How to remake a Blue Note jazz album – in pictures
The vinyl revival continues. Founded in 1978, Music Matters Jazz is dedicated to re-releasing new pressings of historic Blue Note jazz titles. Each of the reissued albums is restored and remastered from the original analogue master tapes
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A box containing the original master tape of a 1960 album, Lee-way by jazz trumpeter Lee Morgan, sits on the mixing board at Kevin Gray’s Cohearent Audio studio.
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A box containing the original master tapes of various artists on Blue Note Records at Cohearent.
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The ‘mother stamper’ is produced at the record pressing plant.
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A lacquer master is plated at the record pressing plant, Record Technology Inc.
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Plating supervisor Dorin Sauerbier separates the stamper from the mother.
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A view of the separated stamper and mother.
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Jorge Rocha trims the stamper.
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Samples of coloured records line the walls at the plant.
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The PVC pellets that go into making a vinyl album.
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A stamper at the plant.
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Blue Note labels being fixed to discs.
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Maria Gamino quality checks an album before placing it in a sleeve.
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Rick Hashimoto files away a stamper at the record pressing plant.
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Record labels for Blue Note artists Tina Brooks and Grant Green.
Photograph: ZUMA Wire/REX/Shutterstock
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The cover for guitarist Grant Green’s album Matador is prepared for press at Stoughton Printing, which prints the jackets for Music Matters.
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Alex Diaz places a Wayne Shorter album in its outer sleeve to be sealed.
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Silvia Garcia fabricates the jackets for the Herbie Hancock album Empyrean Isles at Stoughton Printing.
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Copies of saxophonist Hank Mobley’s classic album Soul Station being folded.
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Copies of Soul Station being cleaned before shipping.
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Adam Webb prepares to play Dexter Gordon’s album Go in the quality control room.
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A copy of Go on the quality control room’s shelves.
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Albums line the shelves in the quality control room.
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The gatefold of John Coltrane’s classic album Blue Train. Photography by Brian Cahn
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