and glazed, image 21 x 32cm (8.5 x 12.5ins) (1)

£100-150

228* Yew (Simon Chong, 1898-1983). Coastal views of Malaysia, watercolour on paper, signed to lower edge, 39 x 51cm (15 x 20ins) image size, framed and glazed (2)

£150-250

226* Utamaro (Kitagawa, 1753-1806). Naniwaya Okita, a waitress at the teahouse, oban tate-e colour woodblock print, artist’s signature, published by Gonkuru (with publisher’s seal to lower left corner), mounted, mount aperture 24 x 38cm (9.5 x 15ins) (1)

£100-150

227* Yamaguchi (Susumu, 1897-1983). Mountain Lake, 1959, colour woodblock print on wove paper, pencil signed, dated and numbered 1/50 to margin, mounted, light spotting to margin,appature size 38 x 28cm (15 x 11ins), sheet size 31 x 41cm (12.5 x 16ins)

229* Yoshida (Hiroshi, 1876-1950). Umagaeshi, The Horse Turnback, [1928], oban colour woodblock print on wove paper, artist’s signature and seal to lower right-hand corner, printed Japanese title in left margin, label for Tokyo retailer to verso, 27 x 41cm (10.5 x 16ins)

(1)

£70-100

£150-200

230* Yoshida (Hiroshi, 1876-1950). Potters in a workshop, c. 1930s, watercolour on paper, signed lower left 48 x 31.5 cm (18.75 x 12.25 ins), mount aperture, framed and glazed (1)

£500-800

232* Zenzi (Hekizan, 18th century). The Shogun Chokatsu Komei flanked by his warriors Chohi and Kanu, Chinese watercolour on silk, heightened with bodycolour, with Japanese pen, ink and opaque watercolour on silk, titled and with artist’s seal to upper right, 815 x 312mm (32 x 12.25ins), mounted on patterned brown silk and backing paper, with bone end-pieced bottom roller (overall length 173cm, 68ins), with printed German description attached to verso, contained in original wooden scroll box with Japanese inscriptions to outer and inner surface of the lid Hekizan Zenzi was a pupil of the famous Japanese painter Maruyama Akyo (1733-1795) (according to the German note attached to the work). (1) £400-600

231* Yoshifuji (Utagawa, 1828-1887). Domestic scenes, 1850, a pair of colour woodblock prints, 20th century impressions, artist’s seal, censor’s mark and publisher’s seal, 36 x 24cm (14 x 9.5ins) mount aperture, framed and glazed, together with two other woodblock prints, similarly framed (4)

£150-200

BRITISH & CONTINENTAL ETCHINGS, WOODCUTS & LITHOGRAPHS

233* Anderson (Stanley, 1884-1966). The National Gallery, c. 1926, etching, signed in ink to lower margin, 22.5 x 28.5cm (9 x 11.25ins), framed and glazed From the edition of 109 issued by the Print Collectors’ Club. (1)

£300-500

235* Bennett (Alfred J., active 1861-1916). Portrait of Thomas Hardy (1840-1928), etching on thick wove paper, signed in pencil, and titled Thomas Hardy O.M., plate size 200 x 152mm (8 x 6ins), sheet size 317 x 255mm (12.5 x 10ins), some scattered spotting, mounted (1)

£100-150

234* Bateman (James, 1893-1959). A Westmoreland Farm, 1931, wood engraving, signed, dated, titled, and numbered 23 from an edition of 50, image size 13 x 16.2cm (5.1 x 6.4ins), framed and glazed The painter-engraver James Bateman was born in Kendal, and initially studied sculpture at Leeds between 1910 and 1914. After war service, he turned to painting, and studied at the Slade School between 1919 and 1921. He taught at Cheltenham School of Art 1922-28, and afterwards at Hammersmith School of Art. He was elected to the Royal Academy in 1942. (1) £50-80

236* Birtwhistle (David, 1947-). Susanah the Pig, etching on paper, pencil signed, titled and marked trial proof to lower margin, 26.5 x 37cm (10.5 x 14.5ins) mount aperture, framed and glazed (1)

£70-100

237* Blampied (Edmund, 1886-1966). Three rustics round a table, etching with drypoint, signed in pencil, plate size 152 x 202mm (6 x 8ins), period Staybrite silvered steel frame, glazed (1)

£150-200

238* Brangwyn (Frank, 1867-1956 ). St. Peter’s, Genoa, 1913, etching, signed in pencil to lower margin, borders somewhat dustsoiled, 56.5 x 65cm (22 x 25.5ins) (1)

240* Brockhurst (Gerald Leslie, 1890-1978). Nadejda, etching, a proof impression, on wove paper, with margins, signed in pencil, plate size 150 x 112mm (5.8 x 4.3ins), mounted

£150-200

Fletcher 47. (1)

241* Croasdale (P., 20th century). An album containing thirtyeight woodcuts and wood engravings, some printed on japan, others on wove paper, and a few on thin card, c. 1929-40, various designs, including Paeonies and Centaurias, Ballet, Ambleside, Industrial Landscape, Blackburn, After Crossing the Sahara, Water Lilies, Scene in the New Forest, The Race, etc., some signed in pencil, mostly captioned, and many dated, all mounted in contemporary decorated cloth album, 4to (29 x 24cm, 11.5 x 9.5ins)

239* Broad (Kenneth, 1889-1959). St. Martins-in-the-Fields, c.1920s, colour woodcut on paper, signed and titled to lower margin, and numbered 32/150, sheet size 17.5 x 23.5 cm (6.9 x 9.25 ins), framed and glazed (1)

£100-150

£80-120

(1)

£150-200

244* Flint (William Russell, 1880-1969). Manolita, 1954, drypoint etching, on laid paper, from the edition of 135 published by P. & D. Colnaghi for the catalogue raisonne by Harold J. L. Wright, Etchings and Dry Points by Sir William Russell Flint, 1957, signed in ink, plate size 190 x 113mm (7.5 x 4.5ins), sheet size 280 x 190mm (11 x 7.5ins), bound as frontispiece to the published book

242* Dawson (Nelson, 1859-1941). A collection of thirty-five etchings, mainly coastal and marine subjects, all signed in pencil, various sizes (35)

£150-200

Limited edition 90/135, also signed by the artist to title verso. (1)

£200-300

243* Dowd (James Henry, 1883-1956). The Scout, etching, signed in pencil, some light discolouration, plate size 138 x 100mm (5.4 x 3.9ins), framed and glazed, with Royal Exchange Art Gallery label to verso

245* French School. Le Grand Carroi, Chinon, France, 20th Century, colour etching on paper, pencil signed and numbered 133.350 to lower margin, 54 x 41cm (21.5 x 16ins), framed and glazed

(1)

£100-150

246* Goff (Colonel Robert Charles, 1837-1922). Brighton Chain Pier, opened 23 Nov 1823, destroyed by south easterly gale 4 Dec 1896, etching with drypoint on wove paper, signed in pencil, plate size 177 x 302mm (7 x 12ins), with margins (some soiling, mainly to edges), together with four other etchings by the same artist, including a small etched view of Brighton Beach, The Avon below Clifton, 1908, Mill on the Itchen - near Twyford, Hampshire & Middleburg, each signed in pencil, various sizes, some light soiling, one mounted (5)

248* Hankey (William Lee, 1869-1952). ‘Sick on back’, etching with drypoint, of a mother carrying her child on her back, with cottages in the background, signed in pencil below image, with artist’s embossed monogram, plate size 178 x 137mm (7 x 5.4ins), framed and glazed

£80-120

(1)

247* Horse, signed (8.25 x (2)

£200-300

249* Hankey (William Lee, 1869-1952). The Book, 1920, drypoint etching, on thick wove paper, from the edition of 110, published by L. H. Lefevre, as frontispiece to Martin Hardie, The Etched Work of W. Lee-Hankey, R. E. from 1904 to 1920, signed in pencil, with artist’s blindstamped monogram to lower left, (binding worn), plate size 125 x 102mm (5 x 4ins), sheet size 285 x 222mm (11.25 x 8.75ins)

Gooden (Stephen, 1892-1955). The Rider on the Pale 1939, etching, together with another similar, both pencil and dated 1939/1938 to lower right margin, 21 x 13.5cm 5.25ins), both tipped in to window mounts

Limited edition de luxe 1/110. (1)

£200-300

£100-150

250* Howey (Robert Leslie, 1900-1981). Richmond Castle, 1932, colour woodcut print, signed and titled lower margin, additionally inscribed to verso in a later hand "No. 1292, 5/8/32", image size 24 x 20 cm (9.5 x 7.75 ins), framed and glazed (1)

£100-150

Lot 252

251* Hughes-Stanton (Blair, 1902-1981). Two Figures, 1938, wood engraving, signed, titled and dated with limitation 4/28 in pencil to lower margin, 103 x 154mm (4 x 6ins) (1)

£200-300

252* Ibels (Henri-Gabriel, 1867-1936). Deux Fillettes sur une Falaise Bretonne, 1900, drypoint on wove paper, unsigned, InselVerlag stamp to verso, 31.8 x 22.9cm (12.5 x 9ins), together with other mostly etchings by Paul Schwertner (x3), Robert Jakob Bock, Hugh Paton, C.W. Worthing, etc., plus woodcuts by Joan Hassell (x2), John O’Connor and Clifford Webb, mostly signed, various sizes (17)

£200-300

253* Kollwitz (Kathe, 1867-1945). Selbstbildnis, 1912, etching on thick paper, printed in dark brown, signed in pencil, plate size 140 x 100mm (5.5 x 4ins), sheet size 323 x 241mm (12.75 x 9.5ins), issued as the frontispiece to Die Radierungen und Steindrucke von Kathe Kollwitz innerhalb der Jahre 1890 bis 1912, by Johannes Sievers, published Dresden, Herrmann Holst, 1913, numerous b&w illustrations, contemporary red half morocco, spine sunned, 4to (1)

Lot 253 254* Lalanne (Maxime, 1827-86). View of Notre Dame from the Louvre, 1882, etching on laid paper, signed and dated in the image, plate size 185 x 288mm (7.25 x 11.3ins), framed and glazed (1)

£300-500

£50-80

Lot 255

Lot 256 255* Liebermann (Max, 1847-1935). Karre in den Dunen, c. 1900, etching and drypoint on laid paper, signed in pencil to lower margin, a little spotting and soiling to mount, 167 x 230mm (6.5 x 9ins), Insel-Verlag stamp to verso, sheet size 28 x 36cm (11 x 14ins), tipped in to modern window mount (soiled and with some resultant light dust soiling to plate border affecting signature) (1)

ÂŁ150-200

256* MacNab (Iain, 1890-1967). A Southern Landscape, wood engraving, signed, titled and numbered 5/100 in pencil to lower margin, 20 x 25cm (8 x 10ins) (1)

ÂŁ200-300

257* AR Nevinson (Christopher Richard Wynne, 18891946). Le Louvre, 1921, etching with drypoint on Whatman paper, with partial watermark, signed in pencil, the full sheet, some pale toning to margins, plate size 276 x 175mm (10.85 x 6.9ins), sheet size 392 x 254mm (15.5 x 10ins), framed and glazed Guichard 88. Provenance: From a private collection, Scotland. (1) ÂŁ2000-3000

Lot 257 85

258* Newlyn School. The Paper Chase, two original issues for March 1908 and Summer Number 1909, illustrations by C.W. Simpson, D. Stephenson, Cicely Jesse, C. C. Luck, Mabel Fawkes, F. W. Thompson, D. L. Martin, and Ernest Proctor, including woodblocks (some in colour), and autolithographs, some scattered spotting to first and last few leaves, original printed paper wrappers, 1908 issue with a large tear to upper cover and creased and frayed to edges, 1909 issue rubbed with some minor fraying to edges, folio (37 x 29 cm) (2)

£200-300

259* Parker (Neave, 1910-1961). Seven colour woodcuts of animals, birds etc., c. 1935, each signed in pencil within the image, 25 x 14.5cm (10 x 6ins) and similar, tipped on to contemporary stiff paper mounts with pencil captions at foot Apparently printed in very small numbers, the subjects here are king penguins, kingfisher, fox, wildcats, raccoons, lynx and salmon. (7) £150-200

Lot 258

260* Patterson (Malcolm, 1873- ). Street in St. Andrews with figures and horsedrawn cart, etching, signed in pencil, plate size 4.25 x 4.25 ins (1)

Lot 259

£50-80

CLAUGHTON PELLEW (1890-1966) An important group of wood engravings by the quietly influential Claughton Pellew, who studied at the Slade School of Art alongside Paul Nash, Stanley Spencer and C. R. W. Nevinson. Pellew’s pacifist convictions meant that he suffered imprisonment in labour camps for two years during the First World War, an experience of isolation from which he never recovered according to John Nash. As is shown by the present selection (the property of a collector), Pellew’s most productive period as an artist was the 1920s, when his images of the English landscape infused with spiritual significance offered a remedy for the trauma of recent conflict.

Lot 262

261* Pellew (Claughton, 1890-1966). ‘From my window’, 1927, wood engraving on wove paper, the full sheet, signed, dated, titled, and numbered 7 from the edition of 30, some light marks to margins, image size 270 x 256mm (10.6 x 10ins), sheet size 380 x 325mm (15 x 12.75ins) (1)

£400-600

262* Pellew (Claughton, 1890-1966). ‘The Return’, 1927, wood engraving on wove paper, the full sheet, signed, dated, titled, and numbered 12 from the edition of 25, some light spotting mainly to margins, image size 267 x 255mm (10.5 x 10ins), sheet size 383 x 355mm (15.1 x 14ins) (1)

£400-600

263* Pellew (Claughton, 1890-1966). ‘The End’, 1928, wood engraving on wove paper, the full sheet, signed, dated, titled and numbered 10 from the edition of 35, tab-mounted in passepartout, image size 144 x 128mm (5.7 x 5ins), sheet size 376 x 258mm (14.75 x 10.2ins) (1)

£400-600

Lot 263

264* Pellew (Claughton, 1890-1966). ‘The Bathers’, 1927, wood engraving on japan, a good impression, the full sheet, signed, dated, titled, and numbered 8 from the edition of 25, some slight spotting and creasing to lower right corner, image size 85 x 105mm (3.3 x 4.2ins), sheet size 393 x 210mm (15.5 x 8.25ins) (1)

266* Pellew (Claughton, 1890-1966). ‘Bavarian Factory’, 1928, wood engraving on wove paper, a good strong impression, the full sheet, signed, dated, titled, and numbered 15 from the edition of 25, image size 120 x 128mm (4.75 x 5ins), sheet size 385 x 257mm (15.2 x 10.2ins)

£300-500

(1)

£300-400

265* Pellew (Claughton, 1890-1966). ‘The Mill’, 1928, wood engraving on wove paper, a good dark impression, the full sheet, signed, dated, titled, and numbered 4 from the edition of 30, image size 127 x 155mm (5 x 6.2ins), sheet size 355 x 257mm (14 x 10.1ins) (1)

£300-400

267* Pellew (Claughton, 1890-1966). ‘Hannibal’, 1927, wood engraving on wove paper, a good impression, the full sheet, some light spotting to edges, image size 256 x 157mm (10.1 x 6.2ins), sheet size 385 x 190mm (15.25 x 7.5ins) (1)

£300-400

270* Pellew (Claughton, 1890-1966). Kittens, 1928, etching on laid paper, a good dark impression with full margins, signed, dated, and numbered 2 from the edition of 25, plate size 70 x 90mm (2.75 x 3.5ins), sheet size 275 x 230mm (10.8 x 9ins)

268* Pellew (Claughton, 1890-1966). ‘Lamentation’, 1925, wood engraving on wove paper, a good impression, the full sheet, signed, dated, titled, and numbered 6 from the edition of 30, image size 115 x 140mm (4.5 x 5.5ins), sheet size 385 x 258mm (15.1 x 10.1ins) (1)

(1)

£200-300

£300-400

269* Pellew (Claughton, 1890-1966). ‘The Interior’, 1925, wood engraving on wove paper, a good dark impression, the full sheet, signed, dated, titled, and numbered 5 from the edition of 30, image size 127 x 139mm (5 x 5.5ins) (1)

£300-400

271* Pellew (Claughton, 1890-1966). Woman in a shawl, 1928, etching on laid paper, signed, dated, and numbered 4 from the edition of 25, a good dark impression, with full margins, plate size 90 x 63cm (3.5 x 2.5ins), sheet size 275 x 228mm (10.8 x 9ins) (1)

£200-300

274* Richards (Walter, 1907-). "Lusitania" at Liverpool Landing Stage, etching with drypoint, signed, titled and numbered, from the edition of 100, plate size 20.25 x 29.8 cm (8 x 11.75 ins), framed and glazed (1)

£70-100

272* Pissarro (Orovida, 1893-1968). ‘An Interrupted Meal’, 1930, etching, numbered, titled, signed and dated in pencil to lower margin, image 27.5 x 17.5cm (10.75 x 6.75ins) Limited edition, 3/50. (1)

£150-250

275* Sickert (Walter, 1860-1942). A group of nine etchings printed in black on cream laid paper, comprising Portrait of a lady [Bromberg 115], Cruikshank’s house on coronation day [B.140], Dressing for church [B.143], Kitty Kay, Red Lion Square [B.164], Kitty Kay [B.195], In memoriam, T.W. Barrett [B.206], A wicked piece [B.208], Sicily Hey - Large plate [B.210], Mrs Theodore Wright as Mrs Alving [B.216], various sizes (approx. 19 x 16cm, 7.5 x 6.25 ins and smaller), all with pencil captions and/or numbers to lower margins

273* Pissarro (Lucien, 1863-1944). Les Lavandieres, 1897, colour wood-cut engraving, signed with initials lower margin and numbered 66, image size 11 x 23.2 cm (4.25 x 9.1 ins), framed and glazed (1)

From very small editions printed by David Strang for the Sickert Trust, c. 1945. (1) £500-800

£300-500

276* Soper (George, 1870-1942). The Golden Harvest, b & w woodcut, sheet size 20.2 x 26.7 cm (8 x 10.5 ins), image size 12.7 x 19 cm (5 x 7.5 ins), together with six other prints by various artists including James Brewer, Dagmar Norge and Isobel Mesham (7)

£70-100

278 Tanner (Robin, 1904-1988). The Memorial Portfolio, Twelve Etchings, 1989, eight (of 12) etchings printed on Fabriano mouldmade paper, published by Merivale Editions in association with Garton & Co., each print with artist and collection title blindstamped to lower right corner, and numbered in pencil 32/100, sheet size 38 x 46cm (15 x 18ins), contents loosely contained in original printed card portfolio, (but without solander box), large folio The four etchings not present are: The Gamekeeper’s Cottage, Christmas, The Wicket Gate, and Gray’s Elegy. (1) £400-600

277* Strang (William, 1859-1921). Portrait of Alfred Lord Tennyson, etching on laid paper, a strong impression of the final state, printed by David Strang, signed by both William and David Strang in pencil, plate size 305 x 250mm (12 x 9.8ins), sheet size 395 x 295mm (15.5 x 11.6ins), mounted, together with another etching on japan tissue, portrait of Tennyson by A.G. Learned, published by Charles Barmore, New York, 1909, signed by the artist in pencil, and with facsimile signature of Tennyson, plate size 285 x 215mm (11.25 x 8.5ins), sheet size 480 x 410mm (19 x 16ins) (2)

279* Thorpe (Hall, 1874-1947 ). ‘Twilight’, colour woodcut, signed and titled in pencil to lower margin, 18.5 x 21cm (7.25 x 8.25ins) mount aperture, framed and glazed (1)

£100-150

280* Tissot (James Jacques Joseph, 1836-1902). Lâ&#x20AC;&#x2122;Histoire Ennuyeuse, 1878, etching with drypoint, a very good impression, plate size 315 x 200mm (12.4 x 7.9ins), framed and glazed, with Leicester Galleries label to verso Beraldi 25. Provenance: Exhibited at The Leicester Galleries exhibition Engravings by J. J. Tissot, February 1972, where purchased by Charles E. Brett, Esq. (1) ÂŁ700-1000

282* Whistler (James Abbott MacNeill, 1834-1903). La Marchande de Moutarde, 1858, etching, early impression on goldtone chine appliqué, surface scratch to left margin, 159 x 89mm (6.25 x 3.5ins), sheet size 232 x 180mm (9 x 7ins), mount spotted and slightly browned Kennedy 22, state 3/5, with the address of Delatre. From the first edition of seventy issued in ‘Douze eaux-fortes d’apres Nature’. (1) £500-800

281* Whistler (James Abbott MacNeill, 1834-1903). The Unsafe Tenement, 1858, etching, early impression on gold-toned chine appliqué, 160 x 228mm (6.25 x 9ins), sheet size 22 x 31cm (8.75 x 12.25ins), spotting and browning to mount Kennedy 17, state 3/4, with the address of Delatre. From the first edition of seventy issued in ‘Douze eaux-fortes d’apres Nature’, more commonly known as the French Set, November 1858. (1) £500-800

283* Whistler (James Abbott MacNeill, 1834-1903). The Title to the French Set, 1858, etching, early impression on gold-toned chine appliqué, 111 x 146mm (4.25 x 5.75ins), sheet size 185 x 232mm (7.25 x 9ins), mount spotted Kennedy 25, only state. From the first edition of seventy issued in ‘Douze eaux-fortes d’apres Nature’. (1) £500-800

284* Whistler (James Abbott MacNeill, 1834-1903). Bibi Valentin, 1859, etching and drypoint, printed in black ink on ivory laid Japan paper, 152 x 227mm (6 x 9ins), sheet size 243 x 333mm (9.5 x 13ins) Kennedy 50, state 2/2. (1)

Lot 282

£700-1000

ART OF THE FIRST WORLD WAR 285* Bone (Sir David Muirhead, 1876-1953). Munition Drawings by Muirhead Bone, From the Collection Presented to the British Museum by His Majesty’s Government, published by Authority of the Ministry of Munitions by Country Life, 1917, a set of six lithographs, including some in colour, sheet size 56 x 80cm (22 x 31.5ins), loose in original green printed wrappers, with separate title page and contents leaf, slim folio The titles of the images are: The Giant Slotters, Mounting a Great Gun, Moving Heavy Gun Tubes, The Night Shift Working on a Great Gun, Night Work on the Breech of a Great Gun and A Coring Machine at Work on a Big Gun Tube. A limited signed edition of this set was also issued. (1) £300-500

286* Bone (Sir David Muirhead, 1876-1953). With the Grand Fleet: H.M.S. Lion in Dock (from the set entitled ‘The Grand Fleet’, 1917), colour lithograph, unsigned, sheet size 79.5 x 55.5cm (31.3 x 21.8ins), together with Erecting Aeroplanes (from the set entitled ‘War Drawings’, 1918), colour lithograph, unsigned, sheet size 56.5 x 77cm (22.25 x 30.25ins) (2)

£100-150

Lot 285

287* Chowne (Gerard, 1875-1917). Lake Douvan (dawn), 1916, watercolour and pencil on paper, titled lower right in pencil, and dated 27.12.16 lower left, 18 x 24.5cm (7 x 9.5ins), framed and glazed Captain Gerard Chowne enlisted in the Artists' Rifles, and recieved his commission from the East Lancashire Regiment. He joined the Salonika Force to Macedonia where he was fatally wounded. He had been a member for many years of the New English Art Club. A printed newspaper appreciation of the artist by Frank Rutter, dated June 23rd 1918, is attached to the back of the frame. (1) £100-150

288* Dunoyer de Segonzac (Andre, 1884-1974). Notes prises au front, Paris, Societe Litteraire de France, 1917, printed title, twelve b&w plts., and printed colophon leaf, loosely contained in orig. cloth-backed boards, printed label to upper cover, with ties, rubbed and some minor marks, slim folio Limited edition 63/220. (1)

Lot 286

£70-100

289* Hatton (Brian, 1887-1916). Unloading Pigs at a Market and Hand-Harrowing, c. 1910, two pencil sketches on one page of his embossed home letterhead (Mount Craig, Broomy Hill, Hereford), uncaptioned and unsigned, 17 x 11cm (6.75 x 4.25ins), framed and glazed with Clarges Gallery typed description to verso, together with a related biography by Celia Davies and five exhibition catalogues for Hatton Brian Hatton was born at Hereford and in 1898 at the age of 10 he won the gold star of the Royal Drawing Society. After studying at Oxford, London and Paris, Hatton started to make a name for himself in the six years prior to the outbreak of the First World War in 1914. Sadly, the early promise was not to come to full fruition, as Hatton was killed serving with the Worcestershire Yeomanry in Egypt in 1916. In a book on the artist published in 1926, the writer and critic Walter Shaw Sparrow commented “... Brian had that rarest of all things - true genius...”. (7) £100-150

290* McBey (James, 1883-1959). Spring, 1917: late February, Trees of Trones Wood, 1917, drypoint etching on laid paper, this being one of twenty impressions for America, from a total edition of 76, signed in ink, and numbered A21, plate size 204 x 341mm (8 x 13.4ins), framed and glazed Hardie 177. (1)

Lot 289

Lot 290

£300-500

291* AR Nevinson (Christopher Richard Wynne, 1889-1946). Banking at 4000 feet, 1918, offset colour lithograph on wove paper, signed in pencil, image size 192 x 155mm (7.5 x 6.1ins), sheet size 280 x 220mm (11 x 8.75ins), as issued in The Great War Fourth Year by C. R. W. Nevinson, with an essay by J. E. Crawford Flitch, published by Grant Richards, 1918, with reproductions of Nevinsonâ&#x20AC;&#x2122;s work, original cloth-backed boards, with paper label to spine and upper cover, very slightly rubbed and light fading to extremities, 4to (1)

ÂŁ1000-1500

294* Soper (George, 1870-1942). 2nd Lancers at Epehy 1st Decr. 1917 (Gobind Singh V.C. starting on his third ride), etching on wove paper, signed in pencil, plate size 200 x 307mm (7.9 x 12.1ins), with good margins, framed and glazed (with printed title to mount) (1)

£80-120

292* Smith (Percy J. D., 1882-1948). Thiepval Wood ‘Bare ruined choirs where late the sweet birds sang’ etching on paper, pencil signed and titled to lower margin, 22 x 19cm (8.75 x 7.5ins) mount aperture, framed and glazed (1)

£300-400

293* Smith (Philip W., 20th century). First World War Recruitment Party, 1915, oil on canvas, signed and dated 1915 lower left, 37 x 61cm (14.5 x 24ins), framed (1)

£300-500

295* Wells (Denys George, 1881-1973). Shrouded guns, 1919, watercolour on paper, signed and dated lower right, 15.7 x 24.8cm (6.25 x 9.75ins), framed and glazed, with label of the Royal Society of British Artists to verso, together with eight other watercolour studies of WWI subjects by the same artist, including a wrecked bridge, church at Cotillon, 1918, church at Cravecour, April 1919 Denys G. Wells was a captain in the Artists' Rifles during the First World War and later Vice President of the Royal Soceity of British Artists. (9) £300-500

MODERN POSTERS

296 Ballooning. Ville de Poitiers. Exposition Generale des Sports du 12 Mai au 14 Juillet 1907, L. Burghgraeve & G. Dervaux, Halluin (Nord), [1907], fine large colour litho. poster in folded condition, giving details of the programme to include ballooning, equestrianism, motoring, cycling, athletics, tennis, shooting, hunting, military events, etc., the poster including vignettes of some of the sporting activities including a balloon, an airship and a motor car, 195 x 132cm (77 x 52ins), linen-backed, very fine Eight pilots from the Aero-Club de France (founded in 1898) took part in the ballooning race which was won by Marquis Edgard de Kergariou assisted by Paul Tissandier. (1) £400-600

297* Kauffer (Edward McKnight, 1890/91 -1954). Gilbey’s Spey Royal Scotch Whisky, Gilbey’s Invalid Port, Worangoo Austral Red Wine, & W. & A. Gilbey Rubicon Australian Burgundy, 1933, a group of four colour lithograph posters from a series advertising products by W. & A. Gilbey Ltd., excellent condition, 29 x 54.5cm (11.5 x 21.5ins) and slightly smaller (4)

£400-600

298* Kauffer (Edward McKnight, 1890/91 -1954). “Look Under that Broad Beech Tree”, 1932, colour lithograph poster, printed by Vincent Brooks, Day & Son, linen-backed, a little soiling and fraying to edges, 100 x 61cm (39.5 x 24ins) (1)

£200-300

299*@ Nevinson (Christopher Richard Wynne, 1889-1946). Pleasure. One Way to Pleasure - By Motor-Bus, printed by The vintage colour Avenue Press, 1921, lithograph poster, linen-backed, 102 x 64cm (40 x 25ins) (1)

Lot 296

£400-600

Lot 297

Lot 298

Lot 299

MODERN PAINTINGS, WATERCOLOURS & DRAWINGS

Lot 302

300* Aitchison (Craigie, 1926-2009). Nude Study, 1955, pencil on wove paper, signed and dated, some soiling and creasing, central horizontal fold, with closed tear to upper right margin, sheet size 374 x 128mm (14.75 x 5ins) (1)

£300-500

301* AR Aitchison (Craigie, 1926-2009). The Pier, 1960, oil on canvas, unsigned, some marks to surface, period gallery label for the Grosvenor Gallery, 30 Davies Street, London, to verso, with artist’s name, title and date typewritten, 46 x 61cm (18 x 24ins) Provenance: Private Collection, Wiltshire. (1)

£5000-8000

Lot 303

100

Lot 301

302* Art Nouveau. A pair of border designs with winged female figures, c.1900, watercolour heightened with gold, on artist’s board, each with a winged maiden robed in white, one holding an oil lamp and the other a laurel wreath, on a ground of entwining roses, within a black line border (trimmed to lower edge), overall size together 37 x 16.5cm (14.5 x 6.5ins), mounted as one in a clip frame (1)

£100-150

303* Ayrton (Michael, 1921-1975). Study for Steep Street, c. 1955-56, pen, black ink and wash on paper, 42 x 30.5cm (16.5 x 12ins) mount aperture, framed and glazed, with Thomas Agnew label to verso (1)

£300-500

304* Manner of Edward Bawden (1903-1989). Mountain scene with lake, watercolour on paper, unsigned, 30.5 x 38cm (12 x 15ins) mount aperture, framed and glazed, (1)

£100-150

Lot 304

101

306* Bowen (Keith, 1950-). Amish man with bicycle, 1989, brown and grey-blue wash drawing, signed and dated in pencil lower right, 40.5 x 33cm (16 x 13ins) mount aperture, framed and glazed (1)

307* Brabazon (Hercules Brabazon, 1821-1906). Oriental harbour scene, watercolour heightened with bodycolour, showing boats, buildings, and figures, 23 x 30cm (9 x 11.75ins), mounted, framed and glazed

305* Belgian School. Nue de dos by A. Dongrie, c. 1900, largescale life drawing in black chalk of a female nude, signed A. Dongrie lower left, 152.5 x 68.5cm (60 x 27ins), framed and glazed (1)

£200-300

£300-500

(1)

102

£150-200

Lot 308 308* Brabazon (Hercules Brabazon, 1821-1906). Tangier, and Rome, two watercolours on paper, a view of Tangier titled and initialed in pencil, a view of Rome initialed to lower right, larger 12 x 18cm (4.75 x 7ins) mount aperture, both framed and glazed

309* Brabazon (Hercules Brabazon, 1821-1906). Goatherd, Marakesh and Lucerne, a pair of watercolours on paper, both signed with initials and one titled, larger 15 x 21.5cm (6 x 8.5ins) mount aperture, both framed and glazed

(2)

ÂŁ200-300

310* Brown (Deborah, 1927-). Abstract Composition, 1957, watercolour on paper, signed and dated lower right, 24.5 x 42.5cm (9.75 x 16.75ins) mount aperture, framed and glazed (1)

Lot 309

103

ÂŁ100-150

311* Buckle (Claude, 1905-1973). Spanish Courtyard, & Harvest Time, Provence, a pair of watercolours on paper, signed lower right/left respectively, 17 x 24.5cm (6.75 x 9.5ins) mount aperture and slightly larger, framed and glazed (2)

313* Carruthers-Gould (Alexander, 1870-1948). Constantinople, oil on board, signed and titled to lower left corner, 24 x 34cm (9.5 x 13.25ins), framed (1)

£100-150

£150-200

314* Centkiewicz-Michalska (Halina, 1912-2007). Still life of a vase of flowers, oil on canvas, signed lower right, 45.5 x 32.5cm (18 x 12.75ins) (1)

£80-120

315* Charlton (George, 1899-1979). Featherstone Building, oil on board, unsigned and not dated but attributed by retailer’s label, 30 x 37.5cm (11.75 x 14.75ins) board size, framed 11c Featherstone House was the first home of the artist after his marriage. (1) £150-200

312* Bury (Morley, 1919-1999). Garden Landscape with Broken Fence, 1958, oil on canvas, signed with monogram lower right and dated 1.58, typed label (probably for exhibiton) to verso stretcher, 122 x 101.5cm (48 x 40ins) Bury exhibited widly during the mid-20th century, inlcuding New English Art Club, and Wakefield Art Gallery. (1) £200-300

104

316* Clausen (Sir George, 1852-1944). Haymaking, charcoal on laid paper, signed, some light spotting and discolouring to paper, 20 x 28cm (8 x 11.5ins) mount aperture, framed and glazed (1)

£150-200

317* English School. Apocalyptic landscape with figure, oil on canvas, signed (indistinctly) A. Otway, 86 x 104cm (34 x 41ins), framed

318* Cooper (Constance, 20th century). The Corner Cupboard, late 20th century, oil on canvas 'trompe l'oeil', signed by artist lower left, 90 x 49.5 cm (35.5 x 19.5 inches), framed

(1)

£300-500

105

£100-150

319* Daudet (Alphonse, 1840-1897). Sketchbook containing pencil studies of children, figures, landscapes, etc., approximately thirty pencil studies (but including one in pen and brown ink) of infants and other figures, brief sketches of landscapes, etc., inscribed to front pastedown in pencil 'Alphonse Daudet', original cloth-backed stiff card wrappers, rubbed and marked, 8vo (210 x 128 mm, 8.5 x 5 ins), together with two further pencil studies on paper of women and children outdoors, a pen and black ink with sepia wash drawing on paper of two bathers, plus three other various watercolour drawings, and two other pocket sketch books of colour and landscape studies by an English artist, early 20th century Provenance: From the Estate of Edgar Albert Slade 1872-1963. (1)

106

ÂŁ500-800

320* Davies (John R. (1899-1985). Two Crouching Men, charcoal, pencil and crayon on paper, 58 x 40 cm (22.75 x 15.75 ins), framed and glazed (1)

£300-500

321* Davis (Brian, ‘Michael Ffolkes’, 1925-1988). Party Scene, pen & black ink on paper, signed and dedicated lower right, 53 x 71cm (21 x 28ins) mount aperture, framed and glazed, together with three erotic pencil drawings, one with watercolour and dated 1965, depicting female subjects, similar sizes, framed and glazed (4)

Lot 320

Lot 321

107

£300-400

Lot 322 322* De Belleroche (William, 1912-1969). Nature Morte, 1967, black ink, pastel, and watercolour, still life showing a table spread with food, utensils, and large seashells, 68.5 x 85cm (27 x 33.5ins), framed and glazed, with The Fine Art Society label and typed title label on verso Exhibited: The Fine Art Society, June 1989. (1)

ÂŁ400-600

323* Ellison (W. A., 20th century). Unloading the Barges, 1933, oil on canvas, signed and dated to lower left, some minor flaking and closed repair to centre left, 52 x 65cm (21.5 x 25.5ins), framed (1)

ÂŁ100-200

Lot 323

108

Lot 324 324* Elvire (Jan, 1904-1996). Composition, watercolour on paper heightened with ink and blue chalk, signed to lower edge, 13 x 44.5cm (5 x17.5ins), mounted, together with a similar abstract composition, signed lower left, 9.5 x 24.5cm (3.75 x 9.5ins) (2)

£200-300

325* Ewart (Michael, 1940-). ‘Paris Springtime’, oil on board, signed lower left, 31 x 30.5cm (12.25 x 12ins), framed and glazed (1)

£100-150

326* Fairclough (Mary, 1913-). Swans in Flight, 1969, watercolour on paper, signed and dated lower right, 33.5 x 25 cm (13.25 x 9.75 ins), framed and glazed (1)

£100-200

Lot 325

327* Fanta (Jaroslav, 1919-). Field Workers, a pair of sepia watercolours on paper, signed, both with pin hole to upper edge, 17 x 12cm (6.75 x 4.75ins) mount aperture, framed and glazed

Lot 326

(2)

109

£100-150

Lot 329

110

Lot 330

Lot 331 328* Farmer (Bernard, 1919-2002). Abstract Composition, 1979, oil on canvas, 41.5 x 20.4cm (16.25 x 8ins), framed and glazed, signed and dated in pencil to label on verso (1)

£100-150

329* AR Flint (William Russell, 1880-1969). ‘The Bath’, 1934, watercolour and pencil on silk, signed lower right, 45.5 x 35.5cm (18 x 14ins), framed and glazed, with original gallery label of The Fine Art Society, giving the title and artist’s name, and dated January 1934, to verso Provenance: Private Collection, Wiltshire. (1)

£15000-20000

330* Fortuné Car (20th century). Mediterranean view oil on wood panel, signed lower right, 18 x 23cm (7 x 9ins) (1)

£200-300

331* Forty (Frank, 1902-1996). Guincho, Portugal, oil on canvas, 16.5 x 23cm (6.5 x 9ins) mount aperture, framed and glazed together with three other oils, similarly mounted and one other framed (5)

332* Francis (Thomas Edward, 1873-1961). St. Bartholomew’s Church, Otford, Kent, oil on canvas, signed lower right, titled in an early hand to verso of stretcher, 35.5 x 53.5cm (14 x 20ins), framed

£100-150

(1)

111

£150-200

Lot 333

333* Freedman (Barnett, 1901-1958). Farmyard Scene, 1926, pen, ink and watercolour on paper, signed and dated lower right, 54 x 38cm (21 x 15ins), framed and glazed (1)

£300-500

334* G.M.A. Still life of a jug of flowers by a window, early to mid 20th-c. oil on thin wood panel, signed with initials lower right, 49.5 x 50.5cm (19.5 x 20.25ins), period frame, with Rowley framer’s label to verso (1)

£150-200

Lot 334

112

Lot 335

Lot 336

335* Gear (William, 1915-1997 ). Untitled, March 1966, mixed media on paper, signed and dated lower right, sheet size 79 x 51cm (31 x 20ins), framed and glazed

336* Gear (William, 1915-1997 ). Untitled, February 1959, mixed media on paper, signed and dated lower right, sheet size 103 x 70cm (40.5 x 27.5ins), framed and glazed

(1)

ÂŁ1000-1500

113

ÂŁ1500-1800

Lot 337

Lot 338

114

337* Gear (William, 1915-1997). Black Form on Red No. 2, January 1957, oil on canvas, signed and dated lower right, additionally signed, titled and dated on back of canvas, 71 x 101.5cm (28 x 40ins), framed The slightly smaller companion piece to the present work, ‘Black Form on Red No. 1’ of January 1957 was recently sold in London: Bonhams, Knightsbridge, Modern British and Irish Art, 4 June 2013, lot 185. This work suggests affinities with the angular monumental sculpture work of the same period by Lynn Chadwick and Kenneth Armitage. (1) £3000-5000

338* Germasev (Michail Markianovic, 1867-1930). Winter Sunset, oil on canvas, signed lower right, 46 x 54.5cm (18 x 21.5ins), framed (1)

£1000-1500

340* Gill (Eric, 1882-1940). Draped Woman, 1937, pencil on paper, dated in the artist's hand 15.10.37 lower right, 22 x 14 cm (8.75 x 5.5 ins), framed and glazed, with handwritten label to verso (1)

339* Gill (Eric, 1882-1940). Saint Sebastian, 1919, pencil on wove paper, 19 x 8.5 cm (7.5 x 3.4 ins), framed and glazed with Gillian Jason gallery label to verso

£700-1000

341* Golphin (Janet, 1950-). Jug & Lemon, watercolour on paper, heightened with gouache, signed lower left, 39.5 x 28cm (15.5 x 11ins) mount aperture, framed and glazed, with Catto Gallery label to verso

A preparatory study for the stone carving of Saint Sebastian of 1920 (Tate). (1) £300-500

(1)

115

£150-200

344* Greenwood (Orlando, 1892-1989). Minerva or Athena, colour pastel on paper, unsigned, Royal Academy of Arts 37 x 34cm (14.5 x 13.5 ins), framed and glazed

342* Graham Brown (Eva, 1875-1965). Figures before a temple in India, oil on canvas, signed lower left, 54.5 x 47.5cm (21.5 x 18.75ins), mounted (1)

Orlando Greenwood trained at Goldsmith's College, London and went on to exhibit at the Royal Academy and the Royal Society of Portrait Painters. He is known for depicting figures in Classical and mythological settings. (1) £200-300

£100-150

343* Graves (Morris, 1910-2001). Mouse, 1954, Sumi ink on handmade paper, signed and dated ‘54 lower right, and inscribed lower left ‘For Christine’, some overall light spotting, 24 x 34cm (9.5 x 13.5ins), framed and glazed, with original framer’s label of Guy & Co. Ltd., Cork to verso

345* Griggs (Frederick Landseer, 1876-1938). South Porch, Little Hadham, 1901 pen & black ink on paper, signed with monogram and dated 1901 lower left, titled in ink to lower margin, some overall toning, 150 x 205mm (6 x 8ins) mount aperture, framed and glazed

Provenance: Private Collection, Wiltshire. One of a series of drawings executed by Morris Graves, possibly after his arrival in Ireland from America in 1954. The subject may have been prompted by the poet Theodore Roethke, who had rented Graves’s house north of Seattle that year, and encountered wild mice while living there. Roethke’s poem The Meadow Mouse dates from this period. (1) £1000-1500

The original illustration by Griggs for Highways and Byways in Hertfordshire by Herbert W. Tompkins, first published in 1902, which was reproduced without the artist’s handwritten caption on p. 318. A copy of the published work is included with this lot. (1) £400-600

116

346* Harrison (John, 1914-2002). St Tropez: Composition, 1947, original pen and ink and watercolour on paper of two figures on a beach with boats, minor tear with loss to right margin, signed and dated in pencil lower right, pencil title caption to verso, 25 x 33.5cm (10 x 13.25ins) (1)

348* Horton (Ernest (1935-2001)). Morning landscape, oil on canvas, signed lower left, 51 x 61.5cm (20 x 24.25ins), framed Ernest Horton studied at the Moseley School of Art and Birmingham College of Art. He was Curator and Past President of the Royal Birmingham Society of Artists. (1) £150-200

£100-150

347* Harte (Glynn Boyd, 1948-2003 ). Shops in the Cannareggio, Venice, two colour pencil drawings of Venetian shopfronts, each signed in pencil to lower centre, 370 x 250mm (14.5 x 10ins), mounted as one (1)

£400-600

Lot 347

117

349* Hughes-Stanton (Blair, 1902-1981). Surrealist landscape, circa 1934, watercolour and black crayon on paper, 30.5 x 40.5cm (12 x 16ins), framed and glazed, with handwritten authentication label to verso, signed by the artist’s daughter, Penelope HughesStanton (1)

£200-400

Lot 351

350* Irish school. Landscapes in the West of Ireland, early 20th century, a pair of watercolours on board, unsigned, both 35 x 51cm (14 x 20ins) mount aperture, framed (2)

£150-200

351* Continental School. Elderly couple in the Shtetl, 1936, pencil and watercolour on paper, signed in pencil ‘K. S., 36’ lower right corner, framed and glazed, 32 x 38cm (12.5 x 15ins) (1)

£200-300

352* Jurkowska (Beata Maria, late 20th/early 21st century). “Contemplation”, 1995, oil on canvas, signed and dated lower right, further signed and fully titled to verso, 60 x 50cm (23.5 x 19.5ins), framed (1)

£2000-3000

Lot 352

118

355* Lloyd-Evans (Ivor, 20th century). Rural Landscape, 1944, pastel on paper, signed lower left, 73.7 x 49.5cm (29 x 19in) mount aperture, framed and glazed

353* Kuen (Francois, 1947-). Naive landscape, 1975, oil on canvas, showing a vibrant landscape with an abundance of figures, plants, animals and birds, and buildings, some light surface abrasion, signed lower right, and signed and dated on verso, 35.5 x 45.5cm (14 x 18ins), framed (1)

(1)

£200-300

£250-350

356* Lloyd (Wyndham, 1909-1997). Nant Gwynant Valley, oil on canvas, signed lower right, additionally signed and titled to verso 51 x 61cm (20 x 24ins), framed (1)

354* A hand painted decorative lampshade in the Bloomsbury School style, possibly by Quentin Bell, painted with watercolours in an abstract design in green, blue, orange and yellow, with monogram Q.B., 27cm high x 40cm diameter Provenance: Robert Adkinson (1943-2013), a publisher, retiring from Thames and Hudson as a Commissioning Editor six years ago. He worked for Hamlyn, and Lorimer (where he was involved in the Hammer House series), as well BPC under Robert Maxwell. He also ran a successful company under his own name and was a well-known figure in the regular drinking holes of Soho publishers before moving to T&H in the 1980s. (1) £200-300

119

£100-150

357* London. “Paddle Steamer by London Bridge”, c.1910, grisaille watercolour, on paper laid on a stretched canvas, showing a busy river scene, with passengers boarding the steamer, dockers at work in the foreground, and numerous vehicles and pedestrians traversing the bridge, some slight soiling and damage, 40 x 61cm (15.75 x 24ins) (1)

£100-150

358* Macgregor (William York, 1855-1923). Summer Landscape, oil on canvas, 48 x 60.5cm (19 x 23.75ins), period gilt frame, with printed label attached to verso of stretcher ‘By Wy Mcgregor, R.S.A. Trustees Certification’, framer’s label of W. J. Allan, Leith, and Pickfords removers label, stamped Aitchison (1)

£300-500

359* Mason (Frank Henry, 1876-1965). Fishing boats at harbour with lighthouse beyond, watercolour on paper, signed lower right, 33.5 x 23.5cm (13.25 x 9.25ins) mount aperture, framed and glazed

Lot 357

(1)

Lot 358

120

£150-200

360* Attributed to Frank Henry Mason (1876-1965). Lowestoft High Lighthouse, c. 1929, gouache on board, old pencil title inscription to verso, and with artist’s name in a later hand, 275 x 230mm (10.8 x 9ins) (1)

£150-200

361* Matthews (Les, 1946-). “The End of That Summer ‘Affair’”, oil on board, inscribed (probably in the artist’s hand) to verso, 30.5 x 56cm (12 x 22ins), framed, together with “The Flight of Expectation”, oil on board, signed lower left, 21 x 47cm (8.25 x 18.5ins), framed, plus two watercolours by Les Matthews of partially clad female figures, both signed and dated 1985, framed and glazed (4)

362* McKinstry (Cherith, 1928-2004). “Christ on the Cross”, 1974, oil on canvas, sl. surface flaking to upper left corner, signed and dated to lower margin, 76 x 56cm (30 x 22ins), framed (1)

£200-300

Lot 361

121

£200-300

OSCAR MELLOR (1921-2005) The British surrealist artist Oscar Mellor (1921-2005) moved to Birmingham with his family in 1939 and spent the war years in tank production and later the Royal Air Force. After the war, he studied at the Ruskin School of Drawing in Oxford, and encountered the Birmingham surrealists Conroy Maddox and Desmond Morris, and established the Birmingham Artists’ Committee in 1947, devoted to exhibiting avant-garde artists such as John Melville, William Gear, Emmy Bridgwater, and Morris. He is also well known as the founder of the Fantasy Press in 1951, which promoted the work of young poets, especially The Movement, including Philip Larkin, Kingsley Amis, and others.

363* Mellor (Oscar, 1921-2005). ‘Episode in the Present’, 1973, oil on canvas, signed and dated lower right, additionally signed, titled and dated to back of canvas, 56 x 81.5cm (22 x 32ins), framed (1)

£300-400

364* Mellor (Oscar, 1921-2005). ‘Peacock Variations’, 1984, oil on canvas, signed and dated lower right, 51 x 61cm (20 x 24ins), framed (1)

£300-400

365* Mellor (Oscar, 1921-2005). ‘The Debutante’, 1984, oil on canvas, signed and dated upper left, additionally signed, titled and dated on back of canvas, 40.5 x 51cm (16 x 20ins), framed (1)

£200-300

367* Mellor (Oscar, 1921-2005). Bird-Woman, 1962, oil on board, signed and dated lower left, 50.5 x 40.5cm (20 x 16ins), framed (1)

366* Mellor (Oscar, 1921-2005). Nude & Sphinx, 1982, oil on board, signed and dated upper left, 35.5 x 46cm (14 x 18ins), framed (1)

£150-200

368* Mellor (Oscar, 1921-2005). Reclining Nude, 1958, oil on card, signed and dated lower right, 28 x 42cm (11 x 16.5ins), framed

£200-300

(1)

122

£100-150

Lot 363

Lot 364

Lot 365

123

369* Meyer (Astrid, 20th century). Maid in a Kitchen, 1932, watercolour over pencil on laid paper, signed with initials and dated lower right, 40.5 x 31cm (16 x 12.25ins) sheet size, framed and glazed (1)

£150-200

371* Milner (Allan, 1910-1984). Two Figures, oil on board, 36 x 51.5cm (14.25 x 20.5ins), framed, together with another similar oil on board composition by the same artist, 48 x 32cm (19 x 12.5ins), framed (2)

370* Milner (Allan, 1910-1984). Composition in Orange, Blue, Brown and Black, gouache on card, signed lower left, and numbered F 45, sheet size 40.5 x 51.5cm (16 x 20.3ins), together with three other similar abstract studies in gouache on paper, one signed with initials, numbered 2087, and marked Set 14, another signed to verso, and numbered 1069, the second work (numbered 2087) with some marks and one or two short marginal tears to upper left corner, sheet size for each 42 x 53cm (16.5 x 21ins) (4)

£200-300

372* Milner (Allan, 1910-1984). Composition, oil on Essex Board, 54.5 x 60.5cm (20.5 x 23.75ins), together with another oil on board composition by the same artist, 50.4 x 62.3cm (19.75 x 24.5ins)

£300-500

(2)

124

£250-350

373* Milner (Allan, 1910-1984). Figures in a Landscape, oil on canvas, 56 x 76cm (22 x 30ins)

375* Newton (Eric, 1893-). Tree in a landscape, oil on canvas, signed to lower left, slight peeling and loss of paint in parts, 48 x 70cm (19 x 27.5ins), framed

(1)

£200-300

374* Morris (Desmond, 1928-). The Unknown Gifts, 1990, pen, ink & watercolour on thick handmade paper, signed with initials and dated, 291 x 251mm (11.5 x 9.85ins), contained in The Surrealist World of Desmond Morris, by Michel Remy, published by Jonathan Cape in 1991, deluxe limited edition of 204 copies, this being one of 90 copies of the English edition, signed by the artist, bound in original cloth and contained in original drop-over book box, with design by the artist to upper cover and spine, 4to (32 x 27.5cm) (1)

£200-300

376* Otway (A.). 'Resurgam', late 20th century, large-scale oil on canvas, signed by artist lower left, 126 x 91 cms (49.5 x 36 inches), framed

£400-600

(1)

125

£100-150

377* AR Palmer (Simon, 1956-). ‘Good Friday’, watercolour, with pen & ink, titled and signed in pencil to lower blank margin, image size 37.5 x 31.5cm (14.75 x 12.5ins), mounted and framed Provenance: Purchased by the current owner from Aberbach Fine Art, Savile Row, London, in 1981. Simon Palmer was born in Doncaster in 1956 and has lived most of his life in Yorkshire. His work is widely exhibited in England and held in collections in Europe, America and Japan. He won the Turner Watercolour Award at the Royal Academy in 2006. (1) £1500-2000

126

380* Podchernikoff (Alexis Matthew, 1886-1933). Early Spring, near Gaviota Pass, California, oil on canvas, signed lower left, additionally signed and titled to verso, 41 x 51cm (16 x 20ins), gilt frame with name plaque to lower edge Born into an artistic dynasty, Podchernikoff studied with his grandfather, Dimitri Zolotarieff, and later with Ilya Repin and Verestchagin. After the Russo-Japanese War of 1904-05, he emigrated to the United States, and settled in San Francisco, moving to Santa Barbara in 1913 where he lived for the rest of his life. Many of his mature landscapes are of Southern California, and the countryside around Santa Barbara in particular. (1) £700-1000

378* Peake (Mervyn, 1911-68). Study of a young woman in a black coat and red scarf, circa 1935-36, watercolour on laid paper, unsigned, 43 x 29.5 cm (17 x 11.5 ins) mount aperture, framed and glazed With an accompanying letter of provenance, dated 5th March 1995, in which the original owner Jane Cross Brown, states that she obtained this sketch from the artist while studying at Westminster Art School. A copy of the letter of provenance is provided with this lot. (1) £400-600

381* Portway (Douglas Owen, 1922-1993). Reclining Nude, 1988, oil on paper, signed and dated lower right, 74.5 x 56.5cm (29.25 x 22.25ins), framed and glazed

379* Peake (Mervyn, 1911-68). Head of a Woman in Black, oil on card, signed upper right, 29.5 x 22 cm (11.5 x 8.6 ins), framed and glazed (1)

Provenance: Private collection, Oxfordshire. (1)

£400-600

127

£500-800

382* Attributed to Douglas Owen Portway (1922-1993). African landscape with figures, watercolour and gouache on thick paper, unsigned, 39.3 x 53cm (11.5 x 20.8ins), framed and glazed Collection of the owner of the preceding lot. (1)

£200-400

383* Richards (Fred, early 20th century). “Voldendam, Holland”, 1905, pencil and watercolour, showing a windmill with peasant woman carrying pails, signed, dated and titled to lower margin, 34.5 x 24.5cm (13.5 x 9.5ins), mounted, framed and glazed (1)

£70-100

384* Rogers (John, 1939). Pembrokeshire Headland, 1969, watercolour, signed lower right and dated 11.9.69, 23.5 x 57.8 cm (9.1 x 22.75 ins), framed and glazed (1)

£100-150

Lot 386

385* Rowles (Stanley Charles, 1887-). “Coastal Path near Staithes”, watercolour on paper, signed and titled to lower left, creased across lower right hand corner, 24 x 34cm (10 x 13.25ins) mount aperture, framed and glazed, together with Hill (Adrian, 1896-96-1977). Barn near Gloucester, 1928, watercolour on paper, signed and dated to lower left, 33 x 43cm (13 x 17ins) (2)

£100-150

386* Self (Colin, 1941-). Seated nude with toy bear, pen and black ink with transfer on pale pink paper, partly ruled, and etched in red, signed and dated 10.3.9, mounted on a white paper sketch book leaf, image size 135 x 94mm (5.3 x 3.7ins), backing sheet 405 x 304mm (16 x 12ins), framed and glazed (1)

£300-500

387* Shaw (John Byam Liston, 1872-1919). Acis and Galatea, March 1902, pen and black ink and gouache on paper, signed and dated 35 x 24cm (13.75 x 9.5ins), framed and glazed The original design for a bill poster advertising the production of Handel’s Acis and Galatea by the Purcell Operatic Society at The Great Queen Street Theatre in March 1902, with costumes designed by Edward Gordon Craig. (1) £300-500 128

Lot 387

388* Shipsides (Frank Winston, 1908-2005). “Harmonious”, watercolour, showing several men on the deck of a ship, two of them wrestling, signed lower right, titled lower left, 26 x 36cm (10.5 x 14ins), mounted, framed, and glazed (1)

390* Suddaby (Rowland, 1912-1972). Landscape ('Recording Britain' series), c.1940s, watercolour, ink and gouache on paper, signed lower left, sheet size 43 x 31.5 cm (17 x 12.5 ins) Possibly commissioned by the then director of the National Gallery, Sir Kenneth Clark as part of the Recording Britain project. (1) £100-150

£100-150

391* Swaish (Frederick George, 1879-1931). “A Picturesque Group”, oil on board, interior scene with a seated lady and young girl, and a small boy holding a cat, 25 x 32.5cm (10 x 12.75ins), framed, verso with Bristol Savages label bearing the artist’s name and title in manuscript and ‘Purchased at 35th Annual Exhibition, Catalogue No.48’, with framer’s label below ‘Barton & Long, Bristol’ (1)

389* St. Ives School. "In the Digby", early 20th century, oil on board, 35.5. x 27cm (14 x 10.5ins) board size, framed (1)

£100-150

129

£150-200

393* Wallis-Markland (Francis, early 20th century). Granada, 1907, pastel on paper, signed and titled, 32 x 27cm (12.5 x 10.5ins) (1)

£70-100

394* Walter (Lucy, 19th century). Still lifes, circa 1880, a pair of watercolours on paper, one signed and dated to upper right, both marked E. S. K. (Examined South Kensington, indicating these are degree pieces for the School of Design), 35 x 49.5cm (13.75 x 19.5ins) mount aperture,framed and glazed (2)

£100-150

392* Van Lynden (Francoise, 1922-). Study of a fine drawing room with classical fireplace, 1983, pencil and watercolour on wove, signed and dated lower left, 37 x 27cm (14.5 x 10.75ins), framed and glazed (1)

£100-150

395* Weight (Carel, 1907-1997). A connoisseur in an artist’s studio, oil on canvas, signed to lower right corner, some flaking and small amount of paint loss, 61 x 49.5cm (24 x 19.5ins), framed (1)

Lot 393

130

£300-400

SCULPTURE

Lot 396

Lot 397

Lot 398

396* Modern British School. Untitled, a 20th century abstract carving in teak, in the manner of Gertrude Hermes (1901-83), 49cm high (1)

£100-150

397* Benshalom (Itzik, 1945-). Family group, 1987, polished bronze group, each signed and dated, height 30.5cm (12ins) (3)

£200-300

398* A modern bronze bust in the Classical style, modelled as Augustus, hollowed construction painted green to replicate verdigris, 31cm high on a square wooden base (1)

£150-200

399* A pair of modern bronze horses, modelled in a GraecoRoman style, 36cm (14ins) high, 58cm (22.75ins) long, unmounted (1)

£100-150

Lot 399 (part)

131

401* Continental School. Bust of a young woman, later 20th century bronze, 28.5 cm (11.25 ins) overall height, together with a bronze of a standing female figure in the manner of Giacometti, 68.5cm (27ins) overall height (2)

400* After Demetre Chiparus (1886-1947). 'Footsteps', large bronze with black and gold patina of a 1920s dancing girl, circular base, 121cm (47.5ins) overall height (1)

ÂŁ100-150

402* Classical School. A bronze figure of the Dying Gaul, c. 1900, modelled lying on a Vitruvian scroll rug with battle remnants, 29 cm (11.5 ins) overall length

ÂŁ300-500

(1)

132

ÂŁ100-150

404* Hands (Ann, 20th century). Fishermen, 1965, oil on board with chased and embossed copper, signed and dated 1965 on coper tab, 86 x 41cm (26 x 16ins) image size, mounted and framed (1)

403* Hands (Ann, 20th century). Saint George, 1965, embossed and chased copper, mounted to linen-covered board, signed and dated to a copper tab, a ms. label to the verso reads ‘To the Rev. Emyr Evans - George - designed 1963, by Ann R. Hands’, 183 x 53cm (72 x 21ins) (1)

£300-500

405* Italian School. Hercules and the Lion, a 19th century Italian majolica figural group, modelled as Hercules wrestling a lion on a grassy base, inscribed 'Vbaldi da moria in bottegal de in pico 1624', 30 cm (11.75 ins) overall height, base repaired

£300-500

(1)

133

£300-400

406* Jensen (Lauritz, 1859-1935). Polar bear with fish, 1911, bronze with dark brown patina, signed with initials and dated 1911 to base, 21.5cm (8.5ins) overall height (1)

ÂŁ2000-3000

134

407* Mene (Pierre Jules, 1810-1877). Cheval a la barriere I, bronze, with brown patina, on a naturalistic oval base, signed P.J. Mene, without inscription to the border of the base, 28 x 37cm (11.25 x 14.5ins) (1)

£500-800

409* Nimptsch (Uli, 1823-1833). Head of Barbara Steinthal, cast bronze, signed with initials to base, mounted on green marble, 33cm (13ins) height excluding base (1)

£200-300

408* Neapolitan School. Hermes, early 20th century, a wellmodelled bronze of seated Mercury wearing winged ankle straps, verdigris patina overall with mounting post, 40cm high (1)

£300-400

410* Pautrot (Ferdinand, 1832-1874). Coucou, 1868, bronze with golden brown patina of a singing cuckoo on a naturalistic base, signed and dated Paris, 1868, to base, size 18.5cm (7.5ins) overall height (1)

135

£200-300

412* Continental School. Stretching nude, bronze, signed with monogram 'JP' and numbered 3 from an edition of 50, on intergral bronze base, 33cm (13ins) overall height, together with another similar smaller sculpture by the same artist of a bronze female nude, mounted on a marble base, and numbered 9 from a edition of 195, 43cm (16.75ins) overall height (2)

411* Continental School. Standing nude, gold and verdigris bronze, mounted on a marble base. 116cm (45.75ins) high, signed with monogram 'JP' at foot and numbered 39 from an edition of 50 (1)

ÂŁ200-300

413* Venus. A modern bronzed figure Venus, modelled in bronzed resin washing herself, mounted on a square marble base, 28cm high, together with a modern bronze Venus, modelled standing holding a hand mirror and a cloth, on integral base, 33cm high

ÂŁ200-300

(1)

136

ÂŁ200-300

MODERN & CONTEMPORARY PRINTS 414* Bartoli (Jacques, 1920-1995). Les Courses, c. 1970, colour lithograph, signed and numbered in pencil 74/120 by the artist to lower margin, 52 x 42cm (20.5 x 16.5ins), framed and glazed (1)

£100-150

415* Blake (Peter, 1932-). Madonna on Venice Beach III, 1996, colour silkscreen print, signed and numbered 2/100 to margin, 26 x 23.5 cm (10.25 x 9.25 ins) image size, framed and glazed (1)

£200-300

Lot 414

416* Calder (Alexander, 1898-1976). Calder, mobile et lithographies, 1974, colour lithograph, some marks to left hand margin, sheet size 76 x 55.5cm (30 x 22ins), framed, together with Triangles et spirales, 1973, colour lithograph, sheet size 80 x 48cm (31.5 x 19ins), framed and glazed (2)

Lot 415

137

£100-150

417* Calder (Alexander, 1898-1976). Cercle Noir, Rouge, Bleu, 1973, colour lithograph, signed and numbered 40 from the edition of 75, some lightstaining, sheet size 63.5 x 48.3cm (25 x 19ins), framed and glazed (1)

£400-600

418 Frost (Terry, 1915-2003). Pisa, 1984, colour linocut, signed in pencil, sheet size 297 x 210mm (11.75 x 8.25ins), printed in an edition, as issued in The Royal College of Art Printmaking Department Appeal Fund, published by the R.C.A. Printmaking Department, 1984, with ten uncoloured reproduction plates, and introductory text, together with the original linocut, loosely contained in original orange-red printed wrappers, very slightly rubbed to extremities, 4to (1)

£200-300

Lot 417

419* Hartill (Brenda, 1943-). Meltdown I, 1999, colour etching on thick handmade paper, signed, dated, titled and numbered 8 from an edition of 100, plate size 495 x 395mm (19.5 x 15.5ins), sheet size 75 x 56cm (29.5 x 22ins), framed and glazed (1)

£200-300

420 Hirst (Damien (1965-)). I Want To Spend The Rest Of My Life Everywhere, With Everyone, One to One, Always, Forever, Now, 1st edition, pub. Booth-Clibborn Editions, 1997, numerous colour illustrations, folding plates, pop-ups, glassine overlays, moveable parts, etc., original cloth, large 4to (1)

Lot 418

138

£200-300

Lot 422

421*@ Hughes (Patrick, 1939-). Weather Cock, 1979, colour screenprint, a few surface scratches and marks within image, mostly to right and lower areas, some marginal creasing and closed tear lower right, titled, signed and dated with limitation 51/100 in white at foot of screenprint, image size 57 x 39cm (22.5 x 15.5ins), framed and glazed (1)

£300-500

422* Kar (Ida, 1908-1974 ). Craigie Aitchison, 1957, vintage Bromoil gelatin silver print photograph, signed in ink lower left, with photographer’s ink stamp to verso, 290 x 240mm (11.5 x 9.5ins), together with another Bromoil gelatin silver print photograph of Ida Kar and a lion cub, by her pupil Julieta Preston [1964?], 246 x 198mm (9.75 x 8ins), loosely contained in a presentation card folder, inscribed to inside flap ‘from Ida Kar [&] Victor Musgrave’, plus a signed handwritten note by Ida Kar [probably addressed to Craigie Aitchison]: ‘I have joined ‘ANIMALS’ a new magazine starting the 8th January. After 25 years of photographing humans, I feel I need a new stimulant! Ida Kar’, plus two autograph letters, one from Muriel of the Colony Room, Soho, to Craigie Aitchison, c. 1960s, sending thanks for a gift of flowers, the other from William MacTaggart, address to Lady Aitchison, and dated 18th January 1962, in reply to a letter of congratulations on his recent Knighthood (4)

£150-200

423* Kor (Paul, 1926-2001). Dance, 1970, colour print, signed and numbered 291/295 to lower margin, 74 x 54cm (29 x 21.5ins) mount aperture, framed and glazed, together with another similar limited edition print by the same artist (2)

Lot 423

£100-150

139

425* Mozley (Charles, 1941-1991). The Ballet, 1946, colour lithograph printed by the Baynard Press, signed lower right, laid on card, sheet size 76 x 49.5 cm (30 x 19.5 ins) Produced for the ‘School Prints’ series. (1)

£70-100

424* Lindner (Richard, 1901-1978). Alban Berg’s Lulu, Directed by Roman Polanski, Conducted by Christopher Keene, Spoleto, 1974, colour reproduction poster, sizes ...., framed and glazed (1)

£30-50

426* Phillips (Tom, 1937-). Dante’s Inferno, 1982, six colour screenprints (from the full set of nine), printed on Crisbrook handmade paper, published by Waddington Gallery in 1982, in an edition of 75, each with Advanced Graphics circular blindstamp to lower right corner, signed and numbered in pencil, sheet size 75.5 x 54.5cm (29.75 x 21.5ins) The individual titles are: Veltro: Levels of Allegory, Canto I, Una Selva Oscura: The Dark Wood, Canto I, A Folly for Wisdom, Canto IV, The Wood of the Suicides, Canto XII, Geryon: Monster of Fraud, Canto XVII & Flying Man: Ape of Nature, Canto XXIX. (6) £300-500

Lot 425

140

427* Piper (John, 1903-1992). Coventry Cathedral, 1940, woven silk picture by J. & J. Cash Limited, Coventry, after the original painting by John Piper, issued in 1987 to commemorate the Silver Jubilee of the Consecration of the New Coventry Cathedral in 1962, numbered 481 from an edition of 500, signed by John Piper, 110 x 142mm (4.3 x 5.6ins), framed and glazed, with typed label to verso (1)

£300-400

429* Rothenstein (Michael, 1908-1994). Affirmations and Defacements, The Argos Press, 1976, 18 b & w lithographs, including title, plus Image and Source, 16 September-13 October 1975, exhibition publications, all loosely contained in original publisher's cloth dropover book box, folio (1)

428* Procktor (Patrick, 1936-2003). Pin Jaw, Jaipur, c.1970s, colour etching with aquatint, signed lower right, numbered 57 from an edition of 60, plate size 61.5 x 43 cm (24.25 x 17 ins), sheet size 78.5 x 56.5 cm (31 x 22.25 ins), perspex framed (1)

£100-150

141

£300-500

431* Uglow (Euan, 1932-2000). A series of six handmade Christmas cards from Euan Uglow to Craigie Aitchison, c. 19831995, mixed media on card or paper, including collage, several with stamped greeting, one hand-signed, 150 x 100mm (6 x 4ins), together with a photographic postcard of a Filippo Lippi painting, inscribed with Christmas greetings from Uglow to Craigie Aitchison to verso, plus an uncoloured etching by Celia Lyttelton (1960-) entitled Hercules ‘after Mantegna’, signed, titled, and numbered 11/20, another Christmas card from Celia Lyttelton to Craigie Aitchison, with a sepia etching of a Madonna and Child, plus two others (one Christmas card to Craigie Aitchison, signed Susan and Patrick, and a sepia etching of two children in an old pram, dated 2001, and inscribed ‘Best Wishes Craigie from Barbara’ (11)

£200-300

430* Stevens (Norman, 1937-1988). Woodland Track, 1977, colour lithograph, signed, dated, titled, and numbered 65 from the edition of 150, image size 30.5 x 43cm (12 x 17ins), 51 x 63.5cm (20 x 25ins), framed and glazed (1)

£100-150

432* Vasarely (Victor, 1906-1997). 0519-Bayna, 1964, colour screenprint on wove paper, with printed signature, laid on board, 345 x 345mm (13.6 x 13.6ins), framed and glazed, with printed title label to verso (1)

Lot 431

142

£70-100

DAY TWO

CERAMICS & GLASS To commence at 11am

439* A Derby porcelain figure, c. 1760-80, modelled as a girl throwing a ball, with a brocage base, decorated in green, yellow, blue, red and purple, 20cm high, together with a porcelain figure of a boy, 18th c., modelled holding a goat playing the pan pipes, on a rocaille base, red anchor mark to base, possibly Chelsea, 23cm high, plus a small porcelain figure, 18th c., modelled as a boy holding a basket of fruit with playful dog on square base, 19.5cm high (some damage)

435* A suite of 1970s ‘Eldorado’ pattern Baccarat wine glasses, comprising twelve stemmed glasses with slice cut and gilded scroll decoration, 13.5cm high and twelve smaller glasses, 12cm high, acid etched mark to base, all boxed (24)

£200-300

(3)

£200-300

440* An extensive collection of ceramic egg cups, Victorian and later, including Dresden, Royal Crown Derby and Staffordshire, Chinese, blue and white transfer print etc. (approx. 120)

£70-100

436* A collection of Beswick animals, primarily cattle, including Ch. Ounsley, Coy boy; Ch. Newton Tinkle; Ch. Ickham Bessie 1980; Ch. Claybury Leegwater’ Ch. Coddington Hilt Bar; Ch. Sabrina’s Sir Richmon 68th?; Ch. of Champions; Highland Cattle, calves and two foxes (minor damage) (18)

£200-300

437* A large porcelain bowl in the Worcester style, early 20th century, printed and painted with panels of exotic birds within giltpainted borders on a blue scale ground with raised printed and gilded foot, the interior with floral spray and birds and insects, 28.5cm diameter, together with a Continental porcelain beetle pot and cover, 24cm long; a Continental porcelain ewer, early 20th c., plus a Japanese Imari bottle vase, 31.5cm high, plus a lobed bowl, 28cm diameter, both c. 1900-20, (some damage) (5)

441* A Victorian pottery flask, with foliate decoration, 25cm high, together with a collection of commemorative Queen Victoria jugs and plates plus a Boer War Torquay Ware mug, incised ‘God bless you Tommy Atkins, Here’s your country’s love to you’, 10cm high

£100-150

(a carton)

438* A Chinese squat porcelain vase in the a light blue glaze, with shaped handles and foliate scroll decoration, converted for use as an electric table lamp, 20cm high, together with four further decorative lamps (5)

£100-150

144

£100-150

444* Luker (Susan). A barnacle vase with a mottled glaze, incised signature to base, 27cm high together with a collection of 20th century studio pottery including an abstract piece mounted on a green marble base, 20cm high, a cup in a lustrous glaze mounted on a Chinese hardwood stand, 11.5cm high, a small octagonal vase in a dark brown glaze, 9cm high and other items Susan Luker is recorded as a member of the Devon Guild of Craftsmen and also an associate member of the West Country Potters Association. (16) £100-150

442* A collection of 20th-century frosted glass, including a hexagonal jug with clear glass handle, signed and dated Stephen Newell (1985), 26cm high; an ovoid vase with moulded birds and wheat sheaves, 28cm high; a pedestal vase by Peter Tyson, signed, 16cm high; a wavy rim clear glass vase etched ALVAR AALTO, and other items (8)

£100-150

445* A Martin Brothers ‘Aquatic’ pottery vase, with long slender neck, incised with fish and other sealife on a blue ground, the base incised ‘Martin Bros. London Southwark 4 1899’, 24cm high (neck broken off and cracked repaired by staples) (1)

443* A collection of George III and later drinking glasses, including a William IV ale glass on short baluster stem, 17cm high; a George III wrythern swirl glass, 13cm high; a George III dwarf ale glass with half fluted cut bowl on lemon squeezer base, 13cm high; a Victorian blue glass jug with clear glass twist handle, 13cm high; plus four Victorian glass rinsers, 9.5cm high, etc. (27)

£200-300

£100-200

446* A collection of 20th-century studio pottery, including a vase with everted rim, terracotta glaze and black painted decoration, 23cm high, plus a tall vase with repeating incised decoration, 34cm high

Lot 444

(23)

145

£200-300

447* Onslow (Ilse). A collection of 20th-century studio pottery including a stemmed cup in a turquoise glaze, 19cm high, a larger stemmed cup in a stoneware glaze, 26cm high, a tall cylindrical vase with a two-tone glaze, 27cm high and other items

449* A Royal Crown Derby pot pourri vase and pierced cover, decorated in the Imari style with arched panels of leaves and flowers, printed mark in red for 1911 and pattern number 1128, together with a Meissen style nodding pagoda figure, in crossed legs position wearing robes with articulated head and hands, with blue back stamp for the Schierholz factory (1907-27), 10cm high (hairline crack), plus a bisque figure of a nude female in the Art Nouveau style mounted on a square onyx base, 20cm high

Ilse Onslow (nee Salm) was one of the 1938 Kinder Juden Transport (Jewish children sent by their parents to England for sanctuary). During the war she married Guildford Onslow, a 4th cousin of the Earl of Onslow. She learnt at the war’s end that all her immediate family had perished at the hands of the Nazis during the war. Ilse Onslow settled first in Bromley, then in Croxley Green in the late 1960’s. A keen potter, she may have been in contact with other Jewish émigré potters - Hans Coper and Lucie Rie. (13) £100-150

(3)

448* A Royal Copenhagen model of a dachshund, 11 cm long, together with three figures modelled as children playing musical instruments, green printed marks to base, underglaze blue marks, numbers 3140, 3677, 3667, 3689, plus a Lladro porcelain figure of a girl carrying a basket, 22cm high (5)

£80-120

450* A large Ruskin pottery trumpet vase, in an orange glaze, impressed marks to base, 25cm high together with five further orange glaze Ruskin vases, various shapes and sizes (some damage) (6)

£200-300

£70-100

Lot 448

Lot 450

146

Lot 451

Lot 452

451* A large Ruskin pottery shoulder vase with lustre glaze, impressed marks to base, 26cm together with six further Ruskin vases plus a bowl, various forms and glaze (some with damage) (8)

453* A Victorian pottery salad bowl and servers, with a terracotta glaze and egg and dart moulding with gilt metal mounts, indistinct mark to base, 23cm diameter, the servers with pottery handles and gilt metal foliate engraved mounts by Martin Hall & Co (hairline to spoon)

£300-500

452* A late Victorian Rye Pottery jug, in the form of a tree trunk with entwined branches forming the handle, base incised ‘S W R Rye’, 29cm high (1)

(4)

£70-100

£100-150

454* A collection of Victorian saltglaze pottery by J. Dudson, including a globular teapot, with geometric repeating decoration, scroll handle spout and pewter lid, the base impressed J. DUDSON ARGYLE 30 HANDLEY, 19cm long, a baluster jug decorated with wheat sheaths with scroll handle and pewter lid, 21.5cm high, together with a similar jug, with shaped rim and scroll handle bearing Registration Mark to base impressed CERES, 15cm high, plus a black glazed jug with pewter cover, probably Jackfield of Shropshire, 12.5cm high

Lot 453

(5)

147

£100-150

455* A Sevres oval porcelain bowl, late 19th c., painted with a girl and her courtiers playing the flute within a bleu celeste border decorated with gilt scrolls, blue interlaced mark to base, impressed 37-25, 38cm wide, together with a collection of decorative ceramics including a Royal Crown Derby miniature tyg, decorated with an Imari palette, No. 2451, 5cm high, a Victorian Pratt Ware pottery plate with two figures titled ‘I CONSENT SHE REPLIED IF YOU PROMISE THAT NO JELOUS RIVAL SHALL LAUGH ME TO SCORN’, 18cm diameter, plus 6 Limoge cups and saucers, etc. (15)

458* A Staffordshire figure of Billy Waters, mid 19th c., typically modelled playing violin with peg leg on a pavement base, 22cm high (restored) Billy Waters (1778-1823) was a busker in London, he was famed for his singing, playing the violin and entertaining theatre goers with his “peculiar antics”. (1) £100-150

£100-200

459* A large collection of 20th-century studio pottery including a tall bottle vase with everted rim and a celadon glaze, 34.5cm high, mottled brown glaze mugs, jugs and plates and other items (2 cartons)

£100-150

456* A Shelley part tea service, “My Garden” pattern, c. 1925/30, comprising milk jug, sugar bowl, two cake plates, twelve sandwich plates, eleven tea cups and eleven saucers (some staining and hairline cracks) (38)

£100-150

457* A pair of Staffordshire pottery flatbacks, late 19th c., modelled as a fish seller and his wife, 34.5cm high, together with another modelled as the Orange Sellers and so titled, 35.5cm high (some damage) (3)

£70-100

Lot 460 148

460* A Tiffany & Co silver mounted celadon porcelain bowl and cover, decorated with crazed glaze, Shunzhi (1638-1661) mark, but not period, and silver plaque stamped TIFFANY & Co STERLING 925, 18.5cm diameter (1)

462* An Art Deco Wedgwood model of a deer in the John Skeaping style, (unsigned), in a brown glaze, impressed WEDGWOOD, MADE IN ENGLAND W, 20cm high, together with 1930s candlestand modelled as a polar bear on angular base, in matt green, stamped SPODE’S ROYAL JADE, ENGLAND, 18cm wide

£200-300

(2)

£70-100

461* An Imperial Russian tot glass, with mitre cut and gilt painted Romanov Family crest, 8cm high, together with a Victorian Windsor Castle porcelain tea cup and saucer bearing a VR cypher and gilt painted Vitruvian scrolls, purple back stamp for Nixon & Son Windsor, saucer 14cm diameter, plus a G.VI.R. porcelain plaque, 7cm diameter (cup with hairline) The tot glass bears the monogram of Princess Anastasia of Montenegro (1868-1935), daughter of Nicholas I of Montenegro and his wife, Milena Vukotic. Through her second marriage to Grand Duke Nicholas Nikolaevich of Russia, she became Grand Duchess Anastasia Nikolaevna of Russia. She and her sister Princess Milica, having married Russian royal brothers, were known colloquially as the ‘Montenegrin princesses’ during the last days of Imperial Russia, and may have contributed to its downfall by the introduction of Grigori Rasputin to the Empress Alexandra. (3) £70-100

463* A Wedgwood earthenware top hat bowl designed by Keith Murray, in matt green with printed and facsimile mark to base, impressed WEDGWOOD, MADE IN ENGLAND, 35.5cm diameter, together with a wall pocket designed by Keith Murray, with two hanging holes, 20cm high (2)

149

£100-150

ORIENTAL WORKS OF ART

464* A collection of antiquities, including a Thai terracotta bowl, approx. 3000-4000 BC, with everted rim and incised patternation, 9cm high, plus a reproduction cuneiform cone, Sumerian, 10cm high on a gilt-painted stand (4)

465* A fine Chinese pale lavender and apple green jade belt buckle, late Qing Dynasty, of square form carved with a central circular medallion (representing a wish for long life) flanked by two archaistic dragons within a fret cut border, with collection label, 8 x 5cm

£100-150

Provenance: Mirimar Collection, Geneva. (1)

£1200-1500

466* A Chinese mutton fat jade circular “Bi”, late Ming Dynasty or possibly earlier, carved in relief on front with cavorting chilongs highlighted with ochre skin, the reverse with an archaic pattern of scroll and dots, 5cm diameter (1)

£800-1000

150

469* A Phan-ware celadon footed dish, Northern Thai, c.15th century, with underglaze comb-incised decoration, 15cm diameter (1)

467* A Chinese blanc de chine figure of Guanyin, 19th century, modelled in the seated position bearing label inscribed ‘Brought from China by C.E.T. 1842’ 12.5cm high, together with another similar (damaged), plus a Japanese porcelain shoulder vase decorated with a warrior, musician and other figures, base with label inscribed ‘CR China’, 22.5cm high (damaged) (3)

470* A Kalong-ware bowl, Northern Thai, c.14th century, with underglazed black sunburst decoration to interior and swirling motif to exterior, unglazed base, 23.5 cm diameter (1)

£100-150

471* A Chinese Sang de Boeuf bowl, the interior in a light turquoise glaze, raised on a foot with underglaze double ring base, 13.5cm diameter, together with two blue and white bowls each painted with 5-claw dragon chasing the mystical pearl in a cloudy sky, interior similarly decorated, underglaze blue six character mark to base within double ring border, 15cm diameter plus a Chinese porcelain charger decorated with dancing ladies on a red ground within lattice and foliate border, 30cm diameter, the underside with green and yellow repeating decoration and green mark to base

468* A Chinese bottle vase, with a light blue matt glaze on a raised foot with an underglaze blue six character Kangxi mark to base, 17cm high (some old chipping to inner rim or base) (1)

£100-150

£150-200

(4)

151

£100-150

474* A pair of Chinese blue and white porcelain bowl and covers, painted with scholars and musicians, with domed cover and finial, on a pedestal foot, 14cm high, together with a further pair, each with Chinese script, gilt metal mounts on turned wood bases, plus a similar pair (6)

£200-300

472* A Chinese porcelain footed bowl, the interior with gilt painted mon within floral border surrounded by iron red bats and purple and yellow repeating border, the base with pink, blue and yellow border leading to leafy stem, 16cm diameter, together with a Chinese light blue glazed bowl with incised decoration, rasied on a foot with unglazed base, 22.5cm diameter plus two Chinese Wucai bowls, each with six character mark to base, 14cm diameter (4)

£80-120

475* A Persian enamel and white metal oval box, mid-19th century, the domed cover finely painted in a traditional manner depicting a lady of wealth resting upon her terrace with mountain scene in the background, the lower half neatly engraved with flowers and leafy vines (1)

473 A Japanese porcelain bowl, Meiji period (1868-1912), with everted rim, the interior decorated with dogs of Fo and foliate scrolls in blue, red, green and gold, the exterior with stylised flowers, spurious blue mark to base, 25.5cm diameter on an associated brass stand with classical female head roundels (1)

£100-150

152

£500-700

477* A lacquered wood carving depicting a Sakayamuni Buddha in typical pose, early to mid 20th century, the garment adorned with mirror glass to reflect the light, standing on a single tiered lotus base, the original red lacquer base colour now visible through the thin layers of gold leaf, 65cm high (some damage) Purchased from a Parisian dealer in the 1970’s (1)

£300-500

476* A Chinese blue and white porcelain brush pot, 19th century, with concave sides painted with figures in a landscape, 13cm high, together with three further brush pots including a blue and white porcelain pot, 19th century, painted with scholars in a landscape, the base with underglaze blue leaf mark, 16cm high plus a Chinese famille-verte porcelain dish, 18cm diameter and a green celadon glaze twin handle vase, 15cm high (6)

£200-300

478* A collection of six Thai Buddhas, gilded metal with raised hair and detailed faces, elongated ears, filled with resin and mounted on modern stands, approx. 19cm high (6)

£600-800

479* A bronze Thai Buddha, modelled seated with crossed legs on a shaped base, 17cm high, together with the upper half of a bronzed pottery Buddha, 26cm long, on a gilt stand, plus a carved rosewood figure of a sumo wrestler with his head in his hands (3)

Lot 477

153

£100-150

480* A very fine Chinese black and white jade Suzhou School carving of a recumbent horse, late Qing Dynasty to early Republic, his head turned back towards his body watching a playful monkey on his back, 7cm long The artist has used great imagination and skill in separating the two distinct colours, the depiction offers a rebus or hidden meaning as the carving refers to a wish in the Civil Service examinations to excel and to rise to the rank of Marquis. (1) ÂŁ10000-15000

154

481* A West African Senufo ceremonial mask, carved with horns and scarification marks, 31.5cm high, together with a carved figure probably Bamana, modelled as a warrior holding a shield and club, 39cm high; an Indian bronze figure of Parvati the Hindu goddess, late 19th/early 20th century, standing in traditional costume of a lotus base, 14cm high; a Sino-Tibetan bronze figure of an infant Buddha, his left arm facing raised and right arm facing down (a position adopted after his miraculous birth) on a lotus base, 19.5cm high; and a Chinese bronze tripod censer and cover, 18cm high, plus an African hardwood figure (6)

ÂŁ100-150

482* A Chinese celadon charger, with central design, moulded border, 37cm diameter (1)

ÂŁ200-300

483* An Indian Export ivory chess set, early 20th century, one side carved as archers the other with muskets and edged weapons in an inlaid chessboard box, 3.5cm high x 39.5cm wide x 19.5cm deep (1)

Lot 481

Lot 483

155

ÂŁ300-500

Lot 485

484* A pair of Chinese porcelain Dogs of Fo, second half of 20th century, decorated with green and purple glaze and gilt painted patches and eyes, one with its mouth open the other closed, 22.5cm high (2)

Lot 486

£300-500

485* A very fine Chinese spinach jade shallow dish, late Qing Dynasty, formed of multiple fluted petals surrounding an undecorated centre, reverse with linear border forming the foot rim and wheel cut with four archaic characters reading ‘Xing You Heng Tang’ (well recognised hallmark of the Qing Dynasty Prince Ding), 16cm diameter (1)

£4000-6000

486* A pair of Chinese famille rose porcelain lozenge dishes, each painted with a procession, the underside with red lattice scroll decoration, on a raised foot, with red printed seal mark to base, 27cm wide (one with hairline) (1)

£80-120

Lot 487 156

Lot 488 487* A Canton Export ivory fan, 19th century, carved with figures, buildings and animals amongst foliage, twenty two staves, 30cm wide (1)

£100-150

488* Two exceptionally rare mutton fat jade finger nail covers, delicately carved with numerous open work motifs, probably Qianlong period and possibly for use in the Imperial Court, 7cm long Illustrated in the book “The Brush and the Stone, the Dr Dean Edell Collection”. (2) £5000-7000

489* An Indian figure, probably 19th century, carved as a rider on a camel standing on a base with four wheels, polychrome painted, 33cm high x 24cm long (some damage) (1)

£70-100

490* A very fine Chinese ivory panel, early 20th century, carved from a wide tusk section and extensively carved to depict old pine trees with a gathering of herons perched quietly on their bowing branches, further birds towards the base with rocky outcrops, two birds are seen flying from a distant mountain landscape, the detail finely rendered, the reverse neatly incised with a twenty character polyphon and artist name and chop, 30.5cm long (1)

Lot 489

£300-500

Lot 490 157

Lot 491 492* A Chinese porcelain ovoid jar and cover, 19th century, with two painted panels depicting a girl picking flowers before a pine tree the other with a girl holding a flower by a bridge both with Chinese script (probably a poem), on a lime green speckled ground with conforming cover (some staining to interior and hairline to cover), 24cm high

491* A Chinese pale celadon jade carving, Qing Dynasty, in the form of a lock in traditional style carved on front with a bird perched upon a branch of flowering prunus, the reverse with four stylised seal characters, 7.5cm wide (1)

£500-700

(1)

£80-120

493* A Chinese bronze twin-handle jardiniere, late 19th c., of octagonal form with panels cast in relief depicting dragons and tigers, raised on four scroll supports, 34cm across (1)

£150-200

494* A fragment of a Medieval Korean pottery charger, 14/15th century, painted with fish and scrolls on a celadon ground, the base with brown painted scrolls, 18cm wide, presented in a deep frame (1)

Lot 492

158

£100-150

497* A Chinese porcelain libation cup, probably 19th century, the exterior in an oxidised red glaze with gold painted flowers and pierced handle the interior in a turquoise glaze, 12cm long (some restoration to the handle) (1)

£100-150

495* A pair of Japanese Kutani porcelain vases, Meiji period (1868-1912), with everted rims, decorated with panels depicting scholars and tea picking amongst mountainous landscapes, iron red and gilded borders, each with iron red three character mark to base, 39cm high (2)

£400-600

498* A Japanese copper lobster, entirely articulated with detailed armour, the underside signed, 17cm long (some parts missing) (1)

£200-300

496* An interesting Japanese Kutani porcelain salver, Meiji period (1862-1912), the fluted rim with oakleaves forming the handles and decorated with Buddha, lohans and various gods all finely painted, reverse unglazed with artist mark and later markings, 39cm diameter (1)

£400-600

499* A string of 47 Omije beads, Meiji period (1868-1912) and later, carved in agate, bone, nut and quartz, various forms including double gourd, faces, beetles etc, together with 24 loose beads including boxwood carved as a cat (signed), a frog and a snake, rabbit, and a monkey (71)

159

£300-500

501* A Chinese celadon jade pebble, Ming Dynasty to early Qing, carved as an exotic bird, the shallow relief carving making good use of the stones natural colour and with wheel cut detail showing signs of wear and age, 6cm long (1)

£300-500

500* A very fine Chinese mutton fat jade pebble, late Qing Dynasty, finely carved overall with areas of openwork to depict fish and aquatic plants, some areas of dark ochre skin enhance the scene, with lotus and lilly growing on long stems, 6.5cm long

502* A Chinese carved chalcedony “Pei”, late Qing Dynasty to Republic, the pale mushroom tone with dark inclusion to the from deeply carved to depict travellers on a path in a grotto of rocky outcrops and overhanging pine branches

(1)

£1000-1500

160

£300-500

Lot 503

503* A large and impressive Chinese mutton fat jade “Pei”, late Qing Dynasty, carved to each side with numerous characters all of the same meaning representing a wish for longevity all within an archaistic stylised border and finished off at the top with two confronting dragons heads, drilled for suspension, 10 x 7.5cm The essay is more suited to literary. (1)

£1000-1500

Lot 504

504* A Chinese semi calcified blank jade seal, late Qing Dynasty, the creamy white jade suffused with brown and sienna veining, well carved to depict an archaististic creature in a fierce pose, the base uncut, 6.5 wide x 5.5cm high As a blank seal it could also be used as a scroll weight.

(1)

£500-700 161

507* A Japanese spelter figure, Meiji period (1868-1912), modelled as a geisha girl supporting a large parasol with three graduated bells suspended vertically, each lacquered with dragons, on a shaped lilly pad base, approx. 30cm high (1)

£150-200

505* A Chinese Export black lacquer sewing box, late 19th century, decorated in gold and red lacquer with figures and buildings within foliate borders with single drawer, twin brass handles raised on four gilded feet, 15cm high x 35cm wide x 26cm deep (1)

£300-500

506* A collection of modern Chinese snuff bottles, including five cameo cut bottles in a fitted case (10)

508* A set of three substantial Chinese bronze tea kettles, probably late 19th c., cast in relief with dragons, frogs, mythical beasts, fish and crabs with conforming domed covers, the spouts with hinged frog covers, raised on pierced domed base, the handles cast with crocodiles, 40cm high, 36cm high, 32cm high

£100-150

(3)

£200-300

509* A collection of Chinese Yixing stoneware teapots, probably all 20th century, including a square teapot with two brass carrying handles, the lid impressed with two character mark the sides with relief moulded floral sprays, base with impressed seal mark, 14cm high (11)

Lot 507

Lot 506 162

£150-200

510* A Japanese cloisonné shoulder vase, Meiji period (18681912), decorated with prunus blossom on a black ground, 15cm high

512* A Chinese flambé vase, 20th c., with elephant handles, with a mottled purple and blue glaze, 18cm high on a turned wood stand

(1)

£100-150

513* A Chinese flambé vase, 20th c., in a purple and gold glaze, 17cm high on a turned wood stand

511* A Japanese cloisonné vase, Meiji period (1868-1912), decorated with an exotic bird perched on a leafy branch on a cobalt blue ground, 24cm high (missing reinforced band) (1)

£100-150

(1)

£150-200

163

£100-150

514* A Chinese vase in the Han Dynasty style, with a green speckled glaze, incised around the body, 16cm high, on a turned wood base (1)

516* A Chinese blue and white porcelain vase, circa 1900, decorated with figures by an old pine tree, underglaze blue four character Kangxi mark to base, 35cm high, together with a Chinese blue and white cylindrical vase, circa 1900, decorated with warriors on horseback amongst foliate scrolls, underglaze blue four character mark to base, 30.5cm high

£100-150

(2)

£100-150

515* A Chinese baluster pottery vase, painted with a figure and exotic birds, with unglazed fired base, 22cm high, together with a collection of Chinese and Korean ceramics including a lobed celadon glaze bowl, decorated with floral sprays, 19cm diameter, a Chinese light blue glaze bowl with floral scrolls, unglazed fired base, 21cm diameter, a Chinese porcelain box pillow, 14cm long etc. (9)

£150-200

517* A Kashmiri papier-mâché lacquered pedestal vase, 20th century, profusely decorated with flowers in gold red green and blue raised together with a similar twin handle tray (2)

164

£100-150

520* A pair of Chinese flambé bottle vases, 20th c., each with a green and pink glaze, 17cm high on turned wood stands

518* A pair of Japanese cloisonné shoulder vases, Meiji period (1868-1912), decorated with flowers on a black ground, with original paper label, 11.5cm high (2)

(2)

521* A pair of Chinese Sang de Boeuf bottle vases, 20th c., each with a deep red glaze, 16cm high, on turned wood stands

519* A fine pair of Japanese circular tapered vases, Meiji period (1868-1912), made from sentoku alloy (used by tsuba makers) and inlaid with copper, silver and gold depicting flowering iris, with three character signature to side and base, 12cm high (2)

£100-150

£150-200

(2)

£200-300

165

£100-150

BISCUIT TINS

524* A collection of biscuit tins including a tin in the form of a tudor house, 15.5cm wide; a Macfarlane & Lang tin in the form of an iron monger’s anvil, with lithographed panels after Sir. E. Landseer, 17cm wide; a ‘Gray Dunn & Co. Ltd. GRAN’ POP’S HOUSE’ toy tin with revolving lid decorated with characterful monkeys and pigs, 15cm diameter; a Huntley & Palmer’s biscuit tin in the form of a basket of flowers, with swing handle, 13cm high

522* Three similar Chinese flambé vases, 20th c., each with everted rim, long slender neck and lotus incised base in a green and red glaze, 16cm high, each on turned wood base (3)

£150-200

(10)

£150-200

525* A collection of biscuit tins including a Huntley & Palmer’s tambour front tin, c. 1905, with Art Nouveau stylised handles, decorated panels depicting Classical females, 23cm wide; a Huntley & Palmer’s easel frame, decorated with portraits of females raised on four supports, 22cm high, etc. (4)

£100-150

526* A collection of biscuit tins relating to the Anglo-Boer War, including a Keen, Robinson & Co. Ltd. tin lithographed with FIELD MARSHAL LORD ROBERTS, side panels with individual images of guns, dignitaries and soldiers, 17cm wide, plus a South Africa 1900 gift tin, 16cm wide (6)

523* A pair of Chinese Peking glass vases, each in a mottled brown, 10.5cm high on turned wood bases, together with two similar Chiangmai vases, each with a mottled finish, 23cm and 22cm high on turned wood bases (some damage) (4)

£100-150

166

£50-80

530* A pair of Huntley & Palmer’s biscuit tins, each of lozenge form decorated with Japanese panels depicting geisha girls, and exotic birds, Registration No. 611071, 19cm high

527* A collection of commemorative biscuit tins, including W. & R. Jacob & Co. Ltd. Coronation Carriage tin, the lid surmounted with a coronet, 24.5cm long; a Huntley & Palmer’s 1837-1887 Jubilee tin, lithographed with a portrait of Queen Victoria and her residences, 13cm wide; a Chubb & Son’s Lock & Safe Co. Ltd. tin in the form of THE QUEEN’S DOLLS’ House, 11cm wide, plus a WWI Princess Mary Christmas tin, 13cm wide (7)

(2)

531* A Huntley & Palmer’s biscuit tin, c. 1920s, in the form of an Anglo-Indian sarcophagus box, with faux sandalwood and micromosaic decoration, 25cm wide (1)

532* A Huntley & Palmer’s biscuit tin in the form of a Moorish table, c.1910, hexagonal with repeating geometric decoration and faux ivory inlay, 16cm high together with a similar tin, c. 1910, hexagonal with polychrome geometric decoration, 16.5cm high (2)

£100-150

529* A collection of biscuit tins relating to the Great War, including a lithographed tin with High Ranking Officers and Royal Family above battle scenes, 18cm high, plus a Keen, Robinson & Co. tin, lithographed with scenes of Equatorial Africa, approx. 19.5cm wide, another by McVitie & Price for VICTORIA CROSS EPISODES, 13cm high (7)

£50-80

£60-80

528* A biscuit tin for THE CORONATION OF QUEEN VICTORIA, lithographed with the Queen’s residence’s and key political figures, 22cm wide, together with a Huntley & Palmers biscuit tin decorated with Orientalist scenes, 15cm high, plus an Orient biscuit tin in the form of a suitcase, 20.5cm wide; an Egyptian form biscuit tin with two ring turn handles, 23cm high and a Macfarlane Lang & Co Ltd biscuit tin the form of a yule log, the lid set with an axe, 16cm high (5)

£50-80

£100-150

167

£70-100

533* A Huntley & Palmer’s biscuit tin in the form of a bell, c.1910, embossed with verse WHEN YE DOE RINGE I SWEETLY SING, 17cm high, together with another in the form of a lantern with polychrome leaded panels and swing carrying handle (2)

535* A Huntley & Palmer’s biscuit tin in the form of a longcase clock, c.1920s, with moving hands decorated in a Chinoiserie style, 29cm high

£50-80

(1)

£70-100

534* A Huntley & Palmer’s biscuit tin in the form of a lizard skin handbag, c.1910, detailed with gilded flowers, 17.5cm wide, together with a Macfarlane Lang & Co tin in the form of a crocodile skin handbag, c.1910, well detailed with swing handle, 21cm wide (2)

£100-150

536* A Huntley & Palmer’s biscuit tin, in the form of a display cabinet, c.1910, decorated in satinwood with astragal glazed doors enclosing pottery and porcelain ornaments, 18cm high, together with a tin in the form of an iron chest bearing the date 1616 AD, 19cm wide (2)

168

£100-150

539* A Huntley & Palmer’s ‘The Library’ biscuit tin in the form of eight books, c.1900, polychrome decorated with tooled leather spines bound by leather strap, 16cm wide (1)

£50-80

537* A Huntley & Palmer’s biscuit tin in the form of a farmhouse, c.1931, decorated with farming scenes and pivoted wall and gate by ‘H B & Sons Ltd Reading’, 16cm wide (1)

£100-150

540* A Huntley & Palmer’s ‘The Library’ biscuit tin in the form of eight books, c.1900, polychrome decorated with tooled leather spines bound by leather strap, 16cm wide (1)

£50-80

538* A rare Huntley & Palmer’s biscuit tin in the form of a tank, decorated in camouflage with articulated gun, 19cm long (1)

£100-150

541* A Huntley & Palmer’s biscuit tin in the form of a windmill, c.1920s, polychrome decorated with articulated sails, 31cm high Lot 539

(1)

169

£100-150

544* A MacFarlane & Co. biscuit tin in the form of a Victorian brass bound writing box, decorated in faux mahogany, the lid opening to reveal faux tooled leather interior, 20cm wide, plus a Victory Chlorodyne & Gum Factory biscuit tin in the form of a Georgian fall front bureau, decorated with classical designs, inner lid with an image of the factory, 17cm wide (2)

£80-120

542* A Huntley & Palmer’s biscuit tin in the form of a terrestrial globe, c.1906, polychrome decorated on four ball feet, 18cm high (1)

£50-80

545* A McVitie & Price biscuit tin in the form of a Martin Brothers bird, c. 1911, decorated in blue, green, beige and red with detachable head, 23cm high (1)

£150-200

543* A Lefevre-Utile biscuit tin in the form of seven stacked plates, c.1905-10, decorated in blue on a white ground with red, central LU cartouche, 22cm diameter (1)

£70-100

546* A collection of biscuit and tobacco tins, largely decorated with Middle Eastern scenes including two Sullivan, Powell & Co. Ltd. Oriental cigarette boxes, in black and white each containing original cigarettes, 15.5cm wide; a Huntley & Palmer’s biscuit tin AN ARAB ENCAMPMENT, 24cm wide; a Peek Frean & Co. biscuit tin with Middle Eastern panels, 14cm high Lot 544

(17)

170

£200-300

COLLECTABLES

549* A collection of African carved busts, including a stone carving of a lady, signed C. UKAMA, 19cm high, another in green stone signed GIDEON CHIDONGS, 18cm high, and another of a man signed S. MUFUNDA, 17cm high

547* A pair of Victory-V tins, each of tall tapered form decorated with Native American Indians on horseback and Arabs on horseback, with faux ring turn handles on a brown mottled ground, 29cm high (2)

£50-80

(5)

£100-150

550* An African stone carving, the spherical green stone carved with a characterful face signed W TANDI, approx. 15cm wide (1)

551* A pair of Agatised fossilised wood bookends, from the Auracia (Monkey Puzzle) tree, Arizona, U.S.A., Triassic period (230 million years old), each 17cm high x 15cm wide

548* A Victory V tin clock, the arched case decorated with Arab figures on a brown ground with gilded edges, encompassing a circular movement with brass dial and black Arabic numerals, reverse with manufacturer’s details, 36cm wide (1)

£100-150

(2)

£70-100

£50-80

552* A pair of Black Forest-style Bear bookends, 17cm high, together with a modern Chinese abacus, plus a modern geomantic compass and other items (3 cartons)

171

£50-80

553* A pair of Australian Jarrah wood bookends, each bearing yellow metal plaque engraved ‘The Right Hon. L.S. Amery, Western Australia, October 1927, Jarrah’, 15cm, together with a hardwood base bearing 9 ct gold plaque engraved ‘Presented to the Right Honourable L.C.M.S. Amery Secretary of State for the Dominions By the OAKEY DISTRICT CO-OPERATIVE BUTTER ASSOCIATION LTD As a memento of his visit to Oakey, QUEENSLAND’, 10cm square

555* A Duchess of Sutherland Cripples Guild plated bowl, the interior decorated with a band of leaves on a beaten border, stamped D.S.C.G. to base, 32cm diameter

Leopold Charles Maurice Stennett Amery CH (1873-1955) was born in Gorakhpur, India, he was a member of the Conservative party and a journalist, Amery was also Colonial Secretary between 1924-29. (2) £100-150

The Duchess of Sutherland Cripples Guild started in 1900 by Millicent, Duchess of Sutherland, it was formed in an attempt to take some definite action on behalf of crippled children from the Staffordshire Potteries. Metalwork was produced from around 1902 and sold in London showrooms. (1) £100-150

556* A mixed collection of brassware, including a Victorian pierced comport encompassing a print on glass of ‘St. Paul’s Cathedral’, 29.5cm diameter x 9cm high; a WWI Princess Mary Christmas tin; a Yale padlock and key, two brass inkwells, plus a Victorian oak desk standish with two cut glass ink bottles, 28cm wide (a carton)

£70-100

554* A Labradorite bowl from Madagascar, carved from a boulder with a good overall colour, approx. 17 x 15cm (1)

£70-100

557* A pair of bronze and painted alabaster eyes and eyebrows in the Egyptian Late Period (1st millennium B.C.) style, verdigris throughout, mounted on a Perspex stand, approx. 7 cm long (1)

172

£200-300

558* A pair of modern three branch floor standing wrought iron candle stands, each with curved feet, 121cm high (2)

£100-150

559* A pair of small wrought iron twin branch candle stands, each with twisted and scroll decoration, 45cm high (2)

£70-100

560* A pair of French bronze candlesticks by Ferdinand Barbedienne (1810-92), each formed as classical females with detachable sconce on stylised socle, the base stamped F BARBEDIENNE & CO, with original paper label and with handwritten ink inscriptions, 28cm high (2)

£300-500

561* Cannon. A 9-pdr naval cannon, c.1790-1800, with plain cascabel and ring mount and integral trunnions, pitted and painted in black, 295cm (116ins) (1)

£300-500

562* A fine Swiss carved figure of a grape picker, 19th century, carved as an elderly man with coopered basket bound in silver with silver gilt lining with finely engraved rim, engraved ‘CF’ monogram to base, carved standing in the walking position with stick on a domed base with silver and gilt banding, 25cm high (1)

£1200-1500

Lot 560

Lot 561

Lot 562 173

563* A French brass chocolate pot, 18th century, of baluster form with hinged cover and thumb-piece with raised finial, shaped spout, brass and turned wood handle on three out-splayed feet, 29cm high (1)

565* A French brass chocolate pot, 18th century, of baluster form with hinged cover and thumb-piece with raised finial, shaped spout, hinged cover, with brass and turned wood handle, on four outsplayed feet, 20cm high

£500-800

(1)

£250-350

564* A good French brass chocolate pot, 18th century, of baluster form with hinged cover and thumb-piece with raised finial, shaped spout, brass and turned wood handle, engraved with initials and dated 1770, on three out-splayed feet, 25cm high

566* A French brass chocolate pot, 18th century, of baluster form with hinged cover and thumb-piece with raised finial, shaped spout, hinged cover and scroll decoration, with brass and turned wood handle, on four out-splayed feet, 17.5cm high

(1)

£500-800

174

£250-350

570* A George III steel footman, pierced with thistles and hearts on tapered supports, 33cm high x 38cm wide x 28cm deep

567* A Russian orthodox brass crucifix, late 19th century, cast with Christ on the cross in relief with Cyrillic and symbolic decoration, with green and blue enamel work, the reverse engraved with flowers, 19 x 10.5cm (1)

(1)

£70-100

£100-150

568* A pair of modern Salvador Dali wall clocks, fossilised cuttle fish sculpture, a Chinese green glaze bottle vase converted to an electric lamp, 42cm high, classical heads made from resin and other items (2 cartons)

£100-200

569* A Victorian cast iron doorstop, cast with a vase of flowers flanked by storks drinking from it on a serpentine base, 23cm high, together with three further doorstops including one modelled as a black cat, 33cm high (4)

571* A Parker Duofold “Big Red” American fountain pen, circa 1925, with Parker Duofold nib, 14cm long, together with a collection of fountain pens, dip pens and related items (32)

£100-150

175

£100-150

574* Four Victorian copper jelly moulds by Benham & Froud, stamped 448, 638, 321 and 129, various sizes and forms (4)

£200-300

572* A collection of Victorian and later gentlemans’ cases, including a leather card case, inset with a yellow metal heraldic crest, with silver mounts, London, 1891, 15cm x 9cm; an Asprey brown leather card case applied with yellow metal monogram; an Asprey green leather stationery bag with foliate engraved gilt metal catch, gold blocked initials T.H., enclosing LIGHT and INK bottles, 24 x 28cm (a carton)

£100-150

575* A collection of Victorian copper jelly moulds including a Benham & Froud, stamped 640, plus another stamped 56 additionally stamped EVANS & MATTHEWS 80 BULL ST BIRMINGHAM, three further stamped 273, 643, 617 and two others stamped 199 1 1/2 and 200 1/2 (7)

£200-300

573* A Somalian headrest used by the Boni Tribe, early 20th century, with curved headrest above splayed supports each carved with a guilloche design, 15cm high x 15cm wide, together with three African necklaces made of white metal and coral and possibly amber, plus a wooden hair comb and a pair of Chinese gold bullion embroidered slippers (6)

£150-200

576* A collection of Victorian copper jelly moulds including Benham & Froud, stamped 467, three further stamped 355, 340, 335, two stamped MH (Midland Hotel) (8)

176

£200-300

Lot 578 577* A framed group of colour magic lantern slides, depicting Victorian British military engagements with additional slide for the poem ‘Ring o bells’, set into an electric light box with deep plaster and wooden framed decorated with rushes and ferns, the top set with Border Regiment badge, 51.5 x 46cm (1)

£70-100

578* A mixed collection of items including Regimental buttons, badges, WWII Defence Medal, commemorative crowns, bottle openers and corkscrews and other items (a carton)

£50-80

579* Moss (John, contemporary). A fine carved elm wood sculpture of a large eagle perched on a substantial natural tree stump, bearing brass sculpturers plaque, 178cm high (1)

£200-300

580* Moss (John, contemporary). A carved elm wood sculpture of “The Green man”, finely carved with characterful face, bearing brass sculpturers plaque, 186cm high (1)

£200-300

Lot 579 177

Lot 580

581* A fine miniature Napoleonic French Prisoner-of-War bone and baleen model of a 58-Gun Second Rate Shipof-the-Line, c.1811, with planked and pinned hull, carved warrior form figurehead, stern gallery, bone decking and fittings, rigged masts and bowsprit, mounted on a rectangular wooded base inset with watercolour work showing Royal coat of arms and Britannia, 35cm long x 30cm high Provenance: Purchased from Trevor Philip & Sons, Jermyn Street, London, 1996. (1)

178

ÂŁ2000-3000

583* A finely carved mother-of-pearl shaped panel, probably Dutch mid to late 18th century, carved with figures standing before a busy Port and a rowing boat before a mass of ships, collection label to the reverse, 8.2cm wide, together with a similar panel carved with ladies smoking pipes, 8.5cm wide, probably from table snuff boxes (2)

£200-300

582* A collection of Edwardian opera glasses, including a mother-of-pearl pair by Josef Rodenstock, Berlin another mother-ofpearl, two ivory, and two leather bound pairs, all in original leather case plus another pair nickel plated and blue leather with ray shades (lacking case) (7)

£150-200

584* A gold plated Cartier ball point pen, serial number 528134 with red enamel clip, engraved ‘must de Cartier’ 13.5cm long, together with a pair of French ivory opera glasses by Vaillat, Paris, c.1900, in original fitted case, plus a tortoiseshell page turner (3)

£100-150

585* A novelty meerschaum pipe with amber stem by C.A. Schnally Bremen, 19th century, finely carved as a recumbent female nude wearing a bonnet, 11.5xcm long in fitted case (1)

Lot 583

179

£100-150

589* A set of Victorian Avery sack scales and weights, with cast iron mounts for CLASS 2 W & T, AVERY LTD, with wooden blocks mounted on an iron frame carriage, 79cm high, with four weights (various manufacturers) (1)

586* A religious plaque, circa 1900, cast in gilt plaster depicting the decent from the cross, in a deep display gilt wood display case (1)

590* A collection of postal scales, including a brass pair of Arnold Precision scales, Class B, on wooden base with four graduated weights, the balance stamped TO WEIGH 8 OZ, another pair mounted on an oak base with ivorene plaque stamped FOREIGN LETTER RATES, with six graduated weights, plus cased brass weights and three money banks

£100-150

587* A modern plaster bust of a classical female on integral socle, 69cm high, together with a plaster wall plaque of an 18th century gentleman, 159cm (2)

£150-200

£100-150

(12)

£100-150

588* A fine Victorian seven day razor set by Walker & Hall, with steel blades and ivorine grips, in a fitted brass-bound coromandel box, 18cm wide (1)

Lot 591

£100-150

180

591* A set of Victorian brass scales by T. Crossley, Blackburn, with VR stamp, mounted on a mahogany base with single drawer beneath enclosing brass weights in a mahogany and glass display cabinet, 43cm high x 36cm wide x 25cm deep (1)

£50-80

594* A carved mother of pearl shell, detailed with religious iconography and pierced foliage, 14cm diameter, together with a Victorian ivory page turner engraved with a monogram, 37cm long

592* A Victorian lockstitch sewing machine by Hopkinson Brothers, Doncaster, in black and gold with manufacturer’s markings and HB monogram, mounted on mahogany base with accessories, 26cm long (1)

(2)

£200-300

595* A sailor-work model of the three-masted trading vessel “Emley”, mid-19th c., well-detailed, fully-rigged without sails, comprehensive deck-fittings including lifeboats, capstan etc., the stern embellished with the name “Emley”, pennants & flags to mastheads, well presented on a painted sea base within glazed mahogany cabinet, 56cm long

593* A collection of sewing accessories, including an Edwardian pair of scissors and gilt metal thimble in a fitted ivory case with engraved brass hinge and catch, 7cm long, a Victorian ivory tape measure, canton ivory carved clamp, a treen acorn thimble holder (38)

£80-120

£70-100

(1)

181

£100-150

598* A collection of vintage spectacles, including a silver pair engraved PRICAARD, three yellow metal lorgnettes, plus a japanned papiér-mache spectacle case (20)

£150-200

596* A French oval gilt metal snuff box, late 18th century, the cover, sides and base with chased vertical bands and scrolls, the inner lid and base stamped G M, 3cm high x 18cm wide (1)

£200-300

599* A Stanley Dumpy Level, c.1900, the lacquered brass casing spirit level and adjustable circular base, engraved STANLEY, GREAT TURNSTILE, HOLBORN, LONDON, 82114, with lens cap, 26cm long in its fitted mahogany case with manufacturer’s paper label together with a Late Victorian technical drawing set in brass and ivory, in fitted mahogany case with brass plaque engraved ELLIOTT BROS 1892, 21cm wide; cased rulers; a cased Ultra Lens; a brass compass engraved ROSS LONDON No.5578 with War Department arrow plus a WWI period brass compass in brown leather case

597* A Boer War bone snuff box, probably carved by a prisoner of war, the lid carved BOER WAR 1899-1902, 5cm wide, together with a pocket watch, the paper dial printed SOUVENIR SOUTH AFRICAN WAR 1900, INGERSOLL & BRO NEW YORK USA, privately engraved ‘A. Chambers 1901 S. Africa’; a Stevenograph for EMPIRE DEFENDERS FIELD MARSHAL LORD ROBERTS, V.C., framed and glazed plus an oval miniature inset with Queen Victorian, Field Marshal Lord Roberts etc, titled HAND IN HAND FOR THE EMPIRE, 7cm high (4)

(6)

£200-300

600* An Art Deco stained glass panel, inset with blue, pink and green panels, 63cm wide, together with three further panels inset with butterflies, 46cm wide and 39cm wide (4)

£100-150

182

£70-100

603* A modern circular specimen table top in the Florentine pietra dura style, inlaid with semi-precious stone on a pink marble ground, 49.5cm diameter (1)

£150-200

601* A late Victorian stained glass panel, white central panel over painted with the number 40, flanked by two foliate panels within a border of red, green and amber, 50 x 98cm, together with three matching smaller panels, 22 x 109cm (4)

£150-200

604* A Moroccan octagonal fossil and marble table top, inset with cuttle fish and ammonoid fossils from the Devonian period (360 million years old), with brass line inlay, 46.5 x 46.5cm

602* A crocodile skin suitcase, c. 1920s, 61cm wide (1)

(1)

£150-200

£70-100

605* An Ericsson telephone, c. 1920s, with black bakelite receiver on black metal base, with central manufacturer’s motif for ERICSSON TELEPHONES LTD. ENGLAND, 29cm high, together with two further telephones including an R.E. Thompson & Co., with brass and bakelite receiver and stained oak box, plus a Hermes typewriter, a Bush bakelite radio, wall clocks and other items (10)

£70-100

606* Six black bakelite telephones, early 20th c., all matching of concave form with circular dial and bakelite receiver Provenance: Buscot Park, Oxfordshire. (6)

£100-150

607* A similar lot (6)

£100-150

608* A similar lot Lot 603

(5)

£100-150

609* A similar lot (5)

183

£100-150

610* An Edwardian tortoiseshell timepiece, the circular 8-day dial with luminous hands and Arabic numerals, set in a shaped tortoiseshell frame the arched top inset with silver ribbon and festoons, 11 x 10cm, together with an Art Deco brown bakelite timepiece, 7 x 7cm (2)

613* A Victorian brass trivet, the pierced top with undertier shelf on turned steel supports, 36cm high x 32.5cm wide x 28.5cm deep, together with a smaller brass trivet, 22.5cm wide

£100-150

(2)

£70-100

611* A Dutch brass tobacco box, 18th c., of navette form intricately engraved with a crowned lion flanked by reversible heads, the underside with a series of heraldic crests within repeating borders, 13cm long, together with a similar tobacco box engraved with Adam and Eve in the garden of Eden and the underside expelled from the garden of Eden with Dutch script, 13cm wide (2)

£200-300

614* A collection of Queen Victoria commemorative souvenirs, comprising an electroplated ink stand in the form of a bust of Queen Victoria, the coronet hinged to reveal inkwell on a square base with pen rests, reverse with raised lettering VICTORIA REGINA 60 YEARS 1897, 20cm high, together with Mauchline type box manufactured for CLARK & Cos. ANCHOR SEWING COTTONS, transfer-printed with Queen Victoria’s Jubilee 1887, 11cm wide; a papier maché snuff box printed ‘God bless the Queen’; a Sowerby glass jug manufactured for the 1887 Jubilee; a copper shield embossed for the Diamond Jubilee Registration Number 65479, 23cm high, set into green velvet mount, plus a pottery nursery plate depicting Queen Victoria and Prince Albert, 12cm diameter (7)

612* An Indian rosewood twin-handle tray, c. 1900-20, profusely inlaid with brass foliate decoration, geometric carved gallery, 69cm wide (1)

£70-100

184

£100-150

PHARMACEUTICAL ANTIQUES

617* A George III shagreen apothecary’s chest, the canted top enclosing blue velvet lining, six bottles, with two lacquered brass handles, brass lock and key plate, 19.5cm high x 23cm wide x 16cm deep

615* A William IV mahogany apothecary’s chest, c. 1820/30, the lid inset with recessed brass handle, enclosing silk lining and divisions for fifteen bottles, above single drawer enclosing drug scales and weights, plus four bottles, funnel and lift-out tray, with recessed handle to front of drawer and brass key plate (1)

(1)

£200-300

618* A Victorian mahogany apothecary box, with lacquered brass carrying handle, two doors opening to reveal division for five bottles, above three small drawers and two long drawers enclosing scales, glass pestle and mortar, six bottles, the doors each with division for twelve bottles

616* A Victorian mahogany apothecary’s chest, c. 1840/50, the top with brass recessed handle, the front with two doors opening to reveal central division for five bottles above deep drawer enclosing drug scales and weights, glass pestle and mortar, flanked by division for five bottles (1)

£300-500

(1)

£200-300

619* A Capo di Monte figural group, modelled by Guadina 474 as a trip to the chemists, 27cm long, together with another titled Il farmdcistan, 24cm high, another of a stamp collector, seated at his bureau, 24cm high, an 18th century bronze mortar plus two reproduction mortars, and other items

£200-300

(a carton)

185

£100-150

Lot 622 620* A collection of Victorian and later chemist glass jars and bottles, including an amethyst colour pear shape bottle with teardrop stopper and gilt painted label for Elix:Senn, with armorial 24cm high, together with another similar in Bristol blue; a pair of modern jars, in the 19th century style, for Sulphur and Rhubarb, each with printed crest and gilt painted covers, in original packaging, 23cm high; six milk blue bottles for Syrupusscillae B.P.C., Oxymel Scillae B.P.C., etc., each with stopper, 25cm high, glass measures and other items. (2 cartons)

£100-150

623* A collection of pottery drug jars, including a pair of pink pottery jars each with domed cover and finial, raised labels for Ung:Althaeae and Ung:Gallae, various reproduction jars based on 17th/18th century examples including a Delft ovoid bottle with long slender neck and stopper for Ol:Asinthii, 28cm high, etc. (19)

£100-150

621* A Victorian cupping instrument, with lacquered brass and glass cup, in a mahogany box with oval brass key plate 7cm high x 11.5cm wide x 10cm deep, plus a Victorian brass scarificator and other related items The cupping instrument was for dry cupping used to move blood around the body and also used for wet cupping for the removal of some blood. (a carton) £150-200

624* A collection of Yardley “Old English Lavender” memorabilia, including two Dresden porcelain shop display figural groups modelled as a mother, with two children lavender picking on a rococo base titled ‘YARDLEY’S Old English LAVENDER’ incised base, 31cm high, plus a white example by Dresden (probably a blank or seconds), two smaller display pieces, 19cm high, two similar soap dishes, boxed soap, perfumes, advertising board, and other items

622* A Delft pottery drug jar, 18th century, painted in blue with U: LINI amongst cherubs, shell and foliage, 18cm high, with collection label to the base (extensively restored) (1)

£150-200

(22)

186

£200-300

JEWELLERY, WATCHES, SILVER & GOLD

625* A gent’s Breitling Geneve ‘Top Time’ chronograph wristwatch, 1970s, in stainless steel with baton hands and stainless steel bracelet, serial number 1346724 (1)

(1)

£300-500

£200-300

626* A modern 18K gold rabbit brooch, set with rubies, sapphires and diamonds, stamped 18K 750, approx. 3cm long, overall weight 9.6g (1)

627* An Edwardian diamond set flower brooch, with central brilliant cut stone approx. 0.25cts surrounded by 13 old cut stones (one missing) and a further 28 stone set into a yellow metal mount with pin, 3cm diameter

£150-200

628* A silver gilt and enamel brooch after Wallery, with an oval photographic portrait of Queen Victorian in red enamel framed within a blue enamel belt HONI SOIT QUI MAL Y PENSE, the reverse inset with mother of pearl engraved ‘Walery London’, 5cm high (1)

£100-150

187

629* A George III pinchbeck chatelaine, with suspension chain leading to a pierced oval drop with four further chains for suspension each with clasp, 21cm long (1)

£100-150

630* A pair of 9ct gold cufflinks, with engine turned decoration, stamped 375, weight 11.8g, together with a Victorian mourning brooch, with enamel and gold plate encompassing a lock of hair, plus an Edwardian stick pin fashioned as a bow set with diamond chips and with swing pearl on a yellow metal pin (3)

£150-200

632* A pair of modern Alexandrite drop earrings, each set with 6 stones set into white gold, 2cm long, stamped 375, overall weight 1.1g (1)

£80-120

633* A collection of necklaces, including Whitby jet, tiger’s eye and coral beads, a triple string of coral, plus garnet, lapis lazuli strings of beads (15)

631* A modern 18K gold Dachshund, set with sapphires, rubies and diamond chips, stamped 18K, 4cm long, overall weight approx. 10g Lot 630

(1)

£150-200

Lot 633

Lot 634 188

£200-300

634* A modern yellow metal shell pendant set with an old cut diamond, (approx. 0.25ct), 0.5cm long on a fine 9ct gold chain stamped 375, overall weight 2.8g (1)

£100-150

Lot 635

Lot 636

Lot 637

635* A modern diamond and cornflower blue stone drop pendant, with two graduated brilliant cut diamonds (approx. 0.3ct and smaller) set into a yellow and white metal mount, suspended on an 18ct gold chain stamped 750 (weight of chain 3.7g), overall weight including chain 5.6g (1)

639* A heavy yellow metal ring, possibly Indian, with filigree work hinged compartment to reveal MOTHER, inner circumference 18mm (1)

£150-200

636* A 9ct gold tennis racket pendant, set with a pearl representing a ball with suspension loop, stamped 375, 4cm long, overall weight 2.3g

638* A modern Alexandrite pendant set with 9 stones backed onto gold, stamped 375, 3cm long, overall weight 2.1g

(1)

£80-120

637* A large amber pendant with yellow metal suspension loop on a yellow metal chain, together with a pearl and garnet bracelet strung with three rows and cabochons set into yellow metal, 17.5cm long, a yellow metal necklace set with red amber cabochons and other costume jewellery (6)

£100-150

640* A modern Alexandrite ring set with 8 stones and flanked by 2 lines of diamond chippings in a 9ct white gold mount, inner circumference 18mm, overall weight 2.7g (1)

£80-120

£150-200

Lot 639

641* A modern topaz ring set into a 9ct white gold mount, inner circumference 18mm, overall weight 3.4g (1)

£80-120

642* A modern silver ring set with three ruby coloured stones, stamped 925, inner circumference 18mm, overall weight 5.9g, together with a silver gilt bracelet with 22 smokey quartz stones, stamped 925, 20cm long, overall weight 22.7g (2)

Lot 642 189

£80-120

643* A Victorian yellow metal seal, late 19th century, of scroll formation set with a carnelian seal carved with a classical bust, 3cm high together with an oval carnelian carved with an armorial plus a large champagne coloured facet cut stone possibly a citrine (3)

£150-200

646* An Indian Kutch white metal conical beaker, intricately detailed with scrolling foliate decoration, within repeating borders, gilded inside, approx. 15.5cm high (1)

£200-300

644* Gents 18K gold Longines wristwatch, the rectangular casing with silvered dial, black Roman numerals, gold winding crown, back plate stamped 18K 0.750, Serial No 7770240, weighable gold 6.3g, on a leather strap with gold plated fitting (1)

£300-500

645* A cased Asprey & Garrard silver condiment set comprising pedestal salt and pepperette plus lidded mustard pot and spoon, Garrard & Co Ltd, Birmingham 1993, with original box, approx. 4.5oz

647* A George V silver rectangular biscuit box, the lid engraved with presentation inscription, with gadrooned edges and two lions head ring turn handles, Goldsmiths & Silversmiths Company, Sheffield, 1925, approx. 27oz, 19cm wide

(1)

£70-100

190

£200-300

650* A Tiffany & Co. silver bowl (1947-56), with lobed decoration on three ball feet, stamped TIFFANY & CO MAKERS STERLING SILVER 22678 M, 15cm diameter, approx. 8oz (1)

£100-150

648* A white metal oval pedestal bon-bon dish, 19th century, half gadrooned and pierced with festoons on plain beaded foot, 14cm long (1)

£70-100

651* A Tiffany & Co. silver pedestal bowl (1873-91), the inner rim with scroll decoration with conforming foot, centrally engraved with presentation inscription for THE SURF CLUB MEN’S DOUBLES 1945 WON BY LT. R.A. ROBERTSON, LT. COMDR N. DALRYMPLE, base stamped TIFFANY & CO 4505M 4722 STERLING-SILVER, 15cm diameter, approx. 5oz (1)

£100-150

649* A pair of George II silver double bottle stands, probably James Wilkes, London 1751 & 1753, each with scroll handle, vacant c-scroll cartouche, on four scroll supports each with pad feet, 22.5oz, approx. 24oz (2)

£300-500

652* A Georg Jensen silver pedestal bowl (1941-50), plain with averted rim, stamped U.S.A. GEORG JENSEN INC. STERLING 400, 15.5cm diameter, approx. 8oz (1)

Lot 650

191

£150-200

653* A fine William IV Scottish silver pedestal bowl, James McKay, Edinburgh, 1825, chased with thistles, grape and vines and other floral sprays, engraved with family crest bearing motto ALIS NUTRIOR (I am fed by my wings), the interior gilded, on chased pedestal foot, 16cm diameter, approx. 18oz (1)

192

ÂŁ1200-1500

654* An Arts and Crafts circular silver pedestal bowl, with relief decorated Celtic bands on a beaten finish, Sybil Dunlop, London, 1921, 9cm diameter together with a spoon by the same maker, with foliate pierced top and beaten finish, 1923, overall weight, approx. 4oz (2)

£150-200

Lot 656

655* A George III silver oval card tray, Charles Chesterman II, London, 1790, centrally engraved with family shield shape crest surmounted with ribbons within bright-cut engraved foliate border supported by four curved feet, 17.5cm wide, 4oz (1)

£200-300

656* A French silver chocolate pot, 18th century, of baluster form, the cover with scroll thumb-piece and acanthus banding, stylised spout, turned fruitwood handle, on three cabriole supports, makers initials A L M, 16cm high, overall weight 12 oz (1)

£500-700

657* A cased Victorian silver Christening set, comprising knife, fork and spoon, each engraved with monogram, Richard Martin & Ebenezer Hall, Sheffield, 1885 together with a silver twin branch candelabrum top, Birmingham, 1901, 47cm wide plus a silver pedestal pepperette, probably 18th century, the pierced cover engraved with a lattice and foliate design, 11cm high, weighable silver approx. 4oz (3)

658* A George V silver desk-top cigar cutter, engraved with monogram and dated 1-1-19, mounted on an oak base, London, date letter worn, 11cm long, together with a two further silver cigar cutters one bearing import marks, 14.5cm long (3)

£150-200

193

£100-150

660* A silver travelling clock, the case engraved with festoons and ribbons, John & William Deacon, Birmingham, 1906, 12 x 10cm encompassing a goliath pocket watch with nickel case, together with a cased composed silver vanity set with 6 brushes, 6 silver top bottles and jars plus 3 plated top bottles, various dates and style, in a fitted brown leather Gladstone type bag (17)

£200-300

661* A fine George I Irish silver comport, Dublin, 1717, plain form the circular dished top engraved with armorial supported on a flared pedestal base, 24.5cm diameter, 18.5oz (1)

£5000-7000

659* A Continental silver Art Deco rectangular cigarette box, London silver import mark 1928, enamelled in black with stylised silver border, gilded interior, 12cm wide, approx. 11oz (1)

£100-150

662* A George III silver ovoid cream jug, Thomas Wallis, London, 1799, of plain Neo-Classical form with reeded band decoration, 10cm high, 4.5oz (1)

£150-200

663* A George II silver pedestal cream jug, possibly London 1735, plain with scroll handle, hallmarks worn, 10cm high, approx. 3oz, together with a Victorian silver oil lamp, possibly Charles Vavel of Creswich & Co., Sheffield, 1872, squat pedestal form with snake handle and engraved with two monograms, lacking finial, 13cm long, approx. 4.5oz (2)

Lot 660

194

£150-200

Lot 661

664* A Victorian Irish silver twin handle pedestal cup, William Gibson and John Lawrence Langman, Dublin, 1897, engraved with monogram and with scroll handles, 9cm high, approx. 5oz (1)

ÂŁ100-150

665* An Edwardian cut class lockable three ring decanter, with mushroom stopper, electroplated collar and stamped PAT.No22901/24 with key, 25cm high, together with an Edwardian cut glass lemonade jug by John Grinsell & Sons Ltd, with plated mounts, lift out ice canister, and heavily cut glass, 29cm high (2)

195

ÂŁ100-150

666* A George V cut glass decanter, of ovoid form with long slender neck and silver bayonet fitting cap, Walker and Hall, Sheffield, 1932, 29.5cm high, together with two mallet-shape decanters, each with stopper (3)

£70-100

667* A fine Victorian agate and yellow metal desk set, c.1850, comprising paper knife, seal with blank bloodstone matrix, quill cutter and dip pen grip, all finely worked with acanthus and scroll decoration and agate grips, in a leather plush lined box, 24cm long (1)

£1800-2200

Lot 666

668* An Art Deco silver and mother-of-pearl dessert set, comprising 6 knives and 6 forks, Goldsmiths and Silversmiths Company, Sheffield 1936, in a walnut case (1)

£100-150

669* A George III silver and ivory dessert set, comprising 6 knives and 6 forks, George Unite, Birmingham 1827, in a later mahogany case (some cracking to the ivory) Lot 667

(1)

196

£100-150

670* A Victorian silver plate and mother-of-pearl dessert set, comprising 6 knives and 6 forks, each with engraved mounts in an oak case, together with a part Victorian silver plate and mother of pearl dessert set, comprising 12 knives and 11 forks in a mahogany case (2)

ÂŁ100-150

671* A George V silver cased silver dessert set, comprising spoon, fork, sifter spoon and knife, Henry Wigfull, Sheffield, 1929, together with a cased set of six George VI coffee spoons, Sheffield, 1938 plus a silver condiment set comprising two mustard pots and spoons, two salts with spoons and two pepperettes, Walker & Hall, Sheffield 1909/10 and a single twin handled salt, Birmingham 1921, weighable silver approx. 13oz (9)

ÂŁ100-150

672* A Victorian style silver easel mirror, London, 1979, with heart shape bevel edge glass within an elaborate embossed frame with winged cherub head flanked by winged cherubs amongst foliate decoration, makers initials OSS, 38cm high x 33cm wide

Lot 670

(1)

Lot 671 197

ÂŁ200-300

673* A Kings Pattern twelve place fish service, each with silver grip, Sheffield 1923 in an oak case, together with various silver grip dinner knives and pistol grip tea knives plus plated ware (a carton)

£100-150

674* An Elkington & Company service of flatware in an oak canteen, early 20th century, comprising knife steel, game carving knife, 2 large carving knives, 2 large carving forks, 10 table knives each with ivory grip, cheese scoop, butter knife, 5 associated dessert knives and 4 associated tea knives, 12 table forks, 12 dessert forks, 11 tea spoons, 6 egg spoons, 4 salt spoons, sugar tongs, sugar spoon, 12 tablespoons, 12 dessert spoons, 2 sauce ladles, sifter spoon, soup ladle, 2 gravy spoons, 2 napkin rings (1)

£400-600

675* Victorian Exeter silver Fiddle Pattern flatware, Josiah and James Williams, each engraved with an elephant crest, comprising 4 serving spoons (1867), 8 table forks (1866), 8 dessert spoons (1867), 6 dessert forks (1867), 4 teaspoons (1867), together with 3 dessert forks (various makers), approx. 65oz (33)

Lot 675

£700-1000

198

676* George III London silver Fiddle Pattern flatware, each engraved with an elephant crest, comprising 4 serving spoons (probably William Johnson, 1824), 4 dessert spoons (probably William Johnson, 1824), 4 teaspoons (probably Thomas Dicks, 1823/24), together with 4 teaspoons, 2 dessert forks plus a pickle fork, each engraved with a tower crest (George III & Victorian hallmarks), approx. 29.5oz (19)

£300-400

677* George III London silver flatware, comprising 7 serving spoons, 6 table forks, 6 dessert forks plus a teaspoon, various dates and makers, George III and later, approx. 42oz (20)

£400-500

Lot 676

678* George II Irish silver table forks, comprising 8 forks, each with three tines and family crest, Dublin hallmarks, various makers and date codes (5 for 1740) (3 for 1763), together with three similar table forks with London hallmarks (1776 and later), 21oz (11)

Lot 677

199

£300-500

681* A set of six Elizabeth II silver goblets, London, 1977, each of plain form with gilded bowls raised on knopped stems with flared foot, approx. 31oz (6)

£300-400

679* Six Victorian silver dessert forks, each engraved with family crest, George Adams, London, 1876, 9oz (6)

£100-150

682* A framed silver map of Great Britain, Danbury Mint, London, 1978, limited edition authorised and issued by the Council for the Protection of Rural England, detailed in black within in a border engraved with crests of all Counties in the British Isles, 55 x 37cm, in a deep frame and glazed

680* A Tiffany & Co. silver navette shaped fruit bowl (1907-47), engraved with initial with pierced and engraved borders, stamped TIFFANY & CO 17780A MAKERS 805 STERLING SILVER 925-1000 M, 29.5cm wide, 12oz (1)

£200-300

(1)

£100-150

683* An electroplated ice bucket, c. 1920, engraved with crown above P.S.N.C., 22cm high, together with a collection of silver plate including a sugar caster, mother-of-pearl cutlery, etc. (2 cartons)

Lot 681

200

£50-80

686* A George III silver mug, Hester Bateman, London, 1781, of baluster form engraved with gilded interior, monogram, and scroll handle on pedestal foot with beaded decoration, 10cm high, 7.5oz 684* A fine Masonic medal, late 19th century, in silver and yellow metal, finely decorated with symbols from the Brotherhood, with suspended ‘246’, and three riband bars, reverse engraved ‘Presented to William h Stirling Past Master BY Shekinah Lodge No.246 F&:A.M. Jany 19th 1885’, 13cm long overall, silver colour section approx.45g, riband bars approx. 17g, in original case by ‘I. BEDICHIMER 816 CHESTNUT ST PHILIDELPHIA’ (1)

(1)

687* A pair of Victorian silver pedestal pepperettes, each with engraved with a family crest with reeded domed cover and foot, John Septimus Beresford, London 1887, 6.5cm high, approx. 2oz (2)

£60-80

£100-150

685* A mixed collection of silver, including a silver framed mirror, engraved with presentation inscription, Birmingham, 1929, 25.5 x 20cm; a silver cigarette box the lid inset with a Boer War chocolate tin, London, 1900, 15.5cm wide; a smaller cigarette box, London, 1923, 8.5cm wide; a two handle porringer, Alex Clark Co Ltd, Birmingham, 1928, 16cm wide; a cigarette case, Birmingham 1918, napkin rings, weighable silver approx. 18.5oz, and other items (18)

£200-300

688* An Indian white metal perfume bottle and stopper, early 20th century, embossed with elephants, tigers and other wild animals amongst trees, the slender neck with an acanthus design and conforming stopper, 20cm high

£200-300

(1)

201

£70-100

691* A Tiffany & Co. silver porringer (1956-65), plain with handle, stamped TIFFANY & CO MAKERS STERLING SILVER 23499 L, 15cm long, approx. 6oz (1)

689* A collection of Georgian style electroplated dinner plates, comprising 6 shaped plates each with gadrooned edge, 33cm diameter, 3 smaller, 27cm diameter, plus 24 circular plates, each with gadrooned edge, 27.5cm diameter (33)

£100-150

692* A matched pair of silver oblong salts, 19th century, each with chased shell and grape and vine with gadrooned edges, gilded bowls on four acanthus feet, Thomas Dicks, London, 1813 and makers mark worn, London, 1846, 11cm and 10.5cm wide, approx. 7oz (2)

£200-300

690* A collection of modern Polish political and military cast medals in bronze, silver and pewter, mostly c. 1980s, depicting prominent leaders both military and civil, including General Jozef Dwernicki (1779-1857), bronze, 60mm diameter; Pulkownik Stanislav Dabek (1892-1939), bronze, 70mm diameter; also same medal in pewter; General Broni Iozef Dowbor Musnicki (1867-1937), bronze, 70mm diameter; Wincenty Witoz (1874-1974), bronze, 63mm diameter; Joachim Lelewel (1786-1861), pewter, 70mm diameter; plus a silver medal ‘Human and Human’, reverse ‘IN THE YEAR 1940 SOVIET INVADERS - INTENT ON ENSLAVING THE NATION MURDERED 14,500 WAR PRISONERS POLAND’S CULTURAL POLITICAL AND MILITARY LEADERS’, dated 1977, rim stamped ‘MEDALLIC ART Co, DANBURY, GT. 999 FINE SILVER’, 60mm diameter; plus a white metal medal ‘BLOGOSLAWIONY MAKSYMILIAN MARIA KOLBE’ (1927-1977), 45mm square (approx. 198)

£150-200

Lot 693

202

693* A George II silver salver, James Morison, London, 1751, with impressive armorial within shaped pie-crust edge with shells and scroll, on three scroll feet, privately engraved ‘31’10’, 32cm diameter, approx. 30oz (1)

£500-700

696* A Pair of German silver side plates, with shaped wavy rims, stamped 800, G.L. Dahmen, approx. 10oz together with a Victorian silver top jar, the mushroom stopper engraved with monogram on a beaten ground, the cut base with matching collar stamped ALBERT PARKER LIMTD NEW BOND ST LONDON, probably Thomas Whitehouse, London 1891, 12cm high 694* A pair of George V silver top scent bottles each with mushroom stopper and cut base, George Betjenmann, London 1920, in a fitted leather case 10cm high x 11cm wide together with two incomplete cased silver manicure sets plus an engine turned enamel and silver hand mirror, Birmingham 1932 and two silver nail buffers (6)

(3)

£150-200

697* A Victorian silver sifter spoon, with finely detailed putto top, twist stem and pierced gilded bowl probably Harrison Brothers & Howson, London 1871, together with another sifter spoon, George Adams, London, 1862 plus a collection of tea and coffee spoons, approx. 13oz

695* A pair of George III silver gilt grape scissors, c.1815, with fruit and vine handles and reeded ring grips, William Eley and William Fern, London, date letter obscured, 17.5cm long, 3.5oz (1)

£100-150

£300-500

(28)

203

£100-150

698* A heavy George III 18ct gold rectangular snuff box, London, 1801, with reeded decoration throughout, good clear marks for CB (probably Cornelius Bland), 7cm wide, 94g, in a later fitted Dunhill red leather case (1)

ÂŁ3500-4000

204

699* A Continental yellow metal snuff box, probably French, 18th century, the hinged lid inset with polished agate surrounded by a floral encrusted border, similarly decorated overall with agate base, 3cm wide Provenance: Purchased from De Havilland Antiques, Bond St Galleries, 1979. (1) ÂŁ1200-1500

700* A fine George III silver gilt snuff box, of oval form, the lid inset with a large polished agate panel with floral thumb-piece, silver gilt banding and agate base, Thomas Shaw, Birmingham, 1797, 8.2cm wide x 2.5cm high (1)

ÂŁ1200-1500

205

701* A Victorian silver apostle spoon, cast with a figure holding a serpent entwined staff with additional angel and peacock decoration, George Adams, London 1855, 17.5cm long, 1.8oz, in a fitted leather case (lid detached) (1)

£100-150

Lot 703

702* George III Irish Old English Pattern silver spoons, probably Law & Bayly, Dublin 1772, comprising 6 serving spoons and 4 dessert spoons, each with tower crest within bright-cut borders, approx. 17.5oz (10)

£200-300

703* George III London silver Fiddle Pattern spoons, comprising 12 table spoons (Solomon Hougham, 1805), 4 teapoons (Richard Turner & John Shea 1807), approx. 28oz (16)

£300-400

704* George III silver spoons, comprising 12 serving spoons and 3 dessert spoons, mostly London including Hester Bateman, probably 1798, a picture-back spoon, William Sumner I & Richard Crossley, 1779, 24oz (15)

Lot 704

£200-300

206

705* A Victorian silver part tea service, Charles Stuart Harris, London, 1885, comprising teapot and milk jug, embossed with signs of the Zodiac amongst repeating geometric decoration, the teapot with ebony final and handle, the base engraved with a star shape, 20cm long, overall weight approx. 13.5oz (2)

£200-300

Lot 707

706* A George III silver bullet shape teapot, John Langlands I & John Robertson, Newcastle, 1779, embossed with foliate c-scroll decoration, the cover with flame finial, rosewood handle, on pedestal foot, overall weight 10z (1)

£300-500

707* A French Russian-style silver gilt set of twelve teaspoons, 19th century, including sifter spoon plus sugar tongs, each with acanthus type stems and plains bowls, the tongs with detailed lions paws, each with Minerva mark and CIE, approx. 11.5oz (14)

£100-150

708* A pair of silver teaspoons by Hester Bateman, c. 1790, each with engraved initials together with five pairs of silver sugar tongs including a George III bright-cut pair by Samuel Godbehere & Edward Wigan, c. 1790, silver fiddle pattern serving spoon etc., overall weight 9.5oz, together with a part canteen of electroplated cutlery by Walker & Hall, plus pair of EPNS bon bon dishes (a carton)

£100-150

709* An Indian white metal tray, with foliate and bamboo decoration, 21cm wide, a smaller dish plus Mexican white metal sombrero and fork, approx. 11oz (4)

£80-120

Lot 708

207

712* A Victorian silver vinaigrette, Edward Turnpenny, Birmingham, 1850, of rectangular form engraved initials within foliate scrolls, enclosing gilded grille, 2.5cm wide, together with a gold plated propelling pencil; a miniature gilt metal bugle impressed BALACLAVA. OCT 25. 1854, 4cm long; silver book mark with bear finial, Chester 1900; two silver fob watches; electroplated Australian souvenir napkin ring, etc (8)

£100-150

710* A George V silver trophy cup, London, 1910, of plain form raised on turned stem with flared foot, makers mark worn but probably Goldsmiths & Silversmiths Co Ltd, London 1910, 22cm high, approx. 10z (1)

£100-150

711* A Victorian silver heart shape vesta case, probably John Gilbert, Birmingham, 1896, engraved with initials EGE within foliate borders, gilded interior, with suspension chain, 4cm high together with another vesta case, plain with engraved initials and hinged compartment revealing photograph frame, William Neal, Birmingham 1910, 4.5cm high, overall weight 1.7oz

713* A collection of Eastern white metal, including a pierced beaker, probably Thai, decorated with figures in relief amongst scrolls, 14.5cm high, an ashtray, indistinct stamp to base, an embossed dish, a pair of gilt metal twin branch candlesticks, stamped THAILAND STERLING 925, 18.5cm high, plus a table lighter, and Indian coin box

(2)

(6)

£100-150

208

£200-300

BOXES 714* A collection of boxes, including an Antique-style mahogany humidor, 20cm high x 36cm wide x 22cm deep; a Victorian papiérmache handkerchief box, the lid decorated with flowers; jewellery boxes, etc. (4 cartons)

£70-100

717* A Victorian papier-mâché work box, the lid inlaid with mother-of-pearl and painted with a vase of flowers amongst foliate decoration, the sides similarly inlaid and heightened in gold, the hinged lid enclosing lift our tray with mother of pearl catches and handles, on four integral splayed supports, 15cm high x 35cm wide x 28cm deep (1)

£400-600

718* A Victorian walnut sewing box, enclosing fitted tray, hinged fall revealing two drawers each with brass handles, 23cm high x 33cm wide x 24cm deep, together with an Edwardian velvet-cased manicure set with gilt metal catch, enclosing mother-of-pearl handle accessories, plus a cased ivory vanity set and sewing case (4)

£70-100

715* An Anglo-Indian miniature ivory-inlaid rosewood cabinet, late 19th c., the rectangular top above single glazed door enclosing shelf, flanked by two turned pillars over rectangular base with two long drawers on reeded base with bun feet, profusely inlaid with ivory foliate scrolls and turned bone handles, 34.5cm high x 30cm wide x 14cm deep (1)

£200-300

719* A Victorian oak stationery box, with two sloping doors enclosing, calendar and divisional interior, plus a William IV silver top ink bottle engraved with family crest (worn), London 1833, with ivorene manufacturer’s plaque for CARLISLE BROS, 49 HANOVER ST. EDINBURGH, 32cm high x 37cm wide x 28cm deep (1)

716* A George III table-top cabinet, of rectangular form painted with panels of military trophies and floral festoons on a brown ground, with two brass carrying handles, the hinged doors enclosing six graduated drawers each painted with floral festoons, 24cm high x 31cm wide x 15cm deep, together with a Victorian brass bound campaign mahogany writing box (2)

£150-200

209

£100-150

722* A mahogany rectangular tea caddy, 19th century, inlaid with a conch shell within oval cartouche, barbers pole strung border, the hinged lid enclosing two compartments each with cover, 12cm high x 20.5cm wide

720* A Victorian Tunbridge Ware tea caddy, the lid inlaid with a picture of Eridge Castle amongst trees the sides with rose inlaid banding on a rosewood ground, the hinged lid enclosing twin division interior each with cover, 12cm high x 23cm wide x 13cm (some loss of veneer) (1)

(1)

£100-150

723* A mahogany rectangular tea caddy, 19th century, inlaid with burr walnut oval panels within interlaced borders, the hinged lid enclosing two compartments each with covers and lion head brass handles, 12cm high x 19cm wide

721* A mahogany rectangular tea caddy, 19th century, inlaid with conch shells and brass handle, the hinged lid enclosing three compartments each with cover, the sides with lined inlay on four brass ball feet, 13cm high x 24cm wide (1)

£100-150

(1)

£100-150

724* A mahogany rectangular tea caddy, 19th century, inlaid with four brass dotted lines radiating from central brass finial set into a circular satinwood cartouche, the hinged lid enclosing two compartments each with cover and brass handle, plus a silver teaspoon, with brass key plate, 13cm high x 17.5cm wide

£100-150

(1)

210

£100-150

CLOCKS

725* A Regency rosewood sarcophagus tea caddy, enclosing cut glass mixing bowl flanked by two lift-out canisters, two ring handles and mother-of-pearl key plate, raised on four bun feet, 20cm high x 33.5cm wide x 18.5cm deep, together with another rosewood tea caddy, inlaid with mother-of-pearl, enclosing twin division, each with cover, mother-of-pearl shield-shape key plate, 15cm high x 21.5cm wide x 13cm deep (2)

£100-150

726* A Regency rosewood sarcophagus tea caddy, with central aperture for bowl, two lift-out canisters, two shell-carved handles on four bun feet, 36cm wide, together with an Edwardian mantle clock by J.W. Benson, Ludgate Hill, London, with white circular enamel dial with black roman numerals in a rosewood and ebonised case with foliate carving, 32cm wide, plus a kilim weave wall hanging rug, 20th c., with geometric repeating decoration, 160 x 94cm (3)

£150-200

727* A Victorian Admiral Fitzroy “Royal Polytechnic” mercury barometer, in a carved oak case with paper dial and thermometers for Centigrade and Fahrenheit, 106cm high (1)

£300-500

728* A French aneroid barometer, late 19th century, the circular silvered dial engraved BAROMETRE HOLOSTERIQUE, BONNARDEL OPTN NIMES, calibrated for Centigrade and Fahrenheit in a circular brass case with suspension ring, 17cm diameter, together with a gilt metal wall mirror, probably late 19th century, the rectangular bevel edge glass in a pierced foliate frame with two candle branches, 47cm high (2)

211

£100-150

729* An Edwardian satinwood mantle clock, with white enamel dial, black roman numerals by Thomas Armstrong & Brother, Manchester & Liverpool, the case inlaid with patarae, with drum movement, 22cm high, together with a brass clock, c. 1910, with glass chapter ring painted with black roman numerals, the base with integral candle stick to illuminate the dial, 24cm high (2)

ÂŁ70-100

730* An Edwardian drop dial wall clock, with circular white enamel dial with black roman numerals, pierced fret-cut hands, in a walnut case with pediment and turned pilasters, with pendulum and key, 103cm high

731* A mahogany grandmother 8-day clock, 19th c., with square dial, two holes, black roman numerals (approx. 18 x 18cm), in a mahogany case with two weights & pendulum (restoration required), 188cm high

(1)

ÂŁ70-100

212

ÂŁ100-150

732* An Irish brass longcase clock movement, 18th c., the chapter ring engraved with black roman numerals, pierced brass cherub’s head spandrels, single steel hand, 30 hour movement, bell and striking hammer signed William Lucas Dublin, 26 x 24cm (1)

£300-500

Lot 733 733* A longcase clock, circa 1760, the dial with 28cm silvered chapter ring engraved with black roman numerals, signed in running script ‘John Stancliffe’, with ‘Halifax’ penny moon face, brass back plate, pierced brass spandrels , 30cm square, in a later oak and mahogany case, the hood with caddy top and columns, 210cm high, with key, pendulum and weights (1)

213

£300-500

FURNITURE 734* An elm wheelback armchair, 20th c., with spindle back, solid seat on turned supports, 106cm high, together with two further chairs (3)

£70-100

735* A pair of Victorian walnut frame armchairs, each with oval back, padded arms with ball terminals, downswept to reeded serpentine seats on four tapered block supports, 91cm high (2)

£100-150

736* A Victorian bed base with pine side rails and cast iron mounts with steel meshing, 176cm long, together with an Edwardian wardrobe door with foliate engraving Provenance: Buscot Park, Oxfordshire. (2)

739* A George III-style mahogany breakfront bookcase, with dentil-moulded frieze above three astragal-glazed glass doors, enclosing shelves, over three drawers and cupboard doors, 185cm high x 150cm wide x 34cm deep

£50-70

(1)

737* A pair of Edwardian mahogany bedroom chairs, each with elaborately pierced backs, tapestry seats on cabriole supports, 90cm high (2)

£100-150

£80-120

738* An Edwardian-style mahogany bijouterie cabinet, rectangular with bevel edge glass, with satinwood crossbanding on four tapered supports united by undertier inlaid with patarae, 83cm high x 80cm wide x 37 deep (1)

£100-150

Lot 740 214

740* An Edwardian inlaid mahogany bookcase, the stepped frieze above single glazed door with oval moulding enclosing shelves, on rectangular base inlaid with ribbons and floral sprays, with single drawer profusely inlaid with an urn and foliate decoration, on four tapered supports united by undertier shelf, 185cm high x 76cm wide x 38cm deep (1)

£200-300

Lot 742

741* A good William IV mahogany bookcase with two glazed doors, each with lined moulding with brass edge enclosing shelves, above plain frieze over two panel doors enclosing shelves flanked by pillars each with brass capital on reeded ovoid supports, 240cm high x 109cm wide x 41.5cm deep Provenance: Buscot Park, Oxfordshire. (1)

743* A French Louis XV-style marble top cabinet, the white serpentine marble top above single door inlaid with kingwood parquetry, foliate gilt metal mounts on cabriole supports, 103cm high x 55cm wide x 36cm deep (1)

£700-1000

£150-200

742* A George III mahogany fall-front bureau, the hinged fall inlaid with a conch shell on an oak ground, enclosing divisional interior with architectural carved columns, above three frieze drawers and three long drawers, each with geometric inlay and brass handle with bat wing plates on bracket supports, 99cm high x 88cm wide x 50cm deep

744* An Oriental woollen carpet, 20th century, woven with hanging mosque lamp on a light brown ground within geometric multi band borders, 182 x 132cm, together with a silk prayer mat, 20th century with central foliate medallion surrounded by smaller sprays of flowers on a blue ground within floral borders, 95 x 62cm plus two other carpets

(1)

(4)

£300-500

215

£100-150

745* An Oriental woollen carpet, 20th century, with arabesque scrolls protruding from a vase on a cream ground within multiband foliate borders, 208 x 140cm (1)

£100-150

746* An Oriental carpet with central blue medallion on a brown ground within repeating foliate borders, 220 x 140cm, together with another carpet (worn)

749* A Victorian mahogany serpentine showframe chaise longue, foliate carved with recent red upholstery on gnarl supports, 89cm high x 186cm wide

(2)

(1)

£70-100

£300-500

747* A 1960s retro swivel chair with aluminium base, 80 cm high, together with an upholstered nursing chair, early 20th c., plus two cane bedroom chairs Provenance: Buscot Park, Oxfordshire. (4)

£50-80

750* A mahogany straight-front chest of drawers, 19th c., with two short three drawers each with brass handle and bat wing back plate on bracket supports, 84cm high x 82cm wide x 45cm deep (1)

£150-200

748* A Victorian cast iron ‘Oak’ pattern chair, with branches and with entwined serpents, cast with number ‘17’, 84cm high (damaged) Provenance: Buscot Park, Oxfordshire. (1)

£100-150

Lot 751

216

755* An oak chest, 19th c., the rectangular top above four carved ogee panels, two cupboard doors enclosing shelves, over a small single drawer flanked by two wide drawers, each with brass handle and bat wing plate, on bracket supports, 94cm high x 142cm wide x 55cm deep

751* An oak campaign two-part chest of drawers, late 19th c., the straight rectangular top with brass corners over two short and three long drawers, each with recessed brass handle, with ivorex plaque stamped ARMY & NAVY C.S.L. MAKERS, brass lever locks, one stamped HOBSON & Co., LONDON, on four turned supports, 104cm high x 99cm wide x 45.5cm deep (1)

(1)

£200-300

£300-500

752* A Victorian pitch pine chest of drawers, the rectangular top with mahogany crossbanding, with two short and two long drawers each with brass handles and oval back plate on bracket supports, 78cm high x 90cm wide x 44cm deep (1)

£70-100

753* A Victorian mahogany chest of drawers, the rectangular top with rounded corners over two short and three long drawers, each with turned handle, 97cm high x 106.5cm wide x 52cm deep (1)

£70-100

756* A substantial Continental rosewood chest in the 18th-c. style, the rectangular top applied with brass bosses, the front panel with pierced lockplate and key, surrounded by brass bosses, the sides with large carrying handles, on turned bun feet, 82cm high x 135cm wide x 70cm deep Provenance: Buscot Park, Oxfordshire. (1)

£300-500

754* A substantial George III mahogany chest of drawers, the rectangular top above three frieze drawers, plus two short and three long drawers, with brass handles and two architectural back plates, flanked by reeded pillars with painted lattice capitals, on ogee supports, 115cm high x 125cm wide x 57cm deep Provenance: Buscot Park, Oxfordshire. (1)

£300-500

757* An oak dome top chest, probably Continental, late 18th/early 19th c., the planked domed cover enclosing candle box, the tapering side panels with twin iron handles, on bracket supports, with iron key and lock with brass escutcheon, 77.5cm high x 128.5cm wide x 62cm deep (1)

Lot 755

217

£300-400

758* A modern Thai coffee table, with detachable rectangular top decorated with floral spray on a carved foliate base with outsplayed supports, 45m high x 138cm wide x 69.5cm deep (1)

£200-300

759* A Victorian rosewood davenport, with raised compartment, tooled leather fall, three drawers and three dummy drawers each with brass handles, the front panel inlaid with Classical vase and swags, with turned supports, 83cm high x 56cm wide x 53cm deep (1)

£150-200

760* A French Empire-style walnut day bed, with angular pediment carved with vase and scrolls, ball finials, one side carved with Egyptian head on monopodium base, 118cm high x 113cm wide x 206cm long Provenance: Buscot Park, Oxfordshire. (1)

Lot 759 £300-500

761* A similar lot Provenance: Buscot Park, Oxfordshire. (1)

£200-300

Lot 760 218

764* A set of six ebonised dining chairs, 19th c., comprising one carver and five side chairs, each with bobbin-turned top rail, wavy back rails inset with brass rosette, replacement solid seats, turned supports, 79cm high

762* A set of six Edwardian Hepplewhite-style mahogany dining chairs, comprising carver and five side chairs, each with shield back carved with wheat and central patarae-inlaid motif, stripy upholstered seat on reeded tapered supports united by x-stretcher, 93cm high (6)

(6)

£300-500

765* A pair of Edwardian mahogany dining chairs in the Hepplewhite style, each with flared back on tapered supports, 94cm high, together with a Regency ebonised bedroom chair with rattan back and seat, 82cm high plus a similar footstool

£150-200

(3)

£70-100

766* A Victorian mahogany pedestal dining table, the oval top above turned column with four carved supports with brass casters, 73cm high x 170cm x 135cm (1)

£100-150

763* A near pair of Dutch walnut floral marquetry dining chairs, predominantly late 18th c., each with Rococo carved top rail, shaped back splat inlaid with Classical vase surmounted by a bird plus grotesque face, with padded seats on cabriole supports carved with acanthus leaves and ball and claw feet, united by x-stretcher, 112cm high (2)

£700-1000

767* An Edwardian mahogany display cabinet, with stepped cornice above twin astragal-glazed doors enclosing shelves, with satinwood strung borders on four cabriole supports, 142cm high x 97cm wide x 25.5cm deep (1)

219

£100-150

769* A George III-style mahogany hanging display cabinet, with carved top over two glazed doors each with segmented moulding, enclosing shelves, 70cm high x 94cm wide x 29cm deep (1)

£70-100

768* An Edwardian mahogany display cabinet, the ogee cornice above twin glazed doors, each with carved moulding enclosing shelves on block plinth, 211cm high x 109cm wide x 28cm deep

770* A George III oak dresser, with open plate rack, above rectangular base with four drawers and pot board beneath on turned supports, 217cm high x 273cm wide x 48cm deep

(1)

£300-500

Lot 770 220

£1000-1500

Lot 771

Lot 772

Lot 773 772* A hand-carved stained oak artist’s easel, possibly early 19th century, reeded supports, top of A-frame carved in the manner of Grinling Gibbons, with the face of a cherub, scallop shell, and rococo scrolls, carved lower section hinged, sl. worming to rear support, some discreet restoration, height 191cm (75ins), width 58.5cm (23ins)

771* An Edwardian mahogany artist’s easel, of hollow bentwood construction, with brass mounts stamped with PAT dates, the lower section with bobbin and ring decoration, 166cm high (1)

£150-200

(1)

£300-500

773* An oak tambour-front filing cabinet, c. 1920s, enclosing ten drawers, 104cm high x 45cm wide x 39cm deep (1)

£70-100

774* A late Victorian brass fire curb, the twist brass rail with vase finals on iron supports, 125cm wide (1)

£70-100

775* A Continental walnut footstool, late 19th century, with tapestry top above carved upright united by stretchers, 45cm high x 56cm wide together with another footstool, c.1920s with shaped tapestry upholstery above four cabriole supports, 39cm high x 62cm wide (2)

Lot 772

221

£100-150

778* A French Boulle work jardiniere, 19th c., of serpentine form inset with Sevres-style panel painted with a cherub within inlaid ground and gilt metal mounts, 38cm wide, together with a plaster figure of Pan, 51cm high, a modern plant pot plus an oil on canvas of a lady signed and dated ‘I. Hardy 1953’ lower right, 61 x 51cm (unframed) Provenance: Buscot Park, Oxfordshire. (4)

£50-80

776* A George III mahogany envelope games table, the four hinged leaves inlaid with crossbanding, enclosing green baize, above frieze drawer with brass handles beneath on four tapered supports with ceramic box casters, 74cm high x 49.5cm square (1)

£100-150

779* A French bronze and gilt metal four-branch standard lamp, early 20th c., the reeded column with foliate and scroll decoration on trefoil base with detailed paw feet, 172cm high, together with a wooden painted standard lamp, c. 1920, in green and yellow decorated with floral clusters, 155cm high

777* A Victorian parquetry inlaid games table, the octagonal top inlaid with chess board above an oak pedestal leading to trefoil base, 71cm high x 43cm wide (1)

Provenance: Buscot Park, Oxfordshire. (2)

£100-150

222

£200-300

783* A modern star burst mirror with convex glass surrounded by gilt metal frame, 89cm diameter, together with another mirror with bevel edge glass in a gilt frame with moulded hands simulating holding the frame, 78cm high x 67cm wide, plus a modern mahogany demi-lune side table in the Georgian style, 66cm high x 46cm wide x 25cm deep (3)

780* An oak lowboy, 18th c., the rectangular top with oak crossbanding over, three frieze drawers, with shaped apron, on four cabriole supports, 76cm high x 80cm wide x 48cm deep (1)

784* An oak mule chest, 19th c., with hinged cover enclosing candle tray, panelled front over two drawers each with brass handles and bat wing plates on bracket supports, 78cm high x 122cm wide x 52cm deep (water damage)

£150-200

781* A giltwood wall mirror, late 19th c., with rococo frame carved with acanthus decoration, 78 x 49cm (1)

(1)

£70-100

782* A pair of Venetian girandole mirrors, late 19th century, with shaped bevel edge glass cut with architectural decoration plus single brass branch and drip tray, 64cm high x 21.5cm wide (some damage) (2)

£70-100

£100-150

785* A George III-style mahogany music stand, late 19th c., the adjustable top over turned pedestal on three cabriole supports, 98cm high x 50.5cm wide

£300-500

(1)

223

£200-300

786* An Edwardian oak double pedestal desk, the rectangular top inset with leather, over three frieze drawers and three further drawers, on a block plinth, 58cm h x 123cm w x 64cm d (1)

£200-300

789* A Victorian walnut sewing/writing table, the rectangular top hinged to reveal fitted silk-lined divisions, hinged fall with leather inset over tapered base on four carved cabriole supports, 74cm high x 48cm wide x 35cm deep

787* A Regency rosewood revolving piano stool, with square upholstered seat over fluted baluster pedestal on trefoil base with squat bun feet, approx. 50cm high (1)

£150-200

(1)

788* A French walnut salon suite, late 19th century, comprising settee, a pair of armchairs plus a pair of side chairs, each with foliate carved framed, recent floral sprung upholstery on cabriole supports, 104cm high, settee 133cm wide (5)

£300-500

Lot 788 224

£150-200

794* A modern brown leather three-seater sofa bed, 186cm wide (1)

£100-150

790* A Victorian mahogany sewing table, the square top with drop ends, over two drawers on hexagonal baluster pedestal with quatrefoil base on scroll supports, 73cm high x 44cm wide x 40cm deep (1)

£100-150

791* A mahogany bowfront sideboard, 19th c., with barber’s pole strung inlay above three frieze drawers comprising two shallow and one deep with cupboard drawer on four tapered supports with spade feet, 89cm high x 120cm wide x 60cm deep (1)

795* A joint oak stool, probably late 18th c., the rectangular top secured by pegs into the four turned supports each united by stretcher, 46cm high x 43cm wide x 28cm deep

£70-100

(1)

792* A Georgian-style mahogany sideboard, the rectangular top with canted corners, above a long drawer over cupboard door and three drawers on block base bearing brass manufacturer’s plaque for E.G. HUDSON WORTHING SUSSEX, 77cm high x 95cm wide x 49cm deep, together with a pair of modern walnut-effect cabinets, each with dummy drawer hinged falls enclosing shelves, 82cm high x 51cm wide x 47cm deep (3)

£200-300

£70-100

796* A mahogany straight-front serving table, early 19th c., with raised splashback over long drawer with divisions for cutlery, brass handles on four block supports, 82cm high x 108cm wide x 58cm deep, together with a mahogany bank of nine drawers on squat ogee supports, 23cm high x 85cm wide x 18cm deep (2)

793* A Continental pine sideboard, late 19th century, with raised superstructure carved with a thistle flanked by two drawers above rectangular base with three frieze drawers and central panel door flanked by two drawers each with brass handles and pierced foliate back plate on turned supports, 108cm high x 155cm wide x 54cm deep (1)

£200-300

225

£100-150

797* A mahogany occasional table, with circular top over turned pedestal on three cabriole supports, 46cm diameter x 70cm high (base 19th c.), together with an Edwardian mahogany fall front bureau, 110cm high x 54cm wide x 40cm deep (2)

£70-100

Lot 801

798* An Edwardian mahogany drop flap side table, with fan inlay and boxwood stringing, single drawer with dummy drawer on tapered supports with undertier shelf on brass and ceramic casters, 68cm high x 60cm wide x 81cm (fully open) (1)

£80-120

799* A mahogany card table of square form, the hinged fold-over top with oval walnut inlaid panels, above a single drawer with further dummy drawer on four block supports, 63.5cm high x 51cm square, together with a low mahogany demi-lune cabinet with radial inlaid top over twin cupboard doors, herringbone inlay on three tapered supports with spade feet, 72cm high x 59.5cm wide x 29.5 deep (2)

£70-100

800* A late Victorian mahogany single-drawer side table, the rectangular top above long frieze drawer on four block supports, 78cm high x 94cm wide x 48cm deep (1)

£70-100

801* A Continental two-tier walnut side table, c. 1900, with quarter veneer panels, raised on shaped uprights and cabriole supports, with two brass carrying handles, 85cm high x 80cm wide x 55cm deep (1)

£100-150

802* A Continental gilt and ebonised side table, late 19th c., the rectangular top over carved vase and scroll ends united by stretcher, 80cm high x 68cm wide x 46cm deep (1)

804* A George III-style mahogany tilt-top table, c. 1900, the pie crust circular top over fluted column on three carved cabriole supports with brass casters, 70cm diameter x 72cm high

£100-150

(1)

803* A French giltwood carved console table, with serpentine marble top on c-scroll and acanthus base, 57cm high x 84cm wide x 50cm deep (1)

£200-300

226

£100-150

805* A Continental fruitwood marble top side table, 19th c., the square top above two drawers on cabriole supports, 72cm high x 43cm wide x 44cm deep

807* A Regency-style yew wood occasional table, with central painted panel of a young girl within rose-decorated border, on four tapered supports united by stretcher, 170cm high x 29.5cm

(1)

£100-150

£150-200

806* A Continental walnut two-tier side table, late 19th c., the rectangular top with raised gallery over brushing slide, with under-tier shelf on outsplayed supports, 73cm high x 54cm wide x 41cm deep

808* A Regency-style octagonal yew wood occasional table, painted with oval motif, brass ribbons, tapered outsplayed supports united by stretchers with brass finial, 72cm high x 39.5cm wide

(1)

£100-150

227

£100-150

Lot 809

Lot 811 228

809* A Regency gilt and ebonised centre table, the circular top over substantial base carved with fruit and acanthus scrolls, with later perspex top, 130cm diameter x 75cm high

812* A William IV mahogany games table, the square top inlaid with chessboard above single drawer on octagonal pedestal and quatrefoil base, 71cm high x 43cm square

(1)

£700-1000

£150-200

810* A Victorian painted pine kitchen table, with later formica top over single drawer on four turned supports, 75cm high x 105cm wide x 75cm deep, together with an oak barley twist gateleg table, c. 1920s, with drop flaps, 72cm high x 75cm wide, plus an oak barley twist side table Provenance: Buscot Park, Oxfordshire. (3)

£70-100

811* An oak refectory table and chairs, 19th c., the rectangular planked top over block uprights united by x-stretchers, 73cm high x 134cm wide x 74cm deep, together with four oak chairs, each with reeded stick backs, solid seats, on tapered supports united by xstretchers, 87cm high (5)

£200-300

813* A George III mahogany occasional table, the circular top over turned pedestal on three outsplayed supports, 47cm diameter x 76cm high (1)

£100-150

814* A Georgian-style mahogany occasional table, early 20th c., the dished top over foliate pedestal on three cabriole supports each with ball and claw feet, 34cm diameter x 66cm high, together with a mahogany magazine rack, early 20th c., with turned and brass spindles, and carrying handle, 34cm high x 45cm wide x 26cm deep (2)

Lot 812

229

£100-150

815* An oak side table in the 18th century style, the rectangular top over single drawer with brass handles and bat wing plates on bobbin turned supports united by x-stretchers, 72cm high x 76cm wide x 60cm deep (1)

ÂŁ150-200

816* An Indian tray top table, the circular brass top engraved with elephants and geometric decoration on carved wooded folding stand (1)

ÂŁ70-100

817* A japanned nest of four tables, c. 1920s, lacquered with imperial dragons chasing the mystical pearl, 72cm high x 53cm wide x 31cm deep, together with a japanned standard lamp, on a circular base, 152cm high (2)

ÂŁ100-150

Lot 817

END OF SALE

230

PRINTED BOOKS, MAPS & DOCUMENTS WEDNESDAY 23 JULY

Richard F. Burton, Two Trips to Gorilla Land and the Cataracts of the Congo, 2 volumes, 1st edition, 1876. Estimate ÂŁ500-800

For more information please contact Nathan Winter nathan@dominicwinter.co.uk

INFORMATION FOR BUYERS AFTER THE AUCTION Online results If you weren’t present or able to follow the auction live, you can find results for the sale on our website shortly after the sale has ended. Payment The price you pay is the amount at which the auctioneer’s hammer falls (the hammer price), plus a buyer’s premium (a percentage of the final hammer price) and vat where applicable. You will be issued with an invoice made out to the name and address provided on your registration form. Please note successful bids made via the-saleroom.com cannot be invoiced or paid for until the day after an auction. A live bidding fee of 3% + vat will be added to your invoice.

METHODS OF PAYMENT Cheque Cheques will only be accepted on the day of the sale by prior arrangement (please contact our office for further information). Cheques by post will be accepted but a period of 5 working days will be required for the cheque to clear before purchases can be collected or posted. Cash Payments can be made at the Cashier’s Office, either during or after the sale. Debit Card There is no additional charge for purchases made with these cards. Debit cards drawn on an overseas bank, however, will be subject to a 2% surcharge. Credit Cards Visa and Mastercard are accepted, a 2% surcharge will apply. It is a good idea to let your card provider know in advance if you are intending to buy something. This can help cut down the time we need to seek authority when you come to pay. Bank Transfer All transfers must state the relevant invoice no. If transferring from a foreign currency, the amount we receive must be the total due after the currency conversion and the deduction of any bank charges. Collection/Postage/Delivery If you attend the auction in person and are successful in your bid, you are free to collect your item once payment has been made. Successful commission or live bids will be invoiced to you the day after the sale. When it is possible for our in-house packing department to send your purchase(s), a charge for postage/packing/insurance will be included in your invoice. Where it is not possible for our in-house packing department to send your item you will be required to make your own arrangements or to contact Mailboxes etc (tel: 01793 525009) who may be able to help. We provide a monthly delivery service to Central London, usually on Wednesday of the week following an auction. Payment must be received before this option can be requested. A charge will be added to your invoice for this service.

232

Dominic Winter SPECIALIST AUCTIONEERS & VALUERS Libraries & Archives Dominic Winter

Medals & Militaria Henry Meadows

Fine Art, Sculpture & Design Nathan Winter

Aviation & Transport Collections Dominic Winter

Antiques & Furniture Henry Meadows

Atlases, Maps & Prints John Trevers Antiquarian Books Colin Meays Modern First Editions Paul Rasti

Children's Books, Toys & Games Susanna Winters Sports Books & Memorabilia Paul Rasti Taxidermy, Fossils & Field Sports John Trevers Vintage Photography & Cinema Chris Albury Manuscripts, Autographs & Ephemera Chris Albury

Illustration from an album of eleven 19th-century Chinese watercolours on pith paper. Sold for ÂŁ5,000

Mallard House, Broadway Lane, South Cerney, Cirencester, Gloucestershire, GL7 5UQ 01285 860006 / firstname or info@dominicwinter.co.uk

www.dominicwinter.co.uk

Conditions of Sale and Business 1. The Seller warrants to the Auctioneer and the buyer that he is the true owner or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims. 2. (a) The highest bidder to be the buyer. If during the auction the Auctioneer considers that a dispute has arisen he has absolute authority to settle it or re-offer the lot. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid, divide any lot, combine any two or more lots or withdraw any lot without prior notice. (b) Where goods are bought at auction by a buyer who has entered into an agreement with another or others that the other or others (or some of them) shall abstain from bidding for the goods and the buyer or other party or one of the other parties is a dealer (as defined in the Auction Biddings Agreement Act 1927) the buyer warrants that the goods are bought bona fide on joint account. 3. The buyer shall pay the price at which a lot is knocked down by the Auctioneer to the buyer (“the hammer price”) together with a premium of 19.5% of the hammer price. Where the lot is marked by an asterisk the premium will be subject to VAT at 23.40% which under the Auctioneer’s Margin Scheme will form part of the buyer’s premium on our invoice and will not be separately identified (the premium added to the hammer price will hereafter collectively be referred to as “the total sum due”). By making any bid the buyer acknowledges that his attention has been drawn to the fact that on the sale of any lot the Auctioneer will receive from the seller commission at its usual rates in addition to the said premium of 19.5% and assents to the Auctioneer receiving the said commission. 4. (a) The buyer shall forthwith upon the purchase give in his name and permanent address and pay to the Auctioneer immediately after the conclusion of the auction the total sum due. (b) The buyer may be required to pay down during the course of the sale the whole or any part of the total sum due, and if he fails to do so after such request the lot or lots may at the Auctioneer's absolute discretion be put up again and resold immediately. (c) The buyer shall at his own expense take away any lot or lots purchased no later than five working days after the auction day. (d) The Auctioneer may at his own discretion agree credit terms with a buyer and extend the time limits for collection in special cases but otherwise payment shall be deemed to have been made only after the Auctioneer has received cash or a sterling banker’s draft or the buyer's cheque has been cleared. 5. (a) If the buyer fails to pay for or take away any lot or lots pursuant to clause 4 or breaches any other condition of that clause the Auctioneer as agent for the seller shall be entitled after consultation with the seller to exercise one or other of the following rights: (i) Rescind the sale of that or any other lots sold to the buyer who defaults and re-sell the lot or lots whereupon the defaulting buyer shall pay to the Auctioneer any shortfall between the proceeds of that sale after deduction of costs of re-sale and the total sum due. Any surplus shall belong to the seller. (ii) Proceed for damages for breach of contract. (b) Without prejudice to the Auctioneer's rights hereunder if any lots or lots are not collected within five days or such longer period as the Auctioneer may have agreed otherwise, the Auctioneer may charge the buyer a storage charge of £1.00 + VAT at the current rate per lot per day. (c) Ownership of the lot purchased shall not pass to the buyer until he has paid to the Auctioneer the total sum due. 6. (a) The seller shall be entitled to place a reserve on any lot and the Auctioneer shall have the right to bid on behalf of the seller for any lot on which a reserve has been placed. A seller may not bid on any lot on which a reserve has been placed. (b) Where any lot fails to sell, the Auctioneer shall notify the seller accordingly. The seller shall make arrangements either to re-offer the lot for sale or to collect the lot and may be asked to pay a commission not exceeding 50% of the selling commission and any special expenses incurred in cataloguing the lot. (c) If such arrangements are not made within seven days of the notification the Auctioneer is empowered to sell the lot by auction or by private treaty at not less than the reserve price and to receive from the seller the normal selling commission and special expenses.

7. Any representation or statement by the Auctioneer in any catalogue, brochure or advertisement of forthcoming sales as to authorship, attribution, genuineness, origin, date, age, provenance, condition or estimated selling price is a statement of opinion only. Every person interested should exercise and rely on his own judgement as to such matters and neither the Auctioneer nor his servants or agents are responsible for the correctness of such opinions. No warranty whatsoever is given by the Auctioneer or the seller in respect of any lot and any express or implied warranties are hereby excluded. 8. (a) Notwithstanding any other terms of these conditions, if within fourteen days of the sale the Auctioneer has received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within fourteen days after such notification the buyer returns the same to the Auctioneer in the same condition as at the time of the sale and satisfies the Auctioneer that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. "A deliberate forgery" means a lot made with intention to deceive. (b) A buyer's claim under this condition shall be limited to any amount paid to the Auctioneer for the lot and for the purpose of this condition the buyer shall be the person to whom the original invoice was made out by the Auctioneer. 9. Lots may be removed during the sale after full settlement in accordance with 4(d) hereof. 10. All goods delivered to the Auctioneer's premises will be deemed to be delivered for sale by auction unless otherwise stated in writing and will be catalogued and sold at the Auctioneer's discretion and accepted by the Auctioneer subject to all these conditions. In the case of miscellaneous books, the Auctioneer reserves the right to extract and dispose of books that, in the opinion of the Auctioneer at his absolute discretion, have no saleable value and, therefore, might detract from the saleability of the rest of the lot and the Auctioneer shall incur no liability to the seller, in respect of the books disposed of. By delivering the goods to the Auctioneer for inclusion in his auction sales each seller acknowledges that he/she accepts and agrees to all the conditions. 11. (a) Unless otherwise instructed in writing all goods on the Auctioneer's premises and in their custody will be held insured against the risks of fire, burglary, water damage and accidental breakage or damage. The value of the goods so covered will be the hammer price, or in the case of unsold lots the best bid, or in the case of loss or damage prior to the sale that which the specialised staff of the Auctioneer shall in their absolute discretion estimate to be the auction value of such goods. (b) The Auctioneer shall not be responsible for damage to or the loss, theft, or destruction of any goods not so insured because of the owner’s written instructions. 12. The Auctioneer shall remit the proceeds of the sale to the seller thirty days after the day of the auction provided that the Auctioneer has received the total sum due from the buyer. In all other cases the Auctioneer will remit the proceeds of the sale to the seller within seven days of the receipt by the Auctioneer of the total sum due. The Auctioneer will not be deemed to have received the total sum due until after any cheque delivered by the buyer has been cleared. In the event of the Auctioneer exercising his right to rescind the sale his obligation to the seller hereunder lapses. 13. In the case of the seller withdrawing instructions to the Auctioneer to sell any lot or lots, the Auctioneer may charge a fee of 12.5% of the Auctioneer's middle estimate of the auction price of the lot withdrawn together with Value Added Tax thereon and any expenses incurred in respect of the lot or lots. 14. The Auctioneer’s current standard notices and information (i.e. Collation and Amendments) will apply to any contract with the Auctioneer as if incorporated herein. 15. These conditions shall be governed by and construed in accordance with English Law.

DOMINIC WINTER SPECIALIST AUCTIONEERS AND VALUERS Saleroom and Offices: Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 Fax: 01285 862461

COMMISSION SLIP Please Bid on my behalf at the sale on 16/17 July 2014 up to the amount shown. I acknowledge that I will be required to pay a buyer's premium at the current rate.

Lot ÂŁ Brief Description ______________________________________________________________________________________

Name: Address

Telephone: Email:

Fax:

Postage can be arranged for most purchases. For UK and European customers we use DPD (formerly Parceline) or Royal Mail: a separate charge is added to the invoice (minimum ÂŁ15) and parcels are despatched as soon as possible after payment has been received. All framed and glazed items and all lots for overseas customers outside Europe will be sent to Mail Boxes Etc. (tel: Swindon 01793 525009) or R.F. Shipping (tel: London 0845 873 6240). Both of these companies will quote and invoice separately. Please note: DWBA invoices must be paid before consignments are handed to third party shipping companies.

The nearest train station to the saleroom is Kemble (BR) which is on the London (Paddington) to Worcester Shrub Hill line. Train journey times from London are on average 90 minutes whether direct or with one change, and run at about one per hour from early until late. Several of the trains in each direction are direct and about half the services require a brief change at Swindon. Customers are advised to check train times and book as early as possible for the best range of ticket services and discounts.

National Rail Enquiries:

08457 484950

Telephone advance train ticket booking:

08457 000125 (First Great Western)

Online train timetables and online ticket bookings:

www.nationalrail.co.uk

Taxis from Kemble Station (5 miles/10 minutes) Brian's Cabs Cirencester Radio Cars Cirencester Taxis

01285 655299 / 07980 579947 01285 650850 01285 642767

Taxis from Swindon Station (12 miles/25minutes) V-Cars

01793 701701

Cirencester Visitor Information Centre

Catalogue Produced by Jamm Design â&#x20AC;&#x201C; 020 7424 7830 info@jammdesign.co.uk

+44 (0)1285 654180 cirencestervic@cotswold.gov.uk Photography by Ben Cavanna â&#x20AC;&#x201C; 07968 342013 bencavanna@gmail.com Additional Photography by Colin Meays

Lot 581 • Back Cover: Lot 480