Art of Producing: How to Create Great Audio Projects 2nd edition [Pehme köide]

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(Indiana School of Medicine, Indianapolis, USA),
  • Formaat: Paperback / softback, 234 pages, kõrgus x laius: 280x210 mm, kaal: 2580 g, 23 Tables, black and white; 6 Line drawings, color; 105 Halftones, color
  • Ilmumisaeg: 06-Feb-2019
  • Kirjastus: Routledge
  • ISBN-10: 0815369387
  • ISBN-13: 9780815369387
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Art of Producing: How to Create Great Audio Projects 2nd editionSuurem pilt
  • Formaat: Paperback / softback, 234 pages, kõrgus x laius: 280x210 mm, kaal: 2580 g, 23 Tables, black and white; 6 Line drawings, color; 105 Halftones, color
  • Ilmumisaeg: 06-Feb-2019
  • Kirjastus: Routledge
  • ISBN-10: 0815369387
  • ISBN-13: 9780815369387
Teised raamatud teemal:
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Püsilink: https://www.kriso.ee/db/9780815369387.html
Märksõnad:

The Art of Producing is the first book to standardize a specific production process for creating a successful music project from start to finish. Learn how to develop a step-by-step process for critiquing all of the musical components that go into creating a highly refined production that works for all styles of music. The book provides a well-rounded perspective on everything that goes into producing, including vital information on how to creatively work with bands, groups and record companies, and offers insight into high level values and secrets that famous producers have developed through years of trial and error. The book covers detailed production techniques for working with today’s latest digital technologies including virtual recording, virtual instruments, and MIDI tracking. Take these concepts, adapt them to your own personal style and you will end up with a successful project of the highest attainable quality with the most potential to be become a hit – or just affect people really deeply.

Arvustused

"I believe "The Art Of Producing" very rapidly, will become the aspiring Producers reference Bible. It is the most thorough book I've seen that goes in depth to the whole producers process of production techniques from start to finish". - Hubert Eaves III - Producer for Luther Vandross, Madonna, Whitney Houston, Aretha Franklin.

List of Charts and Visuals
xi
Foreword xv
Acknowledgments xvii
Summary xix
Introduction 1(4)
PART 1 THE PRODUCER'S JOB
5(10)
1 Types of Producers and Productions
7(8)
Types of Producers
8(3)
What It Takes and How to Get the Job
11(1)
Types of Projects
12(1)
The Producing Process
13(2)
PART 2 THE BUSINESS SIDE OF PRODUCTION
15(12)
2 Finances, Organization, and Politics
17(10)
Budgeting, Scheduling, and Organization
17(2)
Obtaining Financial Backing
19(2)
Dealing with Record Companies
21(2)
Self-Publishing and Promotion
23(4)
PART 3 THE VIRTUAL MIXER CONCEPT
27(30)
3 Visual Representations of Imaging as a Tool for Production
29(28)
Basics of Audio to Visual Mapping -- The Space Between the Speakers
29(28)
PART 4 MUSIC THEORY FOR RECORDING ENGINEERS AND PRODUCERS
57(28)
4 Music Theory Primer
59(26)
Time
60(1)
Note Values
61(2)
Circle Rhythm
63(1)
Time Signatures
64(1)
Tempo
64(1)
Rhythmical Structures
65(1)
Pickup
66(1)
Pitch
66(4)
Music Intervals
70(1)
Scales
70(5)
Chords
75(4)
Circle of Fifths
79(1)
Chord Progressions
80(1)
Volume
81(1)
Song Structures and Musical Charts
82(3)
PART 5 THE PRODUCTION PROCESS
85(88)
5 The Pre-Production Process
87(9)
Setting Up the Meeting
87(2)
Homework Before the Meeting
89(2)
People Skills
91(5)
6 Dynamic Flows
96(5)
7 Structuring and Critiquing the 13 Aspects
101(55)
Aspect 1 Concept
102(4)
Aspect 2 Intention
106(2)
Aspect 3 Melody
108(3)
Aspect 4 Rhythm
111(2)
Aspect 5 Harmony
113(7)
Aspect 6 Lyrics
120(4)
Aspect 7 Density of Arrangement
124(8)
Aspect 8 Instrumentation
132(7)
Aspect 9 Song Structure
139(2)
Aspect 10 Performance
141(6)
Aspect 11 Mix
147(4)
Aspect 12 Quality of the Equipment and the Recording
151(2)
Aspect 13 Hooks
153(3)
8 Higher-Level Concepts
156(4)
Creating a Style of Music
156(2)
Order of the Songs
158(1)
Concept Albums
159(1)
9 Producing in the Studio
160(10)
Critiquing a Performance
161(5)
Focus and Concentration
166(2)
Other Contributing Factors
168(2)
10 Overall Production Goals
170(3)
Combining the 13 Aspects to Create a Major Production
171(1)
Overproducing
171(1)
High-Level Producer Values
172(1)
PART 6 CREATIVITY
173(20)
11 Tapping into the Source: Inspiring Creativity
175(5)
Creative Problem Solving
175(1)
Artistic Creativity
175(3)
Techniques to Get the Creative Juices Flowing
178(2)
12 Balancing Creativity and Mass Appeal (Industry Trends)
180(3)
The Eccentric or Creative Genius versus Tapping into the Mass Audience
180(3)
13 Moment-to-Moment Awareness
183(6)
The State
183(1)
David Gets into the Mix
184(1)
Maestro's Composition of the Elements
185(4)
14 Songwriting
189(4)
Themes
189(1)
ABAB Song Structures
190(1)
Using the Mix to Help the Song (The Importance of Instrumentation)
190(1)
Songwriting Help (Songwriting Organizations)
191(2)
PART 7 SELECTING OR BECOMING A PRODUCER
193(8)
15 Choosing a Producer
195(3)
What to Look for in a Producer
195(1)
Finding a Producer
196(1)
How to Interview a Producer
196(1)
How to Present Yourself to a Producer
197(1)
16 Selling Yourself as a Producer
198(3)
Getting the Job: Finding Bands
198(1)
Poop Sheets
199(1)
Rate Sheets
199(2)
PART 8 PROTECTING YOUR MUSIC
201(10)
17 Protection
203(8)
Copyrights
203(4)
Publishers
207(1)
Personal (Artist) Managers
208(1)
Negotiating Record Deals
208(3)
Appendices
211(10)
A Checklist of All Homework to Be Done before the Pre-Production Meeting
211(5)
B Nomenclature and Monosyllables for Describing Musical and Rhythmical Patterns
216(1)
C Forms
217(1)
D The Virtual Mixer™ Interface
217(4)
Glossary 221(4)
About the Authors 225(6)
Index 231
David Gibson has been teaching, engineering and producing groups in major 24 track studios since 1982 and is the founder of Globe Institute of Recording and Production. He has done recording for James Browns band, Bobby Whitlock (Derek and the Dominoes), The Atlanta Rhythm Sections, Hank Williams Jr.s band, members of the Doobie Brothers, Lacy J. Dalton, and Herbie Hancock. Gibson is currently the #1 seller of Sound Healing music, also used in hospitals across the U.S, and he is the author of the best selling book, The Art of Mixing.

Maestro Curtis, MALS has produced countless artists, such as Hubert Eaves III (D-Train). He has also produced his own band, Xpression, on the Kalimba Records label with executive producer Maurice White of Earth, Wind and Fire. Curtis has performed with such artists as Peabo Bryson, The OJays, George Benson, Phyllis Hyman, and Lenny Williams. He has also played with the Count Basie Orchestra.