Skip to main content

The Pulsar Chart That Became a Pop Icon Turns 50: Joy Division’s Unknown Pleasures

A classic data visualization brought an astronomical curiosity to music lovers

Harold D. Craft, Jr.

Fifty years ago this month Harold D. Craft, Jr., published a remarkable black-on-white plot in his Ph.D. dissertation at Cornell University. A stacked series of jagged lines displayed incoming radio waves from pulsar CP1919, as detected at Arecibo Observatory in Puerto Rico. Several months later the chart appeared as a full-page visualization in Scientific American, this time with white lines on a field of cyan.

A pulsar is a rapidly rotating neutron star that emits a radio-frequency beam that sweeps through space like a lighthouse beacon. In the graphic, 80 consecutive pulses—recorded at a frequency of 318 megahertz—are stacked. One pulse (shown from left to right) lasts about 0.04 second, with peak intensity near the center. Pulses occur every 1.337 seconds.

In 1979 the chart took a big step into public consciousness. Designer Peter Saville featured a white-on-black version as cover art for the English rock band Joy Division's Unknown Pleasures album, with no band name, album title or other identifiers—a bold move. On Scientific American's 175th anniversary we honor Craft's work and a data visualization that made the leap from student research to pop culture icon.


On supporting science journalism

If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.


None

Credit: Harold D. Craft, Jr.; Source: “The Nature of Pulsars,” by Jeremiah P. Ostriker, in Scientific American, Vol. 224; No. 1; January 1971, modified from “Radio Observations of the Pulse Profiles and Dispersion Measures of Twelve Pulsars,” by Harold D. Craft, Jr.; September 1970

None

Scientific American

Jen Christiansen is author of the book Building Science Graphics: An Illustrated Guide to Communicating Science through Diagrams and Visualizations (CRC Press) and senior graphics editor at Scientific American, where she art directs and produces illustrated explanatory diagrams and data visualizations. In 1996 she began her publishing career in New York City at Scientific American. Subsequently she moved to Washington, D.C., to join the staff of National Geographic (first as an assistant art director–researcher hybrid and then as a designer), spent four years as a freelance science communicator and returned to Scientific American in 2007. Christiansen presents and writes on topics ranging from reconciling her love for art and science to her quest to learn more about the pulsar chart on the cover of Joy Division's album Unknown Pleasures. She holds a graduate certificate in science communication from the University of California, Santa Cruz, and a B.A. in geology and studio art from Smith College. Follow Christiansen on X (formerly Twitter) @ChristiansenJen

More by Jen Christiansen
Scientific American Magazine Vol 323 Issue 3This article was originally published with the title “Pulsar as Pop Icon” in Scientific American Magazine Vol. 323 No. 3 (), p. 88
doi:10.1038/scientificamerican0920-88