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Art Fair

Frieze Los Angeles 2020
How to Shrink L.A.

February 14–16, 2020, booth C06
Paramount Picture Studios, Los Angeles
frieze.com

Gagosian is pleased to participate in Frieze Los Angeles 2020. Taking Los Angeles’s system of highways as a literal and figurative backdrop, the selection includes Richard Prince’s full-scale car sculpture Untitled (2008) and Chris Burden’s ominously oversize L.A.P.D. Uniform (1993). The booth also includes work by Jean-Michel Basquiat, John Chamberlain, Urs Fischer, Theaster Gates, Piero Golia, Alex Israel, Sally Mann, Adam McEwen, Cady Noland, Sterling Ruby, Ed Ruscha, Taryn Simon, Robert Therrien, Andy Warhol, Tom Wesselmann, and others.

To receive a PDF with detailed information on the works in the booth, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at frieze.com.

Download the full press release (PDF)

Chris Burden, How to Shrink L.A., 1999 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Chris Burden, How to Shrink L.A., 1999 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

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Chris Burden, L.A.P.D. Uniform, 1993 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Online Viewing Room

Frieze Los Angeles 2020

February 10–19, 2020
gagosianviewingroom.com

Gagosian will launch its latest Online Viewing Room on the occasion of Frieze Los Angeles, with available works by Chris BurdenAlex Israel & Bret Easton EllisNeil JenneyAlbert Oehlen, Chris Ofili, David ReedEd Ruscha, Bill Whiskey Tjapaltjarri, Tatiana Trouvé, and Jonas WoodMany of the artworks included in this virtual presentation consider the political, geographical, and social landscapes of Los Angeles.

The Frieze Los Angeles 2020 Online Viewing Room will open at 12:00am on Monday, February 10, in Hong Kong, and close at 11:59pm on Wednesday, February 19, in Los Angeles and San Francisco. 

For more information about the Online Viewing Room or the work to be featured, please contact inquire@gagosian.com.

Download the full press release (PDF)

Chris Burden, L.A.P.D. Uniform, 1993 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Christo, Wrapped 1961 Volkswagen Beetle Saloon, 1963–2014 © Christo and Jeanne-Claude Foundation. Photo: Wolfgang Volz

Art Fair

Art Basel Unlimited 2024
Christo

June 10–16, 2024
Messe Basel, Hall 1, U69
www.artbasel.com

Art Basel Unlimited features Christo’s sculpture Wrapped 1961 Volkswagen Beetle Saloon (2014). Launched in 2000, Unlimited is an exhibition platform for large-scale projects that transcend the limits of the standard booth.

For his earlier temporary sculpture Wrapped Car (Volkswagen) (1963), Christo employed a sage-green 1961 Beetle that was lent to the artist and his wife and collaborator Jeanne-Claude by art director Claus Harden. He swathed the vehicle’s body in tarpaulin and rope, playfully intensifying the object’s mystique and invoking a new understanding of its form (Christo admired the famous “Bug” model for its rounded design as well as for its countercultural associations). Though by 2014 Christo was wrapping entire buildings, nostalgia stirred him to revisit the work by purchasing the exact same model and enlisting his nephew Vladimir Yavachev to help him wrap it. The result is Wrapped 1961 Volkswagen Beetle Saloon, which he dated 1963–2014 to express the project’s extended incubation.

Christo, Wrapped 1961 Volkswagen Beetle Saloon, 1963–2014 © Christo and Jeanne-Claude Foundation. Photo: Wolfgang Volz

Gagosian’s booth at TEFAF 2024. Artwork, left to right: © Cy Twombly Foundation; © 2024 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Dan Bradica

Art Fair

TEFAF New York 2024
Brice Marden and Cy Twombly

May 10–14, 2024, booth 350
Park Avenue Armory, New York
www.tefaf.com

Gagosian is pleased to announce its participation in TEFAF New York 2024, with a presentation of works by Brice Marden and Cy Twombly focused on the two artists’ exploratory approaches to the relationship between abstract form and mythological allusion.

Gagosian’s booth at TEFAF 2024. Artwork, left to right: © Cy Twombly Foundation; © 2024 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Dan Bradica

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Film still from Nan Goldin's "Sisters Saints Sibyls" video art features a child wearing a mask

Nan Goldin: Sisters, Saints, Sibyls

Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.

Jane Fonda wearing a white suit and speaking at a podium at the Art for a Safe and Healthy California benefit launch

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

Rick Lowe's painting "Diplopia" from 2023, it is acrylic and paper collage on canvas

Notes to Selves, Trains of Thought

Dieter Roelstraete, curator at the Neubauer Collegium for Culture and Society at the University of Chicago and coeditor of a recent monograph on Rick Lowe, writes on Lowe’s journey from painting to community-based projects and back again in this essay from the publication. At the Museo di Palazzo Grimani, Venice, during the 60th Biennale di Venezia, Lowe will exhibit new paintings that develop his recent motifs to further explore the arch in architecture.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Black and white portrait of Jacques Lacan wearing a pinstripe suit and smoking a cigarette

Lacan, the exhibition

On the heels of finishing a new novel, Scaffolding, that revolves around a Lacanian analyst, Lauren Elkin traveled to Metz, France, to take in Lacan, the exhibition. When art meets psychoanalysis at the Centre Pompidou satellite in that city. Here she reckons with the scale and intellectual rigor of the exhibition, teasing out the connections between the art on view and the philosophy of Jacques Lacan.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

portrait of Marcantonio Brandolini D’Adda's profile, the sun is illuminating him from behind

Laguna~B

An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies of museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Willem De Kooning in his studio in East Hampton, New York. He is surrounded by bowls of different colored paints

Willem de Kooning and Italy

In tandem with the 60th Biennale di Venezia, the city’s Gallerie dell’Accademia is featuring the exhibition Willem de Kooning and Italy, an in-depth examination of the artist’s time in Italy and of the influence of that experience on his work. On September 20 of last year, the curators of the exhibition, the American Gary Garrels and the Italian Mario Codognato, engaged in a lengthy conversation about the exhibition for a press conference at the museum. An edited transcript of that conversation is published below for the first time.