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The Clockmaker's Daughter Kindle Edition
'. . . in her most ambitious work yet . . . Morton proves once again that history is not a straight line but an intricate, infinite web.' - Booklist
'. . .(a) meditative read, with lush settings, meticulous period details, and slowly unfurling enigmas will enjoy this book.' - Kirkus
'Beautifully written. Unforgettable' - Australian Women's Weekly
'Morton explores the tangled history of people and place in her outstanding, bittersweet sixth novel.' - US Publisher's Weekly
'The Clockmaker's Daughter is an ambitious, complex, compelling historical mystery with a fabulous cast of characters. This is Kate Morton at her very best.' - Kristin Hannah, bestselling author of The Nightingale
'A truly hypnotic tale that is bound to please both fans and newcomers, The Clockmaker's Daughter is another wonderful read from one of Australia's most beloved authors.' - Booktopia
In the summer of 1862, a group of young artists, led by the passionate and talented Edward Radcliffe, descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared, a priceless heirloom is missing, and Edward Radcliffe's life is in ruins.
Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers two seemingly unrelated items: a sepia photograph of a woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river.
Birchwood Manor feels strangely familiar to Elodie, sparking memories of a favourite story from her childhood; but who is the beautiful woman in the photograph, and will she ever give up her secrets?
Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love and loss.
- #1 Bestseller Australia -
- New York Times Bestseller -
- Sunday Times Bestseller -
- #1 Bestseller Canada -
- Indie Next Pick Oct, 2018 -
- Library Reads Selection Oct, 2018 -
- LanguageEnglish
- PublisherAllen & Unwin
- Publication date12 September 2018
- File size4615 KB
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Product description
Review
About the Author
Kate Morton grew up in the mountains of south-east Queensland and now lives in London. She has degrees in dramatic art and English literature, specialising in 19th century tragedy and contemporary novels. Kate has sold over ten million copies of her novels in 33 languages, across 38 countries. The Shifting Fog, published internationally as The House at Riverton, The Forgotten Garden, The Distant Hours and The Secret Keeper have all been number one bestsellers around the world.
Product details
- ASIN : B07BLK4M7F
- Publisher : Allen & Unwin (12 September 2018)
- Language : English
- File size : 4615 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 496 pages
- Best Sellers Rank: 22,330 in Kindle Store (See Top 100 in Kindle Store)
- 1,079 in Historical Fiction (Kindle Store)
- 2,126 in Historical Fiction (Books)
- 10,349 in Whispersync for Voice
- Customer Reviews:
About the author
KATE MORTON is an award-winning, Sunday Times and New York Times bestselling author. Her novels - The House at Riverton, The Forgotten Garden, The Distant Hours, The Secret Keeper, The Lake House, The Clockmaker's Daughter and Homecoming - are published in over 45 countries, in 38 languages, and have all been number one bestsellers around the world.
Kate Morton grew up in the mountains of southeast Queensland and now lives with her family in London and Australia. She has degrees in dramatic art and English literature, and harboured dreams of joining the Royal Shakespeare Company until she realised that it was words she loved more than performing. Kate still feels a pang of longing each time she goes to the theatre and the house lights dim.
"I fell deeply in love with books as a child and believe that reading is freedom; that to read is to live a thousand lives in one; that fiction is a magical conversation between two people - you and me - in which our minds meet across time and space. I love books that conjure a world around me, bringing their characters and settings to life, so that the real world disappears and all that matters, from beginning to end, is turning one more page."
www.katemorton.com
www.facebook.com/KateMortonAuthor
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Keep up-to-date on Kate Morton's books and events by joining her mailing list: www.katemorton.com/mailing-list
Customer reviews
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Despite the fabulous story - don't get me wrong, she is an amazing writer - I have only given it a 4 star rating as like other reviews I found it a bit hard to follow the characters and the time periods. They jumped around a bit. She may have been better writing each story line as separate stories of each character and then blended it all into the final chapter in the end. Loved the idea of alot of the story being told through Lily's spirit.
I hope her next one is not 3 years away. I have read them all but will go back and reread The Secret Garden which I think is my favourite.
This skips between time zones and POV making a confusing whirlwind of a read. I found the familiarity of plot a distraction and an annoyance. There is even a grown up Colin Craven.
It then segues into swallows and Amazons territory which never really gets off the ground as well as a final romantic twist that I missed completely with no hint that it was even possible.
A puzzling book that could’ve been saved by an interested editor
"Sentimentality [is] mawkish and cloying, where nostalgia [is] acute and aching...it describe[s] yearning of the most profound kind: an awareness that time's passage could not be stopped..."
Except, presumably, in fiction. Morton's work, whether sentimental or nostalgic, uses a formula that works: a mystery, a wrong that needs to be set right, a big house with its own secrets, a focus on the lives of women across generations. It's part historical fiction, part mystery and all of these novels have the pace of a thriller. The books - though formulaic - magically work their way under the skin. That's not to say there are no surprises. There are twists and turns and also some fabulously inventive writing. One such moment occurred early in the novel where the reader was allowed to hear the inner monologue of a satchel under the weight and history if its contents. That might sound odd, but it worked.
Each woman's story in this particular case is deftly and richly told and then is ultimately woven together, like a great tapestry.
We start with a mysterious character in an old house and who is recounting stories from the past. We discover more in the present-day about this woman and the various allegations that were made against her. There are some allusions made within this story to The Titanic and more than a passing nod to the artist Rossetti. Next up is our main character: Elodie, a clever archivist with her own interesting family history, who is struggling with an interfering soon-to-be mother in law and a relationship that just doesn't seem to be working. Other female narrators are then introduced, with wonderful parallels drawn between each of them.
Yes, this is slightly longer than some of Ms Morton's other books but it's well worth it.
The time gap between the origin story and the current time story was 1862 to 2017 and I was baffled as to how it would link together but that was the role of the clockmaker's daughter and Birchwood Manor. So many different stories throughout the passage of time felt like different lengths of ribbon being woven together and eventually they formed the entire story.
More than one tragic love story but a possible positive one in the end. A mystery solved through the eyes of a number of characters and the secrets of the past revealed in current times as a result of a storm but as if the house was giving up its last secret. As always a little twist in the tale at the end. There was a bonus chapter which was like a short story to a very minor character which I was confused about until the final page; and then it all made sense.
Another story that I was glad to have read.